Violon au féminin: Compositrices françaises Sara Chenal & Jean-Pierre Ferey

• Pauline Viardot (1821-1910): Six morceaux pour violon et piano:
• 1No. 1. Romance03:02
• 2No. 2. Bohemienne02:23
• 3No. 3. Berceuse02:50
• 4No. 4. Mazourke03:19
• 5No. 5. Vieille Chanson04:14
• 6No. 6. Tarentelle03:09
• Mélanie Bonis (1858-1937): Suite pour violon et piano op.114:
• 7I. Jour de fete03:38
• 8II. Sous la ramee07:59
• 9III. Cortege champetre03:44
• Lili Boulanger (1893-1918):
• 10Nocturne (version for violin and piano)02:49
• 11Cortege01:32
• 12D'un matin de printemps04:50
• Chrystel Marchand:
• 13Une Hymne05:48
• Cécile Chaminade (1857-1944):
• 14Serenade, Op. 29 (version for violin and piano)02:45
• 15Capriccio, Op. 1804:49
• 16Gavotte, Op. 902:03
• 17Les Sylvains, Op. 60 (version for violin and piano)04:12
• Mélanie Bonis:
• 18Serenade03:32
• Germaine Tailleferre (1892-1983):
• 19Sicilienne (version for violin and piano)03:21
• 20Berceuse02:29
• Total Runtime01:12:28

Info zu Violon au féminin: Compositrices françaises

Discovering high-quality music is exhilarating. And for the performer, perhaps even more so, for to the customary exercise of re-creation is added the further responsibility of defending before the audience unknown works for which listeners have no prejudice. Such is the case with the present program, devoted to French women composers of the 19th and 20th c., including Cécile Chaminade, Lili Boulanger and Germaine Tailleferre, heretofore little served in discographies. Violinist Sara Chenal has pursued a career as a solo violinist following several year service in the Dijon Opera Orchestra.

Sara Chenal, violin
Jean-Pierre Ferey, piano

Sara Chenal
A violonist, she won a first prize with distinction at the Conservatoire National Supérieur de Musique in Lyon in 2003, with R.Dugareil, then A.Roussin as masters. She later attended advanced violin classes at the Rotterdams Conservatorium under the guidance of J.J. Kantorow, then a series of chamber music classes at the Conservatoire National Supérieur de Musique in Paris with E.Bellocq, J.J. Kantorow and R.Dyedns.

Throughout her years of apprenticeship she was invaluably advised by H.Cartier-Bresson, C.Courtois, J.Ghestem, L.Ketels, P.Lucotte, C.Poiget, A.Vinnitski, and T.Zehetmair.

A full-time member of the orchestra at the Opera of Dijon ( 1996-2001), she subsequently veered to a career as a soloist and chamber music player, first as member in a string trio then a duet with the guitar player Olivier Pelmoine. Their henceforth “ Cordes et Ames/ Strings and Souls” combination played 250 concerts in association with the Jeunesses Musicales de France and was the award winner of the international Mauro Giuliani competition in Bari , sponsored by the Societe Generale.

Since 2006 she has played as first violin in the “Sine Qua Non” string quartet and frequently appears in all sorts of chamber music groups.

She also appears as guest violinist in such ensembles as La Baule, J.W.Audoili, Forum Sinfonietta, Les Musiciens d’Art, Musica de Flandre, Océan. She also regularly performs contemporary music with Multilatérale, Cairn, Court-Circuit, Instant Donné or Utopik.

Sara Chenal’s performances often take place in Paris Cité de la Musique, Théâtre du Châtelet, salle Cortot, Salle Gaveau, l’Olympia, although she has occasionally performed in the Basilique of Vezelay, Mont Saint-Michel, Palais des Papes in Avignon or Theatre Graslin in Nantes. She has also widely travelled to play in Italy, Germany, Japan, Argentina, Brazil, Nigeria, Cameroon, Tunisia, or Canada.

She has often been asked to take part in broadcasts, in particular the well-known France-Musique programmes “Dans la Cour des Grands” or “Alla Breve”.

She has recorded three CDs for Scarbo with the guitar-player Olivier Pelmoine :Taïgo in 2007 ( Contemporary music), San Telmo in 2009 ( South American), Chansons populaires espagnoles in 2012 ( De Falla, Granados). She appears in miscellaneous recordings with Marc Perrone, Jacques Lenot, Philippe Leloup, Albert Hamman, , Emilie Simon…

Several pieces have been dedicated to her ( J.Y.Bosseur, J-L Narvaez, F.Rossé). She has transcribed the Aranjuez Concerto and De Falla’s El amor brujo/L’amour sorcier, for string quartet and guitar, and has published for Editions Lemoine Sergio Arriagada’s Danses sud-américaines in a 1 -violin or 2- violin version.

Sara Chenal is also very keen on teaching and has passed her Certificat d’Aptitude. After teaching for five years at the Conservatoire à Rayonnement Régional in Nantes, and four years at the CEFEDEM Bretagne-Pays de la Loire, she is at present both teacher and coordinator at the district Conservatoire of Paris 8e.

She has directed master-classes in France, Nigeria and Tunisia.

Booklet für Violon au féminin: Compositrices françaises