Notre-Dame - Cathédrale d'émotions Maîtrise Notre-Dame de Paris

Cover Notre-Dame - Cathédrale d'émotions

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
08.07.2020

Label: Warner Classics

Genre: Classical

Subgenre: Vocal

Interpret: Maîtrise Notre-Dame de Paris

Komponist: Morten Lauridsen (1943), Philippe Hersant (1948), John Rutter (1945), William Mathias (1934-1992), Gustav Holst (1874-1934), Gautier de Coincy (1177-1236), Jean-Charles Gandrille (1982), Yves Castagnet (1964)

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  • Morten Lauridsen (b. 1943):
  • 1O magnum mysterium06:34
  • Anonymous:
  • 2Anonymous: Circa canit02:04
  • Traditional: Arr. Rutter:
  • 3I Saw Three Ships02:17
  • Jean-Charles Gandrille (b. 1982): Magnificat, Op. 50:
  • 4Magnificat, Op. 50: I. Magnificat02:37
  • 5Magnificat, Op. 50: II. Et exsultavit02:21
  • 6Magnificat, Op. 50: III. Quia respéxit01:02
  • 7Magnificat, Op. 50: IV. Quia fecit02:09
  • 8Magnificat, Op. 50: V. Et misericordia02:10
  • 9Magnificat, Op. 50: VI. Fecit poténtiam02:08
  • 10Magnificat, Op. 50: VII. Deposuit01:52
  • 11Magnificat, Op. 50: VIII. Esuriéntes02:56
  • 12Magnificat, Op. 50: IX. Suscépit Israël01:32
  • 13Magnificat, Op. 50: X. Sicut locutus est01:47
  • 14Magnificat, Op. 50: XI. Gloria Patri04:21
  • Gautier de Coincy (1177 - 1236):
  • 15Hui matin a l'ajournée05:35
  • Anonymous:
  • 16Organum a 3: Benedicamus Domino04:42
  • William Mathias (1934 - 1992):
  • 17A Babe Is Born03:33
  • Gustav Holst (1874 - 1934):
  • 18Christmas Day07:36
  • Anonymous:
  • 19Occidentem illustrat oriens (Responsory for the Office of the Crown of Thorns)02:20
  • Philippe Hersant (b. 1948): Vêpres de la Vierge Marie:
  • 20Vêpres de la Vierge Marie: III. Psaume CXXI08:10
  • Yves Castagnet (b. 1964):
  • 21Veni Sancte Spiritus08:55
  • Total Runtime01:16:41

Info zu Notre-Dame - Cathédrale d'émotions

Musik auf einem farbigen Kirchenfenster: Sakralwerke aus Notre Dame – ein Jahr danach: Im April 2019 wurde die Welt Zeuge eines riesigen kulturellen Verlustes: Das Feuer in der Pariser Kirche Notre Dame zerstörte Teile des Dachstuhls, den hölzernen Vierungsturm und das Gewölbe des Hauptschiffes. Eine besondere Form der Unterstützung zum Wiederaufbau kommt nun aus der berühmten Kathedrale selbst. Der Chor La Maîtrise Notre-Dame de Paris, dessen Wurzeln bis ins 12. Jahrhundert zurückgehen, erinnert zusammen mit Sängerinnen und Sänger des Ensemble vocal de Notre-Dame de Paris an die große Musikgeschichte des Gotteshauses.

Raphaël Mas, percussion, drums
Yves Castagnet, organ
María Lueiro García, soprano
Joséphine Geoffray, mezzo-soprano
Maîtrise Notre-Dame de Paris Solène Riot, flute
Bérengère Sardin, harp
Cécile Achille, soprano
Sylvain Dieudonné, vielle
Lucile Richardot, mezzo-soprano
Clara Morel-Coutouly, soprano
Jean-Christophe Lanièce, baritone
Floriane Hasler, mezzo-soprano
Anaïs Bertrand, mezzo-soprano
Robert Getchell, tenor
Olivier Latry, organ
Alain Buet, baritone
Ensemble vocal de Notre-Dame de Paris
Les Sacqueboutiers
Henri Chalet, choir director
Lionel Sow, choir director




Henri Chalet
is Director and principal choir conductor at the Maîtrise Notre-Dame de Paris since 2014, after having worked with Lionel Sow as assistant choir conductor.

He graduated in composition and choir conducting from Paris and Lyon Conservatoire National Supérieur de Musique. Between 2010 and 2017, he took over the mixed-voice jeune chœur de Paris at the Conservatoire à Rayonnement Régional. He succeeded at the musical direction of its founder, Laurence Equilbey, and to Geoffroy Jourdain, whom he was the assistant.

Until 2011, he also served as artistic director of the Saint-Christophe de Javel Maîtrise, an ensemble with which he has made several recordings, including Duruflé’s Requiem and the premiere recording of Yves Castagnet’s Psaumes. From 2011 to 2013, he has been coaching the choir of the Orchestre de Paris on a regular basis. As recognized and respected musician, he was invited in many prestigious concert halls (Bordeaux Opéra Comique, Le Havre Volcan…) and in all over the world (Amsterdam Muziekgebouw, Moscow Tchaikovsky Hall, Cambridge Clare College, Luxembourg Philharmonie, Budapest Rasio Choir, New-York Lincoln Center…).

With the Maîtrise Notre-Dame de Paris, he conducted or prepared for high reputation invited conductors big monuments of sacred music as the Monterverdi’s Virgin Vespers, Bach’s Matthaus Passion, Haydn’s Creation, Mozart’s Requiem, Brahm’s German Requiem, Beethoven’s Missa solemnis, Stravinsky’s Mass, Thierry Escaich’s Last Gospel, Philippe Hersant’s Vespers.

He could thus collaborate with great conductors like Leonardo García Alarcón, Sir Roger Norrington, David Reiland, John Nelson, Sofi Jeannin, Gustavo Dudamel…

At the head of jeune chœur de paris, he has recorded with Natalie Dessay, Karine Deshayes, Philippe Cassard, but also with Marie-Nicole Lemieux and the Orchestre national de France or Sabine Devieilhe and Les Ambassadeurs orchestra.

Trained professional organist graduated at the Paris and Boulogne-Billancourt Conservatoire à Rayonnement Régional, Henri Chalet was one of the titular organists at the Church of Notre-Dame in Versailles until 2014.

Lionel Sow
Since 2011, when Lionel Sow took over running the Orchestre de Paris Chorus, he has developed a major training project in which pedagogy plays a pivotal role. His desire is not only to provide the Orchestre de Paris with a chorus capable of singing the choral repertoire with passion and talent, but also to enable young singers to be trained in a demanding environment. An academy, a chamber choir, a children's choir and a youth choir have been created between 2012 and 2015.

Before his arrival at the Orchestre de Paris, Lionel Sow successively conducted the Maîtrise des petits chanteurs de Saint-Christophe de Javel, the vocal ensemble les Temperamens and the Maîtrise de Notre Dame de Paris.

In 2017, Lionel Sow joined the Voice and Choral Conducting Department of the Lyon Conservatoire (CNSM). He also regularly collaborates as a guest chorusmaster for professional orchestras and choirs in France and abroad.

Lionel Sow was made Chevalier des Arts et des Lettres in January 2011.

Les Sacqueboutiers
ensemble de cuivres anciens de Toulouse have been in existence for more than thirty five years, during which time they have built up a reputation as one of the finest early music ensembles on the international scene.

Regarded by specialists and the public alike as a reference in the interpretation of seventeenth-century instrumental music, particularly that of Italy and Germany, the ensemble has reaped the highest awards for its recordings.

When they decided to form Les Sacqueboutiers in 1974, Jean-Pierre Canihac and Jean-Pierre Mathieu were among the first to embark on the adventurous rediscovery of early instruments. The quality if their work soon attracted attention, and they took part in the groundbreaking recording of Monteverdi’s Vespro della Beata Vergine, conducted by Michel Corboz. Since then, they have performed music ranging from the Renaissance to Mozart, with many prestigious ensembles including Les Arts Florissants (William Christie), La Chapelle Royale (Philippe Herreweghe), A Sei Voci (Bernard Fabre-Garrus), Elyma (Gabriel Garrido), La Grande Ecurie et la Chambre du Roy (Jean-Claude Malgoire), and the Clément Janequin Ensemble (Dominique Visse).

With these ensembles or in their own programmes, Les Sacqueboutiers have appeared at all the great European festivals, and in South America.

The group comprises a nucleus of cornetts and sackbuts, which are joined, as the needs arise, by other instruments (violins, viols, bassoons, shawms) and vocalist(s) (a soloist, a group of ten or so singers, or a vocal quartet).

Flexibility is necessary in the performance of such a varied repertoire. In collaboration with specialised musicologists, Les Sacqueboutiers often work on revivals. Indeed, one of the ensemble’s major objectives is to play an active part in the gradual rediscovery of the very fine works that make up our European musical heritage.



Booklet für Notre-Dame - Cathédrale d'émotions

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