Johann Helmich Roman: Golovinmusiken, BeRI 1 Höör Barock & Dan Laurin

Cover Johann Helmich Roman: Golovinmusiken, BeRI 1

Album Info

Album Veröffentlichung:
2019

HRA-Veröffentlichung:
01.03.2019

Label: BIS

Genre: Classical

Subgenre: Chamber Music

Das Album enthält Albumcover Booklet (PDF)

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 14,00
  • Johan Helmich Roman (1694 - 1758): Golovinmusiken, BeRI 1:
  • 1Golovinmusiken, BeRI 1: No. 1, Allegro02:09
  • 2Golovinmusiken, BeRI 1: No. 2, Ouverture01:51
  • 3Golovinmusiken, BeRI 1: No. 3, Larghetto03:06
  • 4Golovinmusiken, BeRI 1: No. 4, Allegro assai02:17
  • 5Golovinmusiken, BeRI 1: No. 5, Gigue00:53
  • 6Golovinmusiken, BeRI 1: No. 6, Allegro00:59
  • 7Golovinmusiken, BeRI 1: No. 7, Allegro06:33
  • 8Golovinmusiken, BeRI 1: No. 8, Presto01:04
  • 9Golovinmusiken, BeRI 1: No. 9, Aria01:50
  • 10Golovinmusiken, BeRI 1: No. 10, Sinfonia04:26
  • 11Golovinmusiken, BeRI 1: No. 11, Allegro00:54
  • 12Golovinmusiken, BeRI 1: No. 12, Bourrée01:00
  • 13Golovinmusiken, BeRI 1: No. 13, Menuet02:32
  • 14Golovinmusiken, BeRI 1: No. 14, Bourrée01:00
  • 15Golovinmusiken, BeRI 1: No. 15, Presto00:51
  • 16Golovinmusiken, BeRI 1: No. 16, Aria01:54
  • 17Golovinmusiken, BeRI 1: No. 17, Allegro00:36
  • 18Golovinmusiken, BeRI 1: No. 18, Allegro01:18
  • 19Golovinmusiken, BeRI 1: No. 19, Aria02:09
  • 20Golovinmusiken, BeRI 1: No. 20, Allegro01:15
  • 21Golovinmusiken, BeRI 1: No. 21, Bourrée00:43
  • 22Golovinmusiken, BeRI 1: No. 22, Gigue01:40
  • 23Golovinmusiken, BeRI 1: No. 23, Lento01:52
  • 24Golovinmusiken, BeRI 1: No. 24, Aria01:22
  • 25Golovinmusiken, BeRI 1: No. 25, Bourrée01:19
  • 26Golovinmusiken, BeRI 1: No. 26, Ouverture02:13
  • 27Golovinmusiken, BeRI 1: No. 27, Allegro02:09
  • 28Golovinmusiken, BeRI 1: No. 28, Hornpipe01:52
  • 29Golovinmusiken, BeRI 1: No. 29, Presto00:43
  • 30Golovinmusiken, BeRI 1: No. 30, Andante00:43
  • 31Golovinmusiken, BeRI 1: No. 31, Presto00:42
  • 32Golovinmusiken, BeRI 1: No. 32, Comodo00:58
  • 33Golovinmusiken, BeRI 1: No. 33, L'istesso tempo01:04
  • 34Golovinmusiken, BeRI 1: No. 34, Presto01:14
  • 35Golovinmusiken, BeRI 1: No. 35, Tempo di gavotta02:28
  • 36Golovinmusiken, BeRI 1: No. 36, Loure02:34
  • 37Golovinmusiken, BeRI 1: No. 37, Bourrée00:56
  • 38Golovinmusiken, BeRI 1: No. 38, Andante02:58
  • 39Golovinmusiken, BeRI 1: No. 39, Bourrée01:52
  • 40Golovinmusiken, BeRI 1: No. 40, Allegro01:12
  • 41Golovinmusiken, BeRI 1: No. 41, Siciliano03:08
  • 42Golovinmusiken, BeRI 1: No. 42, Gavotte01:36
  • 43Golovinmusiken, BeRI 1: No. 43, Gavotte01:20
  • 44Golovinmusiken, BeRI 1: No. 44, Siciliano02:55
  • 45Golovinmusiken, BeRI 1: No. 45, Gigue02:04
  • Total Runtime01:20:14

Info zu Johann Helmich Roman: Golovinmusiken, BeRI 1

In 1728, the recently appointed court Kapellmeister Johan Helmich Roman was approached by Count Golovin, the Russian ambassador in Stockholm. Golovin was organizing a celebration of the recent coronation in Moscow of Tsar Peter II, and naturally wanted music to add to the festivities. His six years in London – where he made the acquaintance of Handel among others – and subsequent experience as assistant court Kapellmeister, made Roman the obvious choice for the count. The result was Golovinmusiken (The Golovin Music), an autograph score consisting of 45 movements of varying lengths. These are the facts as we know them, and everything else is conjecture: Roman’s manuscript lacks vital instructions regarding instrumentation, dynamics or tempi, and although the first three movements are in four parts, the rest are in three parts or (in a few cases) two. When a performing edition was being prepared in the 1980s, the editors came to the conclusion that the material was in fact incomplete, and a second violin part was added. It was also deemed that the order of the movements was probably not the one in which they would have been performed. The edition in question formed the basis for a partial recording of the work, comprising 22 movements. 290 years after Count Golovin’s feast, as Dan Laurin and his colleagues in Höör Barock recorded the complete work, their approach was a different one. Making use of a total of 18 different instruments – from sopranino recorder and oboe da caccia to bassoon, strings and baroque guitar – and featuring highly imaginative continuo playing from Anna Paradiso at the harpsichord, their performance sounds as full and varied as one might wish for, without any added parts. Laurin’s performing version also follows the order of Roman’s score, creating a number of smaller suites out of this greater whole that a wider audience now can enjoy for the very first time.

Dan Laurin, recorders, direction
Höör Barock



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Booklet für Johann Helmich Roman: Golovinmusiken, BeRI 1

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