Album info

Album-Release:
2015

HRA-Release:
19.03.2019

Label: Traumton

Genre: Classical

Subgenre: Chamber Music

Album including Album cover

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FLAC 96 $ 15.00
  • 1Sommer05:50
  • 2Winter04:02
  • 3Choral06:34
  • 4Lyric Song04:41
  • 5Triptychon07:15
  • 6Shadows04:08
  • 7No Bow02:14
  • 8Rhapsody in D05:45
  • 9Cyan05:35
  • Total Runtime46:04

Info for Curiosity



Kaleidoscope String Quartet - Curiosity A string quartet doesn’t necessarily need to be stuck in the chamber music of past centuries. Outstanding ensembles like the Turtle Island String or Kronos have long proven that. The Kaleidoscope String Quartet (KSQ) transcends the classical format into new dimensions equally determinedly as the named “trailblazers”, but in a completely different way. On their second album Curiosity the Swiss musicians captivate with charismatic original compositions and distinctive sound. KSQ confidently leave genre boundaries behind and change between elegance, grand air and unpretentious spirit. “The idea is to integrate the different styles that have influenced us, into our own voice,” Simon Heggendorn explains. “We compose more from the perspective of the musician and the audience and don’t raise the claim to be avant-garde.”

When the Kaleidoscope String Quartet was founded in 2009, the musicians were only in their mid to late twenties. A major production, where the string players impressed as partners of a jazz quintet, provided the occasion. At that time - still with a partly different line-up - they decided to “get something going on their own.” In 2011 their debut album Magenta was released and Europe-wide shows and a lot of praise from the press followed. In 2012 the ensemble was awarded the ZKB Jazz-Prize, about which the Tagesanzeiger Zürich jubilated: “Never before has there been a winner, who has scored this prize with such souplesse [= litheness. Author’s note].

The special character of the KSQ is based on a musical openness. According to the main composer Heggendorn, this already presented itself in all involved musicians during college. “To us, it is about living the interaction, spontaneity and improvisation musically,” the violinist implies a differentiation from classical music colleagues, “whereupon we also play with the sound possibilities a string quartet has to offer.” The title of the current album, Curiosity, could not be more fitting, because the music of the KSQ signalizes inquisitiveness for a musical ground that has been little explored so far. “The current pieces are more personal, the compositions have gained musical depth and overall they are perhaps a bit quieter than on Magenta,” Simon Heggendorn describes the development. “David Schnee contributed two pieces, which of course brings in additional facets. Besides, we have a much higher level in general, because we have played around 70 concerts since Magenta.”

Precisely because the four players outstandingly master their instruments, they enjoy flirting with a certain risk and place their emphasis on courage instead of perfectionism. They have banned all sheet music and the appendant music stands from stage for example. Even the recordings sound unusually lively and play with airiness and attention to detail, with transparency and densification. “The aspects of groove and rhythmic drive are very important to us,” Heggendorn describes the bands priorities, “virtuosity is not our primary objective, although it can flash up in solos.” Almost all pieces leave room for solo-improvisation and when playing live, the acoustic panorama is occasionally broadened by ad hoc created noises and atmospheric soundscapes. In some passages familiar harmonies and melodies seem to drift by, but don’t manifest themselves and rather remain a diffuse anticipation. The meandering between imaginary memories and unexpected effects is seducing. To the question, how they get their partly associative ideas, the two composers answer surprisingly differently: “Quite consciously,” David Schnee explains and Simon Heggendorn says: “very intuitively.”

The stylistic range of the Kaleidoscope Sting Quartet is courageous, because the musicians do not think about possible categories or strategies when composing and playing. “We just see it as a chance to be able to develop something unique and independent,” says Simon Heggendorn. Plenty of successful concerts with thrilled audiences affirm this undogmatic attitude. Classical music, jazz and open-minded pop listeners are enthralled by the unconventional and fresh charisma of these musicians; and should a few purists or traditionalists raise their eyebrows with irritation, the KSQ ungrudgingly accept this. By the way, so that there are no misunderstandings: the landscape shot on the album cover does not bow to the confederate homeland. The panorama rather illustrates that spatial vastness, which also characterizes the sound of the Kaleidoscope String Quartet.

Simon Heggendorn, violin
Ronny Spiegel, violin
David Schnee, viola
Solme Hong, cnello



Das Kaleidoscope String Quartet
dringt fulminant in Streichquartett-untypische Gebiete vor. Die vier klassisch und in Jazz ausgebildeten Musiker finden zu einer eigenen Klangsprache, welche musikalische Grenzen auslotet und stets Anknüpfungspunkte zu Genres wie Jazz, Pop und Rock und zeitgenössischer Musik sucht. Kantige Grooves wechseln sich mit Klangmalereien ab und folkige Melodien stehen experimentierfreudigen Improvisationen gegenüber. Interaktion und Spontaneität sind zentral für das Ensemble, das sich mehr als Band denn als klassisches Quartett sieht und seine Performances ohne Notenständer gibt. KSQ’s Repertoire besteht hauptsächlich aus Eigenkompositionen von Geiger Simon Heggendorn und Bratschist David Schnee.

Im Herbst 2015 veröffentlichte das KSQ bei Traumton Records Berlin sein zweites Album “Curiosity” und stellte die CD mit einer Konzerttournee in der Schweiz, in Deutschland und in Tschechien vor. “Curiosity” fand sowohl in der deutschen und schweizerischen Fachpresse als auch in Schweizer Tageszeitungen viel Beachtung und wurde von den Rezensenten hochgelobt.

Seit seiner Gründung 2009 hat das KSQ zahlreiche Konzerte in den renommiertesten Jazzclubs der Schweiz und Deutschlands sowie an bekannten Festivals wie Cully Jazz, Langnau Jazznights oder dem Jazzfestival Willisau gespielt. Das Quartett tritt aber auch regelmässig bei Klassikreihen und Festivals, so zum Beispiel bei den Murten Classics, in der Lucerne Festival Lounge oder im Kulturcafé der Elbphilharmonie Hamburg, auf. Ferner arbeitet das KSQ immer wieder mit Künstlern und Ensembles aus den Bereichen Jazz und Klassik zusammen und realisiert auch spartenübergreifende Kunstprojekte.

Mit dem Gewinn des ZKB-Jazzpreis 2012 reiht sich das KSQ in die illustre Runde von Schweizer Ensembles und Bands ein, welche auch international erfolgreich sind und das Schweizer Musikschaffen repräsentieren und nachhaltig prägen. Das Quartett beweist, dass es ein traditionellerweise “klassisches” Ensemble durchaus mit den Grössen des Jazz aufnehmen kann: «Noch nie in der Geschichte des ZKB Jazzpreises gab es einen Sieger, der sich mit einer solchen Souplesse den Preis erspielt hätte.» (Tagesanzeiger Zürich)

This album contains no booklet.

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