Qvid est Veritas Los Músicos de Su Alteza, Olalla Alemán, Luis Antonio González
Album info
Album-Release:
2021
HRA-Release:
07.01.2022
Label: IBS Classical
Genre: Classical
Subgenre: Chamber Music
Artist: Los Músicos de Su Alteza, Olalla Alemán, Luis Antonio González
Composer: Benedetto Ferrari (1603-1681), Maurizio Cazzati (1620-1677), Claudio Monteverdi (1567-1643), Tarquinio Merula (1590-1665), Giovanni Felice Sances (1600-1679)
Album including Album cover Booklet (PDF)
- Benedetto Ferrari (1603 - 1681):
- 1Ferrari: Amanti, io vi so dire04:45
- Maurizio Cazzati (1616 - 1678):
- 2Cazzati: Sinfonia02:09
- 3Cazzati: La verità sprezzata07:41
- Claudio Monteverdi (1567 - 1643):
- 4Monteverdi: Ecco di dolci raggi il sol armato, SV 24902:27
- 5Monteverdi: Lasciatemi morire, SV 22:110:06
- 6Monteverdi: Et è pur dunque verò, SV 25007:34
- 7Monteverdi: Quel sguardo sdegnosetto, SV 24702:09
- Tarquinio Merula (1595 - 1665):
- 8Merula: Hor ch’è tempo di dormire07:36
- Giovanni Sances (1600 - 1679):
- 9Sances: Stabat Mater11:50
- Maurizio Cazzati:
- 10Cazzati: Passacaglio03:06
- Claudio Monteverdi:
- 11Monteverdi: Sì dolce è’l tormento, SV 33202:45
Info for Qvid est Veritas
This album contains a collection of works from the Seicento, most of them well known and recorded several times, although it also includes a composition (Cazzati’s La Verità sprezzata) that is little or not very often heard. It is a repertoire to which we have usually devoted ourselves. That is why we wanted to propose our own way of doing it, in all honesty and avoiding fashions and artifice, without pretentiousness, respecting only the rhetorical —and dramatic— discourse implicit in the texts and their setting to music, fleeing from affectation —but not from affetti— and unquestioned customs, taking advantage of the information provided by musicological research, making use of our intuition and experience, and also remembering the teaching we have received from our old masters. Inspired by Ripa’s allegory and by the idea of truth as άλήθεια or unveiling of the self that is hidden by the veil of appearance, we have endowed our performance with a certain natural simplicity, a deliberate nakedness, especially in moments of particular emotional intensity.
Los Musicos de su Alteza
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