The Hymns Album Huddersfield Choral Society

• 1 Jerusalem 02:32
• 2 Sine nomine (For all the saints): For all the saints 03:15
• 3 Dear Lord and Father of mankind 03:25
• 4 Jesus Christ is risen today 03:01
• 5 We have a gospel to proclaim 03:12
• 6 Be thou my vision 02:49
• 7 O for a thousand tongues 03:21
• 8 Tell out, my soul 02:20
• 9 Crown Him with many crowns 03:04
• 10 And Can It Be That I Should Gain: And can it be 04:22
• 11 Now Thank We All Our God: Now thank we all our God 02:57
• 12 Morning has broken 01:54
• 13 Hills of the North 03:11
• 14 Love divine, all loves excelling 03:01
• 15 Thine be the glory 03:07
• 16 Lord for the years 03:48
• 17 O Jesus, I have promised 02:51
• 18 This joyful Eastertide 02:40
• 19 Be Still For The Presence Of The Lord: Be still, for the presence of the Lord 02:25
• 20 Glorious things of thee are spoken 03:15
• 21 Praise to the Holiest 03:38
• 22 O Lord my God 03:40
• 23 How shall I sing that Majesty 02:40
• 24 O Thou who camest from above: O thou who camest from above 02:31
• 25 Christ is made the sure foundation (arr. of Z. 41) 03:59
• Total Runtime 01:16:58

Info for The Hymns Album

25 traditional hymns, sung in rousing Huddersfield style, with descants and arrangements by Joseph Cullen and Darius Battiwalla. Hymns have been around in one form or another for as long as people have gathered together in a formal manner to worship, praise, marry or mourn. No better expression of the joy engendered by a goodly number of voices singing hymns may be found than in the grand forces of the Huddersfield Choral Society. Conducted by Joseph Cullen, with Darius Battiwalla (organ). Some tracks also feature brass arrangements, and members of the Huddersfield Choral Society Junior Choirs. Recorded in Huddersfield Town Hall in January 2006.

This is a completely new album, and there is no overlap with the famous 1985 hymns album with Owain Arwel Hughes (now deleted).Track Listing (1. And did those feet, 2. For all the saints, 3. Dear Lord and Father of mankind, 4. Jesus Christ is risen today, 5. We have a gospel to proclaim, 6. Be thou my vision, 7. O for a thousand tongues, 8. Tell out, my soul, 9. Crown him with many crowns, 10. And can it be, 11. Now thank we all our God, 12. Morning has broken, 13. Hills of the North, 14. Love divine, all loves excelling, 15. Thine be the glory, 16. Lord for the years, 17. O Jesus, I have promised, 18. This joyful Eastertide, 19. Be still, for the presence of the Lord, 20. Glorious things of thee are spoken, 21. Praise to the Holiest, 22. O Lord my God, 23. How shall I sing that majesty, 24. O thou who camest from above, 25. Christ is made the sure foundation).

Murray Greig, trumpet
Jamie Prophet, trumpet
Michael Woodhead, trumpet
Robert Holliday, trombone
Robert Burtenshaw, trombone
Paul Milner, trombone
Robert Ashworth, horn
Marney O'Sullivan, timpani
Darius Battiwalla, organ
The Huddersfield Choral Society
Joseph Cullen, direction

Huddersfield Choral Society
Since its foundation in 1836, Huddersfield Choral Society has developed an international reputation as the UK’s leading choral society, under a succession of distinguished principal conductors and chorus masters. The present chorus master is Joseph Cullen, with Darius Battiwalla deputy chorus master.

The choir’s special quality is the unique ‘Huddersfield Sound’ – a thrilling full-bodied and firm blended tone, flexible enough for both the most shattering climaxes and for the softest but most focused pianissimos.

The Society promotes its own professional subscription concert season in Huddersfield Town Hall, its home since 1881. The choir also visits other major concert halls in the UK and abroad, regularly broadcasts for radio and television, and has a long history of pioneering recordings. Recent repertoire includes established works such as Verdi’s Requiem, Orff’s Carmina Burana, and Britten’s War Requiem as well as world and UK premières including Agamemnon’s Tomb (John Pickard) and Messages (Jonathan Harvey). In recent years the choir has travelled to France, Japan, the Czech Republic, Belgium, as well as to festivals in the UK from Cheltenham to Orkney.

But Handel’s Messiah is perhaps the work most closely associated with the Society, performed at least annually since 1864 and still attracting capacity audiences at the two Christmas performances in Huddersfield. Lightness and flexibility combine with awesome grandeur to bring this choral masterpiece to life for contemporary audiences. The special 175th anniversary season which this recording marks has seen a number of performances of Messiah by the Society throughout the UK, including The Sage Gateshead, Stratford-upon-Avon (guests of the Stratford-upon-Avon Choral Society), and The Barbican on Good Friday.

Mindful of its 175 year history and of the need to encourage young people to become the choral singers of the future, the Society supports three junior choirs – the Youth Choir, Young Voices and Chamber Choir. The choirs are directed by professional musicians and have their own independent concert programmes.

Jane Glover
Music Director of Chicago’s Music of the Baroque since 2002 and recently named Artistic Director of Opera at London’s Royal Academy of Music, Jane Glover made her professional debut at the Wexford Festival in 1975, conducting her own edition of Cavalli’s L’Eritrea. She joined Glyndebourne in 1979 and was Music Director of the Glyndebourne Touring Opera from 1981 to 1985; and she was Artistic Director of the London Mozart Players from 1984 to 1991. In continual demand on the international opera stage, Ms Glover has appeared with numerous companies including the Royal Opera House, Covent Garden, English National Opera, Glyndebourne, Berlin Staatsoper, Royal Danish Opera, Opéra National du Rhin in Strasbourg, Opéra National de Bordeaux, Glimmerglass Opera, New York City Opera, Opera Australia, Opera Theatre of St. Louis, and the Teatro La Fenice in Venice. Known chiefly as a Mozart specialist, she has conducted all the Mozart operas regularly, all over the world, since her initial performances of them in Glyndebourne in the 1980’s.

Ms Glover’s concert engagements similarly take her all over the world. She has performed with all the major symphony and chamber orchestras in Britain, repeatedly at the BBC Proms, as well as with orchestras in Europe, the US, the Far East and Australasia. In recent seasons she has appeared with the San Francisco Symphony, the Houston Symphony, the Toronto Symphony, the St Louis Symphony, the Orchestra of St Luke’s (Carnegie Hall), the Philharmonia, the Academy of St Martin in the Fields, the London Mozart Players and the City of London Sinfonia, as well as the period orchestras the Philharmonia Baroque, and the Handel & Haydn Society. She has appeared at the Mostly Mozart Festivals in both New York and London. She is also especially known for her experience in the choral repertoire, and was Music Director of both the London and the Huddersfield Choral Societies.

Jane Glover studied at the University of Oxford, where, after graduation, she did her D.Phil. on 17th-century Venetian opera. She holds honorary degrees from several other universities, and is a Fellow of the Royal College of Music. She was created a CBE in the 2003 New Year’s Honours.

This album contains no booklet.