Lindé Afel Bocoum

• 1 Penda Djiga 04:32
• 2 Bombolo Liilo 04:57
• 3 Dakamana 04:23
• 4 Fari Intro 00:17
• 5 Fari Njungu 05:36
• 6 Jaman Bisa 03:33
• 7 Avion 05:56
• 8 Sambu Kamba 04:49
• 9 Yer Gando 03:51
• 10 Kakilena 02:51
• 11 Djougal 04:23
• Total Runtime 45:08

Info for Lindé

Afel Bocoum ist einer der letzten Verbliebenen einer Durchbruchs-Generation an afrikanischen Künstlern, die ihre eigene traditionelle Musik, mit den im 20. Jahrhundert aufgekommenen neuen Klängen aus aller Welt kombinierten und so ihren eigenen Sound schufen. Er stammt ursprünglich aus Niafunké, einem kleinen Ort in der Timbuktu-Region in Mali, der sich im Spagat zwischen dem kulturellen Reichtum und der politischen Spannung des Landes befindet. Bocoum verbrachte mehrere Jahrzehnte zusammen mit Desert-Blues-Pionier Ali Farka Touré, mit dem er auf Tour ging und Musik aufnahm. Sein Debut-Album Alkibar (1999, World Circuit) brachte ihm schnell internationale Anerkennung, wodurch er seine Zusammenarbeit mit weiteren Künstlern begann. So entstand zum Beispiel sein gemeinsames Projekt mit Damon Albarn und Toumani Diabaté, Mali Music (2002). Darüber hinaus war er regelmäßig an Projekten der Gruppe Africa Express beteiligt und kollaborierte mit Künstlern wie Béla Fleck, Habib Koité und dem Tartit Ensemble.

Das Album Lindé ist nach der Wildnis in der Nähe seiner Heimtatstadt benannt, welche er als Kind häufiger erforschte. Das Album ist ein Zusammenspiel aus tiefer Tradition und mutigen Innovationen. Lindé wurde von Damon Albarn & Nick Gold produziert, und verbindet die jahrealte traditionelle Musik aus den Regionen rund um den Niger, mit herausragenden Darbietungen von angesehenen malischen Musikern wie Madou Kouyaté, oder die späten Hama Sankaré und Madou Sidiki Diabaté, in Kombination mit Einsätzen des Afrobeat-Pioniers Tony Allen, der Posaune von Vin Gordon (Bob Marley / Skatalites) und der Violine von Joan as Police Woman. Auf dem Album sind verschiedenste traditionelle Instrumente vertreten, welche sich harmonisch mit den Klängen von Gitarren, Percussion und Ruf-und-Antwort-Gesängen mischen. Darunter zum Beispiel die ngoni, njurkele, die kora oder die Kalebasse. Das Ergebnis ist ein sanfter, wogender Klang, der aus einer Quelle aus historischen und mystischen Traditionen aus Bocoums Heimat strömt, angereichert durch die Einflüsse aus verschiedenen Kulturen. Auf Lindé findet sich Musik, die durch ihre Eleganz, Ungezwungenheit und ihren Minimalismus strahlt.

Darüber hinaus ist Lindé ein Album mit einer klaren Aussage. In einer Zeit die von Ungewissheit und Turbulenzen geprägt ist, einer Heimat die durch den Dschihad, Armut und Stammeskriege bedroht ist, vermittelt Afel Bocoum Hoffnung, Solidarität und Gemeinschaft. Seine Worte sind klar: We have to meet each other, talk to each other, look each other in the eye and tell the truth [ ] Our social security is music. That s all we ve got left. People love music, so we have to make use of that fact.

Afel Bocoum

Afel Bocoum
(born 1955) is a musician from Mali, noted as a singer and guitarist. He began his career as a member of Ali Farka Toure's group ASCO, and Toure is often regarded as his mentor. Both men come from the town of Niafunke on the River Niger, and are members of the Sonrai people.

Bocoum is an agricultural advisor by profession.His group, Alkibar (the name means 'messenger of the great river' in Sonrai) consists of two acoustic guitars, a njarka (a one-string fiddle), a njurkle (a kind of lute), calabash and djembe percussion, and two female singers as well as male singers in the choruses.

Bocoum is the lead vocalist. Bocoum uses music as a medium of communication, commenting on contemporary Malian society, e.g., "if you betray one woman, you betray all women" (Yarabitala), "we live in a crazy world with no respect; tomorrow we’ll be judged by our children" (Salamm aleikum), "parents, do not force your daughters to marry; a home will never flourish without true love" (Mali woymoyo).

Most of his singing is done in Sonrai, his native language, but also in Tamasheq (the language of the Tuareg) and in Peul (the language of the Fula people). Bocoum's father was a musician and was noted locally for his ability to play the njarka and njurkel, which he employed to play music at weddings.

Bocoum used to accompany his father to the weddings and there learnt the songs of the se galarare style of music. He retained his preference for acoustic over electric guitar, and the use of traditional instruments.

As well as the Malian musicians he grew up with, Bocoum cites Jorge Benjor, Mamadou Doumbia, Salif Keita, John Lee Hooker, and Mongo Santamaria as his musical influences.In 1968, at the age of thirteen, he joined the group of guitarist Ali Farka Toure and singer Harber Maiga as an apprentice.

It was Maiga who taught Bocoum to sing and to write songs. Maiga mentored Bocoum until his death on 23 March 1983. Bocoum's first solo performance came in 1968 at a musical competition in Mopti. He was well received by the public.

In 1972 he performed in front of 3000 people at Mali's second Biennale in Bamako, which was held every two years from 1970 to 1990, when Musa Traore was overthrown. The Bambara people were dominant in Malian affairs at that time and because of his Sonrai ethnicity, Bocoum was only awarded second prize.

He left the Niafunke group in 1975 when he won a scholarship to an agricultural college in M'Pessoba, near Koutiala in the southeast of the country. After three years of study he began working in Djenné, before returning to his home town, and the group, in 1980.

In 1982 he was invited to join the Orchestre Diaba Regional from Timbuktu. In the early 1980s he formed Alkibar, and influenced by his knowledge of agriculture, used their music to communicate with people about water and irrigation.

His debut album, Alikibar, was recorded in an abandoned school near Niafunke over the course of six days - the same session and location where the Ali Farka Toure's Niafunke was recorded. In fact, Ali Farka and Bocoum appeared on each other's albums.

Bocoum and Ali Farka's record producer believed that transporting the group to a recording studio overseas would diminish the quality of the music.In 2002 Bocoum collaborated with the Blur singer Damon Albarn on the successful Mali Music album, and the two played together in concerts in London and Denmark.

In 2006, Afel Bocoum and his band, Alkibar, released their second full-length album Niger on the Belgian label Contre-Jour. The sounds of Niger rely heavily on the traditional instruments njarka and njurkel, which give this collection of new materials a more traditional, and distinctively different quality from their excellent Western debut, Alkibar.

Niger opens with a heartfelt and stirring tribute to his late mentor, Ali Farka Toure.

This album contains no booklet.