Renascent The Durutti Column

Album info

Album-Release:
2026

HRA-Release:
31.07.2026

Album including Album cover

I`m sorry!

Dear HIGHRESAUDIO Visitor,

due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1 Echoes in the Memory 01:22
  • 2 Your Shadow at Morning 04:09
  • 3 Time Present and Time Past 05:57
  • 4 Agonistes 04:05
  • 5 Liars 03:46
  • 6 Vapour in a Matchbox 02:09
  • 7 Your Shadow at Evening 04:42
  • 8 Sargasso Sea 03:24
  • 9 Scammer 03:00
  • 10 For Friends Everywhere 05:31
  • 11 All They See Is Fire 03:27
  • Total Runtime 41:32

Info for Renascent



"Renascent" marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart.

The album opens with the gentle throb of Echoes In The Memory but slips softly into a longer piece, the near-Oriental twinkle of Your Shadow At Morning. Time Past And Present, the longest piece at almost six minutes, echoes and swirls around Reilly’s guitars. Agonistes, which enters with a dreamy drumbeat, then sees the harmonic sweep of experimental Manchester vocalist Caoilfhionn Rose. Closest to a pop song – or at least the promise of a pop song – is Vapours In A Matchbox, Reilly’s guitar jangling and swirling in the clouds, while Your Shadow At Evening sees the mystical guitar work swept along by a rocky beat. Rose returns to sing vocals, and provide piano, for Sargasso Sea, the only actual song, gentle and romantic. Reilly’s spoken, murmured vocals drift through the musical haze of Scammer before For Friends Everywhere, the most rounded, elegant piece. The musical ensemble here sees Stewart on celeste, marimba and bass clarinet, along with guest musicians on French horn, violins, piano and timpani, a new age orchestral work.

The album ebbs and flows like a drifting sea, music that could at times be a film score, at others something edging, delicately, towards a rock album. Reilly has suffered traumatic times in recent years but he has returned with one of his best, the long gap in proceedings only giving his vision a new depth.

Bruce Mitchell, drums (tracks 4, 7)
Vini Reilly, guitar (1–9)
Keir Stewart, production (all tracks), keyboards (tracks 2, 3, 5, 7, 9), bass (tracks 5, 7, 9, 11); arrangement, clarinet (track 10); guitar (track 11)
Additional musicians:
Caoilfhionn Rose, vocals (track 8)
Sam Morris, French horn (track 10)
John Ellis, piano (track 10)
Liz Rossi, violin (track 10)
Lucas Elliott, vocals (track 11)



The Durutti Column
Born in Higher Blackley, Manchester, in 1953, composer-guitarist Vini Reilly first found wide acclaim as the principal member of The Durutti Column, a constantly evolving modern music ensemble recruited by Factory Records in 1978. The original band soon splintered, leaving Reilly as the sole member. His first album, The Return of the Durutti Column, recorded with producer Martin Hannett in 1979, established the fragile, mercurial player as a major talent.

This album contains no booklet.

© 2010-2026 HIGHRESAUDIO