L’ESSENZA dell’arpa barocca a Napoli Marie Nishiyama

• Jacques Arcadelt (1507 - 1568), Giovanni Maria Trabaci (1575 - 1647): Ancidetemi pur, Per l’Arpa:
• 1 Arcadelt, Trabaci: Ancidetemi pur, Per l’Arpa 08:05
• Giovanni Maria Trabaci: Toccata Prima Secondo Tono:
• 2 Trabaci: Toccata Prima Secondo Tono 04:33
• Gagliarda IV à 5. alla Spagnola:
• 3 Trabaci: Gagliarda IV à 5. alla Spagnola 02:29
• Toccata Quarta, & ultima, a Cinque:
• 4 Trabaci: Toccata Quarta, & ultima, a Cinque 03:51
• Carlo Gesualdo (1566 - 1613): Canzon franzese del Principe:
• 5 Gesualdo: Canzon franzese del Principe 07:38
• Orlando di Lasso (1532 - 1594), Ippolito Tartaglino (1539 - 1582): Canzon sopra Susanna:
• 6 Lasso, Tartaglino: Canzon sopra Susanna 04:30
• Ascanio Mayone (1570 - 1627): Toccata Prima:
• 7 Mayone: Toccata Prima 05:35
• Canzona Francesa Seconda:
• 8 Mayone: Canzona Francesa Seconda 05:21
• Toccata quarta:
• 9 Mayone: Toccata quarta 04:48
• Ascanio Mayone, Jacques Arcadelt: Ancidetemi pur:
• 10 Mayone, Arcadelt: Ancidetemi pur 06:09
• Ascanio Mayone: Toccata Seconda:
• 11 Mayone: Toccata Seconda 05:13
• Francesco Lambardo (1585 - 1624): Gagliarda:
• 12 Lambardo: Gagliarda 01:44
• Giovanni de Macque (1548 - 1614): Canzon, chiamate le due Sorelle:
• 13 Macque: Canzon, chiamate le due Sorelle 07:15
• Total Runtime 01:07:11

Info for L’ESSENZA dell’arpa barocca a Napoli

In der Barockzeit war die Harfe ein Instrument, das alle Arten von Musik, ob vokal, instrumental, religiös oder weltlich, untermalte und eine starke Faszination auf die Menschen ausübte. Die Erfindung des dreisaitigen Instruments im frühen 17. Jahrhundert läutete das goldene Zeitalter der Harfe durch neapolitanische Komponisten ein. Alle sechs hier aufgeführten Komponisten stammen aus Neapel oder sind mit Neapel verwandt. Obwohl sie in der Musikgeschichte nur selten erwähnt werden, sind sie bemerkenswert, weil sie Pionierarbeit für einen neuen Stil der Tastenmusik geleistet und die Möglichkeiten der Harfe erheblich erweitert haben. Marie Nishiyama's Album, in dem sich der Geist der neapolitanischen Musiker unendlich ausbreitet.

Marie Nishiyama, Harfe

Marie Nishiyama
The Japanese harpsichordist and harpist, Marie Nishiyama, began studying piano at age 3 In 1992 she graduated from the piano department of Tokyo Music University with piano soloist diploma, and in 1994 also received her master's degree in harpsichord there. She studied under Yoshio Watanabe (harpsichord) and Yoshiko Ueda (organ). Her interest I early music led her to the Schola Cantorum Basiliensis in Switzerland to study with Andreas Staier, Jörg-Andreas Bötticher, Rinaldo Alessandrini and Nicolau de Figueiredo (harpsichord), Heidrun Rosenzweik and Mara Galassi (historical harp), Jesper Christensen (Basso continuo, ensemble), and Pedro Memelsdorff (medieval ensemble). She also deepened her Baroque harp studies with Mara Galassi at Scuola di Musica Civica di Milano. In 1997 she received due to his performances on the harpsichord, the 1st prize in the Early Music Kofu (Japan). Among other awards and accolades, she won 1st prize at the 11th Yamanashi Early Music Festival for her harpsichord performance.

Marie Nishiyama’s concert activity has led her to appearances in various European countries, Brazil and the USA. She is regularly invited to participate in international festivals and recordings for radio and television, both as a soloist and with the most prestigious orchestras and chamber groups (Concerto Vocale, René Jacobs, Crawford Young, Ferrara Ensemble ...). She is a member of the early music ensemble Anthonello, and an accomplished international soloist in both harpscichord and historical harp.

Marie Nishiyama has also been involved in many recordings, including several solo recordings, not only in Japan but also in European countries including Italy and Spain. Her highly acclaimed original recording "Taner Fantasia - Spanish keyboard music" (released 1999 in Japan) made its Spain release in 2003 (Enchiriadis label), and was chosen as the most recommended CD by a Spanish journal. Each of her solo albums, "Dance du Roy et Chonson " (renaissance harp), "Lamento di Tristano" (medieval gothic harp), "Jupiter - Les orages des passions - Forqueray Pieces de Clavecin" and "J.S. Bach French Suites" (harpsichord) has continued to receive high praise and recommendation from many Japanese journals and newspapers. Her recordings have been published by labels as Cookie & Bear, Fauxbordon and ALM Records (Japan), Symphonia (Italy), BIS (Sweden), Harmonia Mundi (France) and Enchiriadis (Spain). Since 2007, she has released a series of J.S. Bach's main keyboard works under the Anthonello Mode label.

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