Boireann: Music for Flute and Piano Emma Coulthard, Emma Halnan, David Appleton

• John Buckley (b. 1951): Five Etudes:
• 1 Buckley: Five Etudes: I. Perpetuum Mobile 02:13
• 2 Buckley: Five Etudes: II. Ebbing and Flowing 04:32
• 3 Buckley: Five Etudes: III. Canon 02:27
• 4 Buckley: Five Etudes: IV. Duetto Notturno 03:53
• 5 Buckley: Five Etudes: V. Streetcar 02:15
• In Memoriam Doris Keogh:
• 6 Buckley: In Memoriam Doris Keogh: I. Seascapes 03:34
• 7 Buckley: In Memoriam Doris Keogh: II. Nocturne 06:02
• 8 Buckley: In Memoriam Doris Keogh: III. Dance 03:25
• Two Fantasias for Alto Flute:
• 9 Buckley: Two Fantasias for Alto Flute: I. Fantasia No. 1 02:54
• 10 Buckley: Two Fantasias for Alto Flute: II. Fantasia No. 2 04:36
• Airflow:
• 11 Buckley: Airflow 05:03
• Three Études for Piano:
• 12 Buckley: Three Études for Piano: I. Nine Variations 02:27
• 13 Buckley: Three Études for Piano: II. Through The Empty Vaulted Night 04:57
• 14 Buckley: Three Études for Piano: III. Stars and Dreams 04:07
• Three Pieces for Solo Flute:
• 15 Buckley: Three Pieces for Solo Flute: I. No. 1 03:38
• 16 Buckley: Three Pieces for Solo Flute: II. No. 2 02:49
• 17 Buckley: Three Pieces for Solo Flute: III. No. 3 02:59
• Sea Echoes (for glissando flute):
• 18 Buckley: Sea Echoes (for glissando flute) 03:34
• Boireann (for flute and piano):
• 19 Buckley: Boireann (for flute and piano) 10:44
• Total Runtime 01:16:09

Info for Boireann: Music for Flute and Piano

Boireann enthält zwei Kompositionen, die speziell für diese Veröffentlichung geschaffen wurden. "Five Études for Two Flutes" ist eine Neuinterpretation früherer Stücke für zwei Violinen und zeigt Buckleys Fähigkeit, musikalische Ideen auf verschiedene Instrumentengruppen zu übertragen. "In Memoriam Doris Keogh", ein dreisätziges Stück für Flöte und Klavier, spiegelt die breit gefächerten musikalischen Interessen von Buckleys Flötenlehrerin Doris Keogh wider und ist eine bewegende Hommage an ihren Einfluss.

John Buckleys glanzvolle Karriere als Komponist hat ihm weltweit Anerkennung eingebracht. Dieses neue Album ist ein Zeugnis seiner tiefen Verbundenheit mit der Flöte, die über fünfzig Jahre andauert. Von seinen frühen Studien bei der legendären Doris Keogh an der Royal Irish Academy of Music in Dublin bis zu seinem jüngsten Werk "In Memoriam Doris Keogh", das 2022 fertiggestellt wurde, zeigt das Album die Entwicklung von Buckleys flötenzentriertem Repertoire. Diese Sammlung zeigt auf hervorragende Weise seine Vielseitigkeit als Komponist.

Die Zusammenarbeit mit den talentierten Flötistinnen Emma Coulthard und Emma Halnan sowie dem Pianisten David Appleton verleiht dem Album eine zusätzliche Brillanz und macht es zu einem fesselnden und bereichernden Musikerlebnis.

Emma Coulthard, Flöte
Emma Halnan, Flöte
David Appleton, Klavier

Emma Coulthard
studied Flute and Recorder at the Royal Irish Academy of Music with Doris Keogh, and Musicology at Trinity College Dublin.. Emma took a keen interest in contemporary music from early in her career, collaborating with Irish Composers including John Buckley, Martin O’Leary and Paul Hayes in the early 1990s. Emma was the soloist for Paul Hayes’s Prix Italia piece ‘Mass Production” and as a singer worked with Michael Holohan on settings of Seamus Heaney poems . In 2018, whilst living in Wales Emma returned to her work with Irish Composers, commissioning and premiering several new works from Fergus Johnston, Paul Hayes, John McLachlan , Granne Mulvey, Jenn Kirby and Anna Murray which led to performances in Tokyo, Sofia, Cardiff, Dublin and Maynooth. In 2022 she was been part of Benjamin Dwyer’s SacrumProfanum project , which has been released on Farpoint, and the ‘Connected Skies’ project with Angela Slater funded by ACE. She has been broadcast on BBC and RTE radio and television, and has been published by Music Sales and Trinity.

Emma Halnan
first came to prominence as woodwind category winner of BBC Young Musician 2010. She has since appeared at major venues worldwide, and has performed concertos with orchestras such as the London Mozart Players and the European Union Chamber Orchestra. Other competition successes include the Sussex Prize for Woodwind in the Royal Overseas League Competition 2019 and first prize in the Sir Karl Jenkins/Arts Club Award 2016. Emma was been selected as a “Making Music” Young Artist 2018-20, and is a City Music Foundation Artist.

Emma was principal flute of the European Union Youth Orchestra 2014-16. She has also freelanced with orchestras including the London Mozart Players, RTÉ National Symphony Orchestra, the BBC Scottish Symphony Orchestra, English National Opera and the Orchestra of the Age of Enlightenment.

Emma is a highly reputed and very dedicated teacher. She teaches privately, for the University of Cambridge, and at Trinity Laban Conservatoire. Her pupils have gained places in national ensembles and at various conservatoires (both junior and senior departments).

Emma studied at the Royal Academy of Music with William Bennett and Kate Hill, and afterwards with Robert Winn. She previously studied at the Purcell School with Anna Pope.

David Appleton
David’s most notable body of performance experience has been with the six piano ensemble Piano Circus, with whom he was a co-director between 1994 and 2014. As well as extensive touring in Europe, South East Asia and the USA and South America with the group, notable recordings include the album Transmission (Observer CD of the week in 2001) ,Future Sound of London with Max Richter and Skin & Wire with the legendary drummer Bill Bruford (2009.) Collaborations also include Pete Townsend: The Lighthouse at Sadlers Wells, Michael Clark: Oh My Goddess, also at Sadlers Wells and touring, plus combing abseiling with pianistic endeavour with aerial theatre company Scarabeus. Work with piano duo partner Kate Ryder (1998-2008) included Three Little Scandals film and live music at The Barbican and critically acclaimed performances of Stockhausen: Mantra.

Booklet for Boireann: Music for Flute and Piano