Girl in Green David Liebman

Cover Girl in Green

Album info

Album-Release:
2020

HRA-Release:
10.01.2020

Label: Big Round Records

Genre: Jazz

Subgenre: Contemporary Jazz

Artist: David Liebman

Album including Album cover Booklet (PDF)

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Formats & Prices

Format Price In Cart Buy
FLAC 48 $ 14.50
  • 1 Equinox 08:05
  • 2 Beautiful Love 06:35
  • 3 Girl in Green 05:47
  • 4 Sometime Ago 06:48
  • 5 Solar 05:35
  • 6 One Final Word 05:52
  • 7 Blue in Green 05:29
  • 8 Missing Lady 06:21
  • 9 A Taste of Honey 07:53
  • 10 Unconditional Surrender 07:13
  • Total Runtime 01:05:38

Info for Girl in Green

New from Big Round Records comes jazz composer and pianist Paul English’s GIRL IN GREEN. The album features never-before-heard renditions of immortal classics as well as English’s original works. Listen as English and his cadre of masterful soloists carve a place for themselves in jazz history.

GIRL IN GREEN is an album that was almost lost forever. Paul English recalls performing at the Texas Jazz Festival in 2000 with an extraordinary lineup of musicians accompanying him on stage. The magic was there, and the group booked two last-minute recording sessions at a nearby studio to capture it. Shortly afterward, the small record label English was signed with folded, and the recordings were locked away for nearly two decades – until now. GIRL IN GREEN features the best takes from these recordings. English leads his players through legendary jazz tunes like Equinox by John Coltrane and Solar by Miles Davis. The album also features English’s original works, including the title track, Girl in Green. English demonstrates his virtuosity and knowing mastery of the jazz canon throughout the album; his tasteful piano work is grounded in tradition yet bears his unique signature.

Paul English’s GIRL IN GREEN captures the electric thrill of seven expert jazz cats collaborating in real time. Listeners of all ages and backgrounds will find themselves wrapped up in the rich humanity of these performances. Don’t miss the chance to revel in these rescued treasures.

David Liebman, soprano & tenor saxophones
Ed Calle, soprano & tenor saxophones
Dennis Dotson, trumpet
Paul English, piano
Brennen Nase, bass
Mike Drake, drums
James Metcalfe, percussion




David Liebman
NEA Jazz Master (2011) David Liebman’s career has spanned nearly five decades, beginning in the early 1970s as the saxophone/flautist in both the Elvin Jones and Miles Davis Groups, continuing as a bandleader since. He has played on over five hundred recordings with nearly two hundred under his leadership and co-leadership. In jazz education he is a renowned lecturer and author of several milestone books: Self Portrait Of A Jazz Artist, A Chromatic Approach To Jazz Harmony And Melody, Developing A Personal Saxophone Sound (translated into multiple languages), in addition to teaching DVDs, journalistic contributions to periodicals and published chamber music. Lieb‘s autobiography What It Is-The Life Of A Jazz Artist (Scarecrow Press) is a fascinating look into Lieb’s career. His bands over the years have included noted musicians such as John Scofield, Richie Beirach, Bob Moses, Billy Hart and others. The current group Expansions features some of the best of the younger generation. Lieb is the Founder and Artistic Director of the International Association of Schools of Jazz (IASJ) existing since 1989, which is a worldwide network of schools from nearly 40 countries. Liebman’s awards, besides the NEA honor include the Jazz Educators Network (JEN) Legends of Jazz (2013); the Order of Arts and Letters (France 2009); Jazz Journalist’s award for Soprano Saxophone (2007); Grammy nomination for Best Jazz Solo (1998); Honorary Doctorate from the Sibelius Academy (Finland-1997). He is currently teaching at the Manhattan School of Music and a guest lecturer at Berklee College of Music. Dave has consistently placed in the top positions for Soprano Saxophone in the Downbeat, Jazz Times and JazzEd polls since 1973.

4-im-Image_name-8760“David Liebman has the ability to touch the soul seeking from the wayward horn an extraordinary depth of emotion and dramatic range. His cantabile style, as identifiable as a human voice in its emotional tone and dramatic role playing, may in a given solo, conjure up anguish, ecstasy, anger, fear, hilarity or haughtiness. Liebman’s music is storytelling of a very high order-form, content, accent, color and mood are all in place, on cue." (Downbeat Magazine)



Booklet for Girl in Green

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