Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968 (Remastered) Johnny Cash
Album info
Album-Release:
2021
HRA-Release:
29.10.2021
Album including Album cover
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- 1 Cocaine Blues (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:02
- 2 The Long Black Veil (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:11
- 3 Orange Blossom Special (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:03
- 4 I'm Going To Memphis (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 04:06
- 5 The Ballad of Ira Hayes (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:53
- 6 Rock Island Line (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:04
- 7 Guess Things Happen That Way (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 01:24
- 8 One Too Many Mornings (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:03
- 9 Don't Think Twice, It's All Right (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:11
- 10 Give My Love to Rose (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:28
- 11 Green, Green Grass of Home (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:29
- 12 Old Apache Squaw (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 01:29
- 13 Lorena (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:23
- 14 Forty Shades of Green (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:21
- 15 Bad News (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:38
- 16 Jackson (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:26
- 17 Tall Lover Man (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:18
- 18 June's Song Introduction (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 01:32
- 19 Wildwood Flower (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 00:53
- 20 Foggy Mountain Top (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 00:45
- 21 This Land Is Your Land (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 00:55
- 22 Wabash Cannonball (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 00:34
- 23 Worried Man Blues (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 01:14
- 24 Long Legged Guitar Pickin' Man (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:23
- 25 Ring of Fire (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 01:31
- 26 Big River (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:33
- 27 Don't Take Your Guns to Town (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 02:38
- 28 I Walk the Line (Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968) 03:38
Info for Bear's Sonic Journals: Live At The Carousel Ballroom, April 24 1968 (Remastered)
After a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums, At Folsom Prison and At San Quentin. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.
Johnny Cash – At the Carousel Ballroom, recorded on April 24, 1968, captures the Man in Black at the height of his charismatic powers. Confidently departing from the more formalized setlist he’d been doing, we hear him in playful and powerful dialogue with his new bride June Carter and his longtime musicians—guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland—connecting with an audience more accustomed to the Grateful Dead and Jefferson Airplane.
What makes the performance even more significant is that it was recorded by the innovative sound wizard Owsley “Bear” Stanley in a verité style that startles with a clarity and dimension missing from the two more well-known releases. In 1968, it was just another entry in Bear’s continuing “sonic journal” of recorded shows, a means to keep improving his art. But thirty years later, Stanley would recognize it as one of a handful of the most significant performances he’d captured.
“A masterpiece. Dad gave what I believe to be one of the most intimate and connected shows I have ever heard.” (John Carter Cash)
“I don’t think there are any live recordings of Johnny that weren’t originally intended to be an album. So to be able to stumble across such a live recording during such a golden era for him, and find that it was recorded in such a dynamic way, is incredible. It’s an opportunity to show Johnny in a new light. When John Carter Cash heard the first fifteen seconds of this recording, he recognized it as something significant. It has a three-dimensional, dynamic quality that a lot of live music from that era does not have.” (Josh Matas, on behalf of the John R. Cash Trust)
Johnny Cash
Digitally remastered
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