Bleed to Life Vonavibe

• 1 Left for Dead 04:49
• 2 Run n' Hide 03:21
• 3 Vonavibe 04:14
• 4 Hold On 03:44
• 5 Paint It Black 04:23
• 6 All That Remains 05:07
• 7 Beyond Tolerance 05:42
• 8 Break Your Sky 03:37
• 9 Song 9 04:47
• 10 Come Undone 05:13
• 11 Alive 08:12
• Total Runtime 53:09

Info for Bleed to Life

Bleed to Life by Vonavibe is an album that redefines the sound barrier at least in terms of raw power. We often informally refer to that massive rhythm guitar, bass, and percussion vibe as a “Wall of Sound,” and the first bands that come to mind are Black Sabbath and Metallica. More veritably, the “Wall of Sound” was introduced in the 1960s by record producer Phil Spector, who invented a dense orchestral studio aesthetic made of layering, echo, spill, and mono. Currently, Vonavibe have sonically restructured this idea, and Bleed to Life does not simply give us a “Wall.” It builds us a grand fortress. With the first single, “Run ‘n’ Hide” is the driving, up-tempo track meant to be blaring as you floor it on the interstate. The guitar is gigantic, and the verses alternate between power-vocals and phrases sung through a megaphone, all blood and oil, flesh and cold steel, the beautiful violence of man and machine. The second single “Vonavibe” awakens your soul. The beginning vocal isolated with the rhythm guitar is the building block of the band’s signature layering technique, fully realized at the mid-point guitar solo constructed of both intricate runs and melodic phrasing. Picture the climax of a stadium concert. Picture everyone standing on their seats. The third highlight of the album “Hold On” is a vocal masterpiece, featuring three “pitch classes” that Dyon executes with precision. He goes from a near whisper to full voice, and at 2:11 he hits the top of his range in a falsetto fry usually reserved for rock royalty like Tommy Kiefer and Ronnie James Dio. Besides the addictive hooks, intricate dynamics, clever drum pattering, and diverse vocals, the guitar interplay on Bleed to Life, is exceptional. Part of this is a result of the technical production, writing, and studio performances, but more viscerally, it feels to the listener like becoming a tidal wave, a volcano, a hurricane, pick your simile. Of course, rhythm chords and repetitive riffing are often used as mere background to the verses, choruses, and platform solos, but Vonavibe create a world where the rhythm guitar is unique like a “vocalist,” with the lead guitar becoming an exotic superhero.

Dyon, rhythm guitars, vocals
John Tass, lead guitars
George Andrian, drums

Vonavibe
are a heavy modern rock band formed in 2016 and based in Athens, Greece. In 2016 they self-released the E.P., Vol.1, containing three original recordings, and won first place at the Global Battle Of The Bands. Moreover, in 2017, the band earned first place for Best New Band by Panik Records while also capturing first place at the DesertFest Contest. In 2018, after landing a deal with Panik Records, they released two singles titled, “Come Undone” and “Run‘n’ Hide – Live at Berlin.”

In 2019, Vonavibe entered the studio to record their debut album, yet in 2020 Dyon was in a motorcycle accident that left him in a wheelchair for more than a year. It took almost two years for Dyon to recover from his injuries; however, the band, being restless, managed to finish the album. This is the point where Vonavibe left Panik Records in search of a label with experience in heavy music as well as a worldwide spectrum. In November, 2021, with the prohibition of live shows still in effect, Vonavibe released the E.P. titled, Locked Up, containing three cover songs paying tribute to The Weekend, Tears for Fears, and Linkin Park.

This album contains no booklet.