Get It Honest The Revivalists

• 1 Heart Stop 04:19
• 2 Lost And Found 03:24
• 3 Get It Honest 03:24
• 4 Blood On The River 03:30
• 5 Razorblades And Runways 03:33
• 6 Love's The Only Thing 03:40
• 7 Holy 03:36
• 8 Bad Bad Bad 03:56
• 9 The World Is Not Enough 04:07
• 10 As Of Now 03:35
• 11 Nobody 02:53
• 12 Lay It On Me 03:01
• Total Runtime 42:58

Info for Get It Honest

Das sechste Studioalbum der in New Orleans, Louisiana, ansässigen und von der RIAA mit Multi-Platin ausgezeichneten Band sowie ihr erstes komplett neues Album seit über drei Jahren, „Get It Honest“, wird heute mit der Premiere des gewaltigen Eröffnungstracks „Heart Stop“ angekündigt, der ab sofort überall erhältlich ist. Getragen von verflochtenen Gitarren, kraftvollem Schlagzeug und Gesang, bei dem man sich die Seele aus dem Leib schreit, feiern The Revivalists in diesem Titel die Beharrlichkeit angesichts von Dingen, die man so sehr liebt, dass sie einen fast zu zerreißen drohen. Frontmann David Shaw stellt sich allem, was kommen mag, indem er auf dem Weg zum Höhepunkt schreit: „I’m not afraid of the future comin’ my way/I’m over wasting my time.“ Zu „Heart Stop“ gibt es ab heute ein offizielles Musikvideo, das jetzt auf YouTube zu sehen ist. Unter der Regie der Filmemacherin Caroline Iaffaldano und vollständig mit einer Helmkamera aus der Ich-Perspektive gedreht, entführt das auf den ersten Blick beeindruckende Video den Zuschauer zusammen mit der talentierten Tänzerin Malerie Dempster in ein ikonisches „Shotgun House“ in New Orleans.

„Dieser Song mag bei jedem ein bisschen anders ankommen, und das finde ich toll“, sagt Shaw. „Aber für mich bedeutet er: Manchmal ist man zwischen zwei Lieben hin- und hergerissen. Eine, die einen zerreißt, und eine, von der man weiß, dass sie die richtige ist. Dieser Song handelt von den schlaflosen Nächten, dem Chaos und dem Moment, in dem man sich endlich dem hingibt, von dem man weiß, dass es für einen da ist.“

Erneut produziert wurde der Song vom GRAMMY®-Preisträger Rich Costey (Vampire Weekend, Foo Fighters, Death Cab for Cutie) im idyllischen Guilford Sound in Vermont – demselben Studio, in dem The Revivalists und Costey bereits 2023 gemeinsam an ihrem lebensbejahenden fünften Album „Pour It Out Into the Night“ gearbeitet hatten – zeigt „Get It Honest“ eine erfahrene Band, die dank hart erkämpfter Erfahrung und grenzenloser Solidarität einen neuen Weg in die Zukunft einschlägt. Nachdem sie auf früheren Alben vielfältige musikalische Facetten verkörpert hatten, zeugt die 12 Titel umfassende Sammlung von einer segensreichen Geschlossenheit, als hätten The Revivalists endlich ihren eigenen Sound gefunden – zumindest für den Moment.

Da sieben der acht Bandmitglieder mittlerweile Väter sind, ist „Get It Honest“ zweifellos ein Album für Erwachsene, das auf Songs basiert, in denen es darum geht, sich von einer Vergangenheit zu befreien, die einen nur herunterzieht, und die Aspekte der Gegenwart anzunehmen, für die man dankbar ist, überhaupt hier zu sein – wie Liebe, Gnade und Erlösung. Songs wie „Razorblades and Runways“, „Lost and Found“ und der emotionale, zentrale Titelsong spiegeln diese Erkenntnisse wider, wobei diese großartige Band eine willkommene Zurückhaltung an den Tag legt, die ihren gemeinsamen Weg in die Zukunft unterstreicht. Mit „Get It Honest“ nehmen sich The Revivalists die Zeit und Energie, uns alle daran zu erinnern, den Blick nach oben und nach vorne zu richten, weiterzumachen und niemals zuzulassen, dass unsere Vergangenheit unser Schicksal bestimmt.

„Für mich geht es bei diesem Album darum, diesen Punkt zu verstehen und zu lernen, damit umzugehen, so wie ein Töpfer den Ton bearbeitet“, reflektiert Shaw. „Unsere Fehler und Unvollkommenheiten sind es, die uns letztendlich menschlich und schön machen.“

The Revivalists

The Revivalists
Some people say 'luck is the intersection of hard work and opportunity'. On their fourth full-length album and first for Loma Vista Recordings, The Revivalists chronicle, catalog, and capture an unbelievable ride where ten years of tireless hard work would be unexpectedly revved up by the wrongly dubbed “overnight success” of the gold-selling number one single “Wish I Knew You.” Like any enduring band worth its salt, they reacted the best way possible to newfound popularity - by buckling down and turning up with an album chock full of tunes worthy of even greater success. It’s the result of a trip that unassumingly commenced in 2008 with hundreds of underground shows yearly and culminated 10 years later with not only “Wish I Knew You,” but three years of back-to-back sold out headline tours. In life, like rock ‘n’ roll, some questions get answered while others stay unanswered. Our personal backroads tuck, twist, and turn through ups, downs, and everything in between at light speed, sometimes without explanation or a moment for reflection. Mirroring the push-and-pull of the past few years, the boys—David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion]—deliver a bevy of anthems marked by moments of sonic complexity, celebration, and catharsis.

“As far as the music goes, sometimes I just have a feeling, and it comes through in a song,” says David. “I don’t know what it is, but it makes me feel something. I wanted this album to be simply about that. Making the new music has been a bit of a cathartic process for me—just to get some of these feelings out, lose myself in the art, and become someone else. Songwriting is the great escape. It’s where I can be who I want to be. It’s been three years of touring our asses off, writing in between, and honing our craft. Then, ‘Wish I Knew You’ happened. Everything got even crazier. This album basically came together the way we always make records though. It’s simply a collection of songs from where we were at that point in our lives. We didn’t want to divert too much from what we’ve always been, but we wanted to take it to the next level and continue that trajectory of our artistry and creativity.”

Simultaneously, life was rapidly changing around the band, and the music spoke to that.

“Everything going on these past few years certainly informed the direction,” David continues. “I don’t know if I was ready for some of what transpired emotionally. I got personal on some of the songs. I said some things I might not have otherwise. Thankfully, I have a good family network and amazing girlfriend to balance all of the changes.”

“We were fortunate enough to have this ‘hit’ on the last record, and things have changed,” adds Andrew. “We had to keep pushing forward.”

For the first time, The Revivalists recorded and co-wrote with multiple producers and writers, enlisting the talents of Dave Cobb [Sturgill Simpson, Chris Stapleton], Andrew Dawson [Kanye West, Fun., Sleigh Bells], and Dave Bassett [Elle King, Vance Joy] for sessions in New Orleans and Nashville, which became a hub for the band. They spent three weeks recording at the iconic RCA Studio B, soaking up the aura of one of the most storied studios in music and the city’s rich musical history. Additionally, it would be the first record with drummer/percussionist PJ joining the band in the studio.

Bringing sixty songs to the table, the guys whittled the batch down to the best fourteen of the bunch.

Andrew continues, “On the first few records, we were figuring out what our identity is, so we were really involved in the minutia of recording. After all this time, we have an identity, and it’s more based in our songs. We were able to let go and allow these producers to take us into a direction that we wouldn’t go on our own. We got to explore a little more. Being ten years in empowered us to do that.”

“We had the opportunity to work with more people, which was amazing,” David goes on. “The main difference was having this team and the chance to co-write. It really elevated our craft in a way that I don’t think we ever thought about previously. We were all working together in the studio, while keeping the true heart and soul of the band intact through the whole process.”

The first single “All My Friends” speaks to that spirit. Driven by swaggering piano, boisterous horns, and bluesy leads, the track swings towards an unshakable chant, “All my friends take good care of me.” Striking, sharp, and soulful, it introduces this chapter with confidence and charisma.

“I actually wrote those verses when I was 27,” says David. “I met up with Dave Bassett in Malibu where I did some writing sessions, and I brought the lyrics to the table. It’s a bit of a retrospective look back. You’re in your twenties, staying out for three days, not contacting your significant other, and getting into some bad shit. Looking back, I realized, I had an amazing group of friends who stuck by my side.”

“Musically, it bridges the gap between what we’ve been doing and what you’re about to hear,” explains Andrew.

Representing a vast swath of the country and defying regional pigeonholes, David’s roots are in the Rust Belt, while Zack, Ed, and George hail from the Tri-States and Michael and Rob from the Southwest. Andrew cut his teeth bashing the drums in the DC scene and newcomer PJ made his bones in Chicago. However, The Crescent City would ultimately bring them together. Since forming in New Orleans, the group quietly grinded towards international ubiquity one gig, song, and album at a time. Seven years in, 2015’s Men Amongst Mountains represented a high watermark. Its lead single “Wish I Knew You” became a slow-burning hit, racking up more than 200 million streams and ascending to #1 on Adult Alternative and Alternative radio. On the latter, it clocked a record for “most single-week spins ever at the format” before eventually receiving a gold certification from the RIAA. A mainstream phenomenon, the song found traction at Hot AC and Top 40 and bubbled up on to the Billboard Hot 100 for nine weeks as the band made the rounds on television with performances on Today, Jimmy Kimmel LIVE!, Ellen, and Conan. Acclaim came from USA Today, Entertainment Weekly, Forbes, Flaunt, Buzzfeed, Uproxx, Billboard, and more with Rolling Stone touting them among “10 Artists You Need To Know.” Along the way, they garnered a Billboard Music Awards nomination and two nods at the iHeartRadio Music Awards. Between countless gigs, the musicians also ignited festival stages at Bonnaroo, Governor’s Ball, New Orleans Jazz Fest, Outside Lands, and Pilgrimage, to name a few.

Looking back, the frontman smiles, “It’s been quite the ride.”

In the end, The Revivalists welcome listeners on this journey with them as they set out with a newfound depth and ambition.

“As we went along, we found there are more questions than answers, and we’re all sort of figuring it out,” concludes Andrew. “We’re all doing the same thing. We hope people listen to the record and maybe can go out and keep making connections. That’s what we’re supposed to do. It’s the human experience.”

“We’re in this together,” David leaves off. “We love to take people on an emotional rollercoaster with us. That’s what this record is. It’s who we are. There’s some real magic in that.”

This album contains no booklet.