Leonora Duarte, Palazzo & Synagogue Ensemble PHOENIX & Myrna Herzog

• Amsterdam Portuguese Synagogue (1675-1933): Hashkiveinu Avinu Leshalom:
• 1 1675-1933: Hashkiveinu Avinu Leshalom 02:51
• Uva L'tsiyon Goel:
• 2 1675-1933: Uva L'tsiyon Goel 01:23
• Leonora Duarte (1610 - 1678): Sinfonia 6 de Octavi Toni:
• 3 Duarte: Sinfonia 6 de Octavi Toni 01:56
• Sinfonia 7 de Terti Toni:
• 4 Duarte: Sinfonia 7 de Terti Toni 02:37
• Girolamo Frescobaldi (1583 - 1643): Se L'aura Spira Tutta Vezzosa:
• 5 Frescobaldi: Se L'aura Spira Tutta Vezzosa 01:43
• Leonora Duarte: Sinfonia 2 de Duodesimi Toni:
• 6 Duarte: Sinfonia 2 de Duodesimi Toni 02:11
• Amsterdam Portuguese Synagogue 1675-1933: Mizmor Shir Leyom Ha-shabbat
• 7 1675-1933: Mizmor Shir Leyom Ha-shabbat 02:22
• Kadish:
• 8 1675-1933: Kadish 01:33
• John Bull: Dr. Bull's Jewell:
• 9 Bull: Dr. Bull's Jewell 02:13
• Nicholas Lanier (1588 - 1666): Love's Constancy:
• 10 Lanier: Love's Constancy 03:25
• Constantijn Huygens (1596 - 1687): Graves Tesmoins de Mes Delices:
• 11 Huygens: Graves Tesmoins de Mes Delices 03:29
• Leonora Duarte: Sinfonia 3 de Primi Toni:
• 12 Duarte: Sinfonia 3 de Primi Toni 02:28
• Sinfonia 4 (seconda Parte):
• 13 Duarte: Sinfonia 4 (seconda Parte) 01:44
• Salomone Rossi (1570 - 1630): Eile Moadei Adonai:
• 14 Rossi: Eile Moadei Adonai 01:07
• Amsterdam Portuguese Synagogue 1675-1933: Tehilat Adona:
• 15 1675-1933: Tehilat Adona 01:49
• Leonora Duarte: Sinfonia 5 de Secondi Toni:
• 16 Duarte: Sinfonia 5 de Secondi Toni 01:51
• Sinfonia 1 Decimi Toni:
• 17 Duarte: Sinfonia 1 Decimi Toni 02:29
• Amsterdam Portuguese Synagogue 1675-1933: Ein Keloheinu:
• 18 1675-1933: Ein Keloheinu 01:51
• Im Tashiv:
• 19 1675-1933: Im Tashiv 03:04
• Ein Keloheinu No. 2:
• 20 1675-1933: Ein Keloheinu No. 2 01:18
• Ein Keloheinu No. 3:
• 21 1675-1933: Ein Keloheinu No. 3 01:33
• Total Runtime 44:57

Info for Leonora Duarte, Palazzo & Synagogue

From the house concerts at the Duarte palazzo, attended by Antwerp's elite, to the songs chanted at the Portuguese synagogue in Amsterdam (known as 'HaMakom’ for its openness and tolerance of Jews), a glimpse into the musical world of Marranos and Jews in the Low Countries in the 17th century.

Music by Leonora Duarte (1610-1678) and her circle (Constantijn Huygens, Nicholas Lanier, John Bull), her contemporary and inspirer Girolamo Frescobaldi and songs from the Portuguese synagogue in Amsterdam (since 1675) notated from memory by their choir conductor David Ricardo (1904–1982) after the 1940 Nazi occupation of Holland in WWII.

This program is dedicated to the memory of Saul B. Groen (Holland 1939 - Israel 2016), who has been extremely important in the revival of music of the 17th and 18th centuries in the Netherlands and far beyond. Saul dared to found in Amsterdam the first music shop specialized in early music in the world (MUZIEKHANDEL SAUL B. GROEN) – the significance of which cannot be overstated. He also published an important collection of early Dutch music, including the Huygens song in our program. Thanks to his shop and publishing house, a lot of music is safeguarded for future generations. Saul was the nephew of the late Marc Roselaar, the first gambist in Israel.

Ensemble PHOENIX:
Sharon Tadmor, vocals
Liron Givoni, vocals
Itamar Hildesheim, vocals
The Jerusalem Baroque Orchestra:
Myrna Herzog, viola da gamba
Tal Arbel, viola da gamba
Marina Katz, viola da gamba
Sonia Navot, viola da gamba
Shmuel Magen, viola da gamba
Ophira Zakai, theorbo
Marina Minkin, organ, virginals
Myrna Herzog, musical direction

Ensemble PHOENIX
Now in its 23rd season, PHOENIX is a broad, multi-faceted ensemble specialized in early music. The Israel-based band employs different sets of period instruments to perform music written between 1200 and 1800 with the instrumental colors of each time and place. The ensemble began as a consort of viols, and soon grew to its present size, performing around 30 concerts each year, from small chamber concerts to big projects envolving some 60 musicians.

Myrna Herzog, its founder and director, is the dreamer of the ensemble's musical adventures. Her philosophy is to use early instruments to bring alive different cultures and times, and at the same time, to build bridges between people, to move, to create beauty and harmony.

High standards and a commitment to quality and excellence are the trade-mark of PHOENIX. The ensemble started its activities on September 3, 1998, and its concert debut in May 1999 was already hailed as "a red-letter day for Israel’s musical life" (The Jerusalem Post). Since then, PHOENIX's work has been described as "masterful, remarkable, unconventional, fascinating, exciting, enchanting, refreshing, refined, exquisite, unique, superb, expressive, magical, imaginative, terrific, sensitive, outstanding, stunning, humorous, joyful, defying classification". Hear a bit of it on Youtube.

PHOENIX's unconventional programming presents to the public a repertoire off the beaten track, ranging from Medieval to Early Romantic music on period instruments. The ensemble was responsible for an impressive number of Israeli premieres, among them the staging of operas such as medieval The Play of Daniel, the baroque La Purpura de la Rosa, and the classical The Pirates, of the theatrical cantatas of Cristofaro Caresana, of the Mexican 17th century Misa Zapoteca and most recently of the extraordinary oratorios by Michelangelo Falvetti, Il Diluvio Universale andNabucco. Also in the theatrical vein, the ensemble presents Myrna Herzog's musical play Passion & Madness, featuring English 17h century music and texts, bridged by her own texts written in the same language and style. Most recently PHOENIX performed as a classical orchestra on period instruments, premiering Brazilian Composer Nunes Garcia’s Requiem from 1816.

PHOENIX has been responsible in Israel for the first complete renditions on period instruments of important works such as Bachs' Art of Fugue and The Musical Offering, Rameau's Pièces de Clavecin en Concert, Leonora Duarte 7 sinfonas for 5 viols, Marin Marais's La Gamme and Mozart's flute quartets. Its repertoire includes also new music written for old instruments (David Loeb, Dina Smorgonskaya, Boris Yoffe, Shun Tokura, Luiz Otavio Braga and others) and new arrangements for old instruments.

In addition PHOENIX offers special projects such as Wind and Sea - Brazilian 20th century music with viols (Villa-Lobos, Dorival Caymmi); O pray for the peace of Jerusalem and Convivencia, joining a mixed crew of Jews, Christians and Muslims in a fruitful exchange carried through the music; Follow the Cat, a program of music about those wonderful felines, written by five centuries of composers, from the Renaissance to modern times.

In 23 years of activities, the ensemble has recorded many CDs for different labels. Those are now available on on all digital platforms: Spotify, Deezer, Apple Music & iTunes Store, Amazon Music, Tidal, YouTube Music and on our YouTube Channel. The ensemble has participated in all the important music festivals in Israel, including the Israel Festival. It has performed as a soloist of the Sinfonietta Beersheva and performs often as a guest of the Jerusalem Baroque Orchestra.

Myrna Herzog
is a well-known figure in the Early Music world, internationally praised as a viola da gamba performer, conductor and researcher in the field of viols. Her ground-braking articles on the Quinton, the English Division Viol, Stradivari's viols and viols in general have appeared in important journals (such as Early Music and the Galpin Society Journal) and books (The Italian Viola da Gamba; Across Centuries and Cultures); she is a contributor to the New Grove’s Dictionary of Music and Musicians. She studied cello with Iberê Gomes Grosso, viola da gamba with Judith Davidoff and Wieland Kuijken, and was mentored in conducting by Doron Salomon.

Myrna was a pioneer for viols both in her native Brazil and in Israel, where she lives since 1992. The very first professional Brazilian viol player, she started the viol at 18, in 1970. In 1971 at 19, she created the first organized viol course in Brazil. In 1972 she was a winner of the Young Soloists Contest of the Brazilian Symphony Orchestra, with which she performed as soloist. Regarded as "one of the engines of the early music movement" (Jornal do Brasil) and "Brazil's most prominent violist" (O Estado de São Paulo), Myrna organized the first three Encounters of Brazilian viol players in 1981, 83 and 85. In 1983 she founded and was the musical director of South America's first baroque orchestra (Academia Antiqua Pro-Arte) and in 1984 she founded Brazil's first consort of viols (Chelys). In 1992 she moved to Israel, where she continued to be a leading figure in the early music scene, teaching also the first generation of local viol players. In 1998 she founded PHOENIX, the Israel Consort of Viols - its debut greeted by the critic as “a red-letter day for Israel’s musical life” (The Jerusalem Post).

Now on its 23rd season, PHOENIX developped into a broad early music ensemble leading Herzog into a new and distinguished career as a conductor. She has conducted PHOENIX and different choirs (Collegium Tel-Aviv, Oratorio Jerusalem, Shahar, Upper Galillee, Naama) in ground-breaking early music projects of Italian, Spanish, French and Latin-American Baroque - including the world premiere of the Mexican 17th century Misa Zapoteca and the Israeli premiere of the oratorios Il Diluvio Universale and Nabucco by Michelangelo Falvetti (the latter was the world premiere of the complete work and The Fall of the Angels, by Francesco Rossi. She recently conducted the Israeli premiere of José Maurício Nunes Garcia's Requiem (1816), with PHOENIX performing as a classical orchestra on period instruments. Myrna has recently taught workshops for conductors at the prestigious Campos de Jordão Music Festival in Brazil and at the Royal Academy of Music and Dance, London.

Herzog has also ventured in the domain of Opera: in 2008 she transcribed, edited, casted, directed and fully staged with great success the French 13th century Le Jeu de Daniel (The Play of Daniel). She also conducted the Israeli premiere of baroque La Purpura de la Rosa (Venus & Adonis) by Torrejon y Velasco, the first opera ever written in the New World, and of Stephen Storace's The Pirates (1792), in a joint project with the Israeli Opera. Myrna Herzog studied theatre with iconical Maria Clara Machado in Brazil, where she also had an experience as assistent stage director, and attended several courses on the interpretation of French Opera with the foremost authority on the subject, Philippe Beaussant. She is deeply atuned to the theatrical dimension of baroque music, and takes every opportunity to explore it in a deeper way, joining her musical, literary and histrionic skills.

As a viola da gamba soloist, "the Lady of the viola da gamba" (Jornal do Brasil/ O Globo) has performed extensively throughout Europe (Austria, Bosnia-Herzegovina, Denmark, England, Estonia, Finland, Germany, Holland, Hungary, Latvia, Portugal, Spain, Slovakia, Slovenia, Switzerland, Russia, the Czech Republic ), in South America (Argentina, Brasil, Colombia, Ecuador, Peru), Asia (Turkey, Israel) and the U.S. She has performed the viola da gamba solos of Bach's Passions with The Israel Philharmonic, in the Israeli premiere of those works (read her article about those viol solos on the Journal of the Viola Gamba Society of America). She has also performed the quinton in the American premiere of a Quartet by Respighi for quinton, viola d'amore and two viols, as a guest of The New York Consort of Viols.

Herzog has recorded for many labels, as a conductor and as a performer on the viol, quinton, vielle, baroque and modern cello (Polygram, Continental, RGE, Arcobaleno, Brascan, NMC, Focus, Timeless Recordings, Megadisc, Specie Dolce). In addition to chamber music activities with Israeli and foreign early music groups, Herzog appears often as soloist with the Jerusalem Baroque Orchestra and other orchestras. She performs and records new music for old instruments (Shun-ichi Tokura, Luiz Otavio Braga, David Loeb, Dina Smorgonskaya, Boris Yoffe, Guenter Krause and others), writes and commissions new arrangements of unconventional music (Villa-Lobos, Dorival Caymmi, Yeheskel Braun) for old instruments. Her Wind and Sea project has received a special blessing from Dorival Caymmi.

Myrna has a Doctorate degree in music (made on direct track, bypassing the Master’s degree) at Bar Ilan University, Israel. Her Bachelor degrees were acquired in Brazil, on violoncello and journalism, at the Federal University of Rio de Janeiro. She presently teaches viols at the Jerusalem Academy of Music and Dance. She has published a poetry book in Portuguese: A Casa do Alaúde.

"Myrna Herzog proved to be a sophisticated master as the interpreter of Telemann's Suite for Viola da Gamba and Orchestra". Helsingin Sanomat, Finland

"It was impressive to hear her warm sound in Lidl's Sonata in D major... She brought out the lyricism of Grunblatt's Magic Stone in a sophisticated way...The recital ended with the extraordinary interpretation of Bach's sonata for gamba and harpsichord, giving also a special meaning to the place where it was performed - the main hall of Loburg Castle". Munstersche Zeitung, Germany

"The Baroque's penchant for unabashed virtuosity was demonstrated brilliantly by Herzog's gamba in Forqueray's extremely demanding Jupiter". Ury Eppstein, The Jerusalem Post

"One of today’s most inspiring viol players". Pamela Hickman

"In the hands of Myrna, the viola da gamba, this instrument so dear in England in the 1600s, shows unsuspected possibilities." Luiz Paulo Horta, O Globo, Brazil

Bernard Labadie
(b.1963, Québec, Canada) is a prominent conductor of Baroque and Classical repertoire; he is also an opera specialist. He founded and continues to direct “Les Violons du Roy” and the choir “La Chapelle de Québec”. In 1997, he began his transcription of J.S.Bach’s Goldberg Variations (composed 1741 or 1742) for string orchestra and continuo. (Russian violinist and conductor Dmitry Sitkovetsky had made a note-for-note transcription of the work for string orchestra prior to Labadie’s). Speaking of his first major arrangement in an interview with Wah Keung Chan, Labadie mentioned the fact that Bach himself did much recycling of his own music. Labadie’s aim was to transcribe the Goldberg Variations in the manner that might be chosen by an 18th century composer. Because of new possibilities offered by different instrumentation, Labadie sees a transcription as a new opus “which should not be compared to the original”. (This is easier said than done!) He referred to the project as “a dangerous and stimulating process”. There is a recording of Labadie’s version played by “Les Violons du Roy” on modern stringed instruments but with period bows. Founder and director of the PHOENIX Ensemble, Dr. Myrna Herzog, always eager to stretch the limits of conventional concert repertoire, contacted Bernard Labadie with a request to perform his still unpublished arrangement, to which he agreed. PHOENIX’ first performance of it took place May 2nd 2012 at Christ Church in Jerusalem’s Old City. Performers were harpsichordist Marina Minkin, violinists Yasuko Hirata and Noam Schuss, violist Daniel Tanchelson and Myrna Herzog herself on viola da gamba, all instrumentalists flying high on the Israeli Baroque music scene and further afield.

This album contains no booklet.