Indigo Park Bruce Hornsby

• 1 Indigo Park 04:57
• 2 Memory Palace (feat. Ezra Koenig) 02:52
• 3 Entropy Here (Rust in Peace) 03:32
• 4 Silhouette Shadows 05:43
• 5 Ecstatic (feat. Bonnie Raitt) 02:51
• 6 Alabama 03:46
• 7 North Dakota Slate Roof 04:38
• 8 Sliver of Time 03:54
• 9 Might As Well Be Me, Florinda (feat. Blake Mills) 07:12
• 10 Take A Light Strain 03:53
• Total Runtime 43:18

Info for Indigo Park

Indigo Park is a collection of 10 songs that oscillate between extremes – light and dark, memory and fantasy, calm and rage, doubt and certainty. Backed by his longtime band, The Noisemakers, as well as guitarist Blake Mills, bassist Pino Palladino and drummer Chris Dave, the record features collaborations with artists who have served as mutual inspirations throughout the many phases of his storied career: Bob Weir, Bonnie Raitt, Ezra Koenig and Robert Hunter.

While Bruce Hornsby's discography has delivered a catalog of enduring hits, commercial successes and critical acclaim, Indigo Park sees the singer, pianist, composer, bandleader and three-time GRAMMY®-winner defying conventional wisdom. He deploys absurdism, altered dominant chords, literary references, melodies with wide interval leaps, changes of meter and texture, extended refrains and deep metaphors, all coalescing in a multi-dimensional inquiry into the ways we remember and the ways we forget.

With the exception of two songs co-written with late Grateful Dead lyricist Robert Hunter ("Alabama" and "Might As Well Be Me, Florinda"), Indigo Park finds Hornsby singing more in the first-person than he ever has. He contemplates formative moments from his past, sometimes trying to resolve them, and other times looking for clues about his current-day outlook. In the title track, the first song he wrote for the album, Hornsby looks back on a 10th grade party at the Indigo Park Pool in Williamsburg, Virginia, when a "great big entrance" went awry. A seemingly mundane event that now feels revelatory when filtered through the present state-of-mind.

Bruce Hornsby says, "It's just an old bastard, looking back. To be honest, I've found a way, a path to grow old gracefully, with help from some newborn friends of mine."

The creation of Indigo Park began in 2024, as Bruce Hornsby was turning 70. After releasing a streak of four albums in five years – Absolute Zero (2019), Non-Secure Connection (2020), 'Flicted (2022) and Deep Sea Vents (2024) – he was burnt out and tried his best to stop writing for a bit. That plan did not last, and Indigo Park marks the latest evolution for a legendary artist who only gets more contemporary, curious and creative with age. Ever-expanding his stylistic toolbox, he has long traveled far beyond the confines of pop and into the worlds of rock, bluegrass, jazz, classical, electronic and more, but Indigo Park captures one of music's most adventurous, collaborative and accomplished artists at the top of his game.

In addition to Indigo Park, 2026 brings the 40th anniversary of The Way It Is, both the album and its #1 single. Since its release, Bruce Hornsby has played Saturday Night Live, composed numerous scores and songs for close collaborator Spike Lee (Kobe Doin' Work, Netflix's She's Gotta Have It, BlacKkKlansman and much more), contributed to the soundtrack for Ken Burns' Baseball, toured for years as a member of the Grateful Dead, made two records with Ricky Skaggs and an album with Christian McBride and Jack DeJohnette (Camp Meeting), while co-writing and recording with Bon Iver, and working with everyone from Bob Dylan, Bob Seger, Chaka Khan, Elton John, Jerry Garcia, Mavis Staples, Ornette Coleman, Robbie Robertson, Stevie Nicks, Sting, Wayne Shorter and Willie Nelson to Brandon Flowers, Danielle Haim, Goose, Jamila Woods and yMusic.

Bruce Hornsby, vocals, piano, keyboards
Gibb Droll, guitar, vocals
J.T. Thomas, keyboards, organ
Chad Wright, drums
J.V. Collier, bass
John Mailander, violin
Special Guests:
Bonnie Raitt, vocals (track 5)
Bob Weir, vocals, guitar (track 9)
Ezra Koenig, vocals (track 2)
Blake Mills, guitar (track 9)
Pino Palladino, bass
Chris Dave, drums

Recorded, engineered and mixed by Will Maclellan at Sound City, Van Nuys, CA
Mastered by Brian Lee & Bob Jackson at Waygate Mastering
Produced by Tony Berg, Will Maclellan and Bruce Hornsby

Bruce Hornsby
has built one of the most diverse, collaborative, and adventurous careers in contemporary music. Drawing from a vast wellspring of American musical traditions, the singer/pianist/composer/bandleader has created a large and accomplished body of work and employed a vast array of stylistic approaches. Throughout this period, Hornsby has maintained the integrity, virtuosity and artistic curiosity that have been hallmarks of his work from the start.

Hornsby and his band The Range's first album, The Way It Is (1986), was steadily and slowly building in popularity in the U.S. when, in August, the title track exploded on BBC Radio One in England, then Europe, the rest of the world, and finally in the United States. The record went on to sell three million records, the band played Saturday Night Live and opened for Steve Winwood, John Fogerty, Huey Lewis, the Grateful Dead and the Eurythmics before becoming headliners on their own tour supported by Crowded House.

Soon Hornsby was being approached regularly to collaborate with a broad range of musicians and writers, a demand that continues to this day. He has played on records for Bob Dylan, Robbie Robertson, Bonnie Raitt (piano on her iconic "I Can't Make You Love Me"), Willie Nelson, Don Henley, Bob Seger, Squeeze, Stevie Nicks, Chaka Khan, Charlie Haden, Jack DeJohnette, Crosby, Stills and Nash, Bon Iver, Leon Russell, Chris Whitley, Warren Zevon, Bernie Taupin, Brandon Flowers (of the Killers), Cowboy Junkies, Shawn Colvin, Bela Fleck, Randy Scruggs, Hillary Scott, the Wild Magnolias, Clint Black, Sara Evans, Clannad and many more. He has worked on his own records with Ornette Coleman, Jerry Garcia, Eric Clapton, Sting, Elton John, Mavis Staples, Phil Collins, Pat Metheny, Branford Marsalis, Wayne Shorter, Justin Vernon, and James Mercer (of The Shins) among others. Along with his early co-writer Jonathan Hornsby and latter-day partner Chip deMatteo, Bruce has co-written songs with Robert Hunter (the great Grateful Dead lyricist), Justin Vernon, Robbie Robertson, Don Henley, Leon Russell, Charlie Haden, Chaka Khan, and Jack DeJohnette. His songs have been recorded by another broad array of artists including Tupac Shakur (his iconic "Changes"), Akon, Bon Iver, Snoop Dogg, Chaka Khan, E-40, Don Henley, Leon Russell, Willie Nelson, Mase, Randy Scruggs, and Robbie Robertson.

Over the years Hornsby has successfully ventured into bluegrass, jazz, classical, and even electronica, reflected on acclaimed releases like two projects with Ricky Skaggs- Ricky Skaggs and Bruce Hornsby (2007) and the live Cluck Ol' Hen (2013), the jazz trio album Camp Meeting (2007) with Jack DeJohnette and Christian McBride, and Solo Concerts (2014), a stylistic merging of traditional American roots music and the dissonance and adventure of modern classical music. This latter-day interest led to an orchestral project spearheaded by Michael Tilson Thomas featuring this new music; the first performance occurred in January 2015 with Thomas' New World Symphony, and the latest concert with more new material came in June 2018 at his Funhouse Fest with the Virginia Symphony Orchestra.

His three Grammy wins (along with his ten Grammy losses!) typify the diversity of his career: Best New Artist (1986) as leader of Bruce Hornsby and the Range, Best Bluegrass Recording (1989) for a version of his old Range hit "The Valley Road" that appeared on the Nitty Gritty Dirt Band's Will The Circle Be Unbroken Volume Two, and a shared award with Branford Marsalis in 1993 for Best Pop Instrumental for "Barcelona Mona", a song written and performed for the 1992 Olympic Games.

The sales stats and breadth of his collaborations (including being sampled many times by rap/hip-hop artists) speak volumes about Hornsby's unique fusion of mainstream appeal and wild musical diversity. His albums have sold over eleven million copies worldwide. Harbor Lights (1993) won the Downbeat Reader's Poll Album of the Year in 1994. Tupac Shakur co-wrote a new song over "The Way It Is" music called "Changes"; it was a major worldwide hit in 1998, selling 15 million copies. In 2006 his 4 CD set Intersections was selected as one of the best boxed sets of the year by the New York Times. His song "Levitate" was selected in 2011 by Sports Illustrated as one of the top 40 sports songs of all time. Bruce and his current band The Noisemakers' latest record (a collection featuring Bruce on the Appalachian dulcimer) Rehab Reunion (2016) entered the Billboard album chart at 101, marking his tenth album appearance on the venerable chart over a thirty-year period. In 2016 the annual Rolling Stone "Hot List" selected Bruce as "Hot Surprise Influence", citing his influence and inspiration on such modern artists as Justin Vernon (Bon Iver) and Ryan Adams.

Throughout the years Hornsby has participated in several memorable events: the Rock and Roll Hall of Fame opening concert in September 1995 (with the performance included on the concert album), Farm Aid IV and VI, the Telluride Bluegrass Festival (many times), the Newport Jazz Festival (2007), New Orleans Heritage and Jazz Festival (1997 and 2011), Woodstock II (1994), Woodstock III (1999, with the band's performance included on the concert album), and the Bonnaroo Festival (2011). Hornsby, solo and with Branford Marsalis, has performed the National Anthem for many major events including the NBA All-Star game, four NBA Finals, the 1997 World Series Game 5, the night Cal Ripken broke Lou Gehrig's all-time consecutive game streak, and the soundtrack to Baseball: A Film by Ken Burns. Most recently he was a special guest of Bon Iver for their set at the Coachella festival in April 2017, and sat in with Justin Vernon (Bon Iver) twice in December 2017 and once in Eau Claire, WI in 2018.

Bruce's long involvement with the Grateful Dead began when the group asked him to open two shows in Monterey, CA in the spring of 1987. Bruce and the Range continued to open shows for the Dead in 1988, 1989 and 1990, and after the tragic death of Dead keyboardist Brent Mydland the band asked him to play with them. He started winging it with them with no rehearsal for five nights at Madison Square Garden in September 1990, and played more than 100 shows with them until March 1992. He continued to sit in with the band every year until Jerry Garcia passed away in 1995. He played in the first post-Dead band "The Other Ones" in 1998 (the album The Strange Remain chronicles that tour) and 2000. Bruce reunited with the band for the 50th Anniversary Fare Thee Well concerts in June and July 2015 at Levi's Stadium (Santa Clara, CA) and Soldier Field (Chicago). He appears on seven Grateful Dead records including Infrared Roses, So Many Roads and View From The Vault II.

Bruce has been part of many tribute records including two Grateful Dead collections, the original Deadicated (1991) and the recent massive compilation curated by the band The National entitled Day of the Dead. He recorded "Black Muddy River" with Justin Vernon of Bon Iver and Justin's high school band DeYarmond Edison. Other tribute record appearances include Two Rooms- A Tribute To The Songs of Elton John and Bernie Taupin, a Keith Jarrett tribute, a tribute to The Band, a Fats Domino collection, Ricky Skaggs’ Big Mon - the music of Bill Monroe, and the Jackson Browne tribute record Looking Into You.

A University of Miami alum, Hornsby has partnered with The Frost School of Music to establish the Creative American Music Program, a curriculum designed to develop the creative skills of talented young artist/songwriters by immersing them in diverse American folk, blues, and gospel traditions that form the foundations of modern American songwriting.

Indeed, Bruce Hornsby's restless musical spirit continues to spontaneously push him forward into exciting new musical pursuits. He's composed and performed for many projects with long-time collaborator, filmmaker Spike Lee including end-title songs for two films, Clockers (1995, with Chaka Khan) and Bamboozled (2001). He contributed music for If God is Willin' And the Creek Don't Rise (2010), Old Boy (2013) and Chiraq (2015), and composed full film scores for Kobe Doin' Work, Lee's 2009 ESPN Kobe Bryant documentary, 2012's Red Hook Summer, Da Sweet Blood of Jesus (2015), and Lee's film for the NBA2K16 video game (2015). Bruce wrote and performed the end title song "Set Me In Motion" for Ron Howard's Backdraft (1991) and a featured song "Big Stick” for Ron Shelton's Tin Cup (1996). He's currently working with DeMatteo on a musical entitled SCKBSTD, and contributed music for Disney/Pixar's Planes: Fire And Rescue (2014). Hornsby is also featured onscreen in and contributed music to the Robin Williams/ Bobcat Goldthwaite film World's Greatest Dad (2009), the first (and last!) time he has been asked to "act." He scored both seasons of Spike Lee's Netflix series She’s Gotta Have It, in 2017 and 2019, wrote and performed new music for Lee’s 2018 film Blackkklansman, and contributed a new solo performance of “The Way It Is” for the 2019 documentary NYC Epicenters 9/11-2021 1⁄2.

Three decades after Bruce Hornsby established his global name as the creator of pop hits that defined "the sound of grace on the radio," as a Rolling Stone reviewer once wrote, such projects continue and are consistent with his lifelong pursuit of musical transcendence. "It's always been about staying inspired, broadening my reach and range of abilities and influences, and exploring new areas", Hornsby says. "I'm very fortunate to be able to do that, to be a lifelong student, and to continue to pursue a wide-ranging musical life."

His adventurous 21st album, Absolute Zero, was released in April 2019, and received some of the most rapturous reviews of Hornsby’s career, from such venues as the New York Times, Spin, Pitchfork, Times of London, Mojo, Guardian U.K., and the Washington Post. “Voyager One” was picked as one of the Best Songs Of 2019 by the New York Times. It featured guests yMusic, Justin Vernon, Blake Mills, Robert Hunter, The Staves, and Jack DeJohnette.

Vernon and Hornsby co-wrote and sang a duet together on the main single from the record, “Cast-Off”. They continued their collaborative efforts in writing the song “Yu Man Like” for the new 2019 Bon Iver album i,i. Hornsby played piano and sang one lead line.

In 2020, Hornsby released the follow-up to Absolute Zero entitled Non-Secure Connection, which was again met with an extremely positive critical reception from The NY Times, Pitchfork, Spin, Esquire, The Times of London, Uncut, UK Evening Standard and The London Sunday Times. “My Resolve”, a duet with James Mercer from The Shins, was picked as one of the Best Songs of 2020 by the New York Times. It featured guests Mercer, Jamila Woods, Leon Russell, Vernon Reid, Justin Vernon, and Rob Moose. Bruce and James appeared in virtual duets on Stephen Colbert and the Virtual Bonnaroo Festival.

Also appearing with Bruce on the Bonnaroo set was Chicago hip-hop artist Polo G who released “Wishing For A Hero” in 2020, a song inspired by Tupac’s “Changes” that again used the music and some words from “The Way It Is” to great effect. “Wishing For A Hero” was a highly acclaimed and well-received hit from Polo’s 2020 album The GOAT.

Bruce’s 23rd record, ‘Flicted, was released in May 2022 completing the trilogy of albums begun with Absolute Zero. Featuring an array of special guests including Ezra Koenig (Vampire Weekend), Danielle Haim (Haim), Blake Mills, and yMusic, the album was again met with critical acclaim from The New York Times, Sunday Times (UK), Uncut, and Pitchfork, amongst others.

In March 2024, the New York City chamber ensemble yMusic and Bruce released their first collaborative record, “Deep Sea Vents”, featuring special guests Branford Marsalis and Chad Wright. Under the moniker “BrhyM” they had written ten new songs during the pandemic, and the album became Bruce and the group’s first Billboard album chart-topper, hitting #1 on the Classical Crossover list. Critical attention came most notably from the UK, with Uncut and The New Statesman weighing in with special positive notices, and the US with applause from Saltwire and The New York Times.

This album contains no booklet.