The Fall of Hearts Katatonia

Album info

Album-Release:
2016

HRA-Release:
18.05.2016

Label: Snapper Music

Genre: Rock

Subgenre: Metal

Artist: Katatonia

Album including Album cover

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  • 1 Takeover 07:06
  • 2 Serein 04:46
  • 3 Old Heart Falls 04:22
  • 4 Decima 04:46
  • 5 Sanction 05:06
  • 6 Residual 06:54
  • 7 Serac 07:25
  • 8 Last Song Before the Fade 05:01
  • 9 Shifts 04:54
  • 10 The Night Subscriber 06:10
  • 11 Pale Flag 04:23
  • 12 Passer 06:31
  • Total Runtime 01:07:24

Info for The Fall of Hearts

Endlich erscheint das lang ersehnte neue Studioalbum von Katatonia. Die schwedische Dark Progressive Rock/Metal Band veröffentlicht mit „The Fall Of Hearts“ ihr bereits zehntes Studioalbum.

Der offizielle Nachfolger von 'Dead End Kings' wurde im Stockholmer Studio Gröndahl & Tri-lamb aufgenommen, und selbst-produziert von Anders Nyström & Jonas Renkse. Gemischt und gemastert von Jens Bogren (Opeth, Ihsahn, Devin Townsend) @ Fascination Street Studios, mit Karl Daniel Lidén (Switchblade, The Ocean, Greenleaf) als Engineer.

Das düstere Cover wurde erneut vom langjährigen Katatonia Designer und Illustrator Travis Smith designed.

'The Fall Of Hearts' ist das erste Album mit ihrem neuen Drummer Daniel Mojjo Moilanen und mit ihrem kürzlich rekrutiertem Gitarristen Roger Öjersson (Tiamat), der gerade noch rechtzeitig an Bord kam um einige glühende Soli beizutragen.

Katatonia loten ihre musikalischen Grenzen jenseits ihrer Metal Wurzeln aus und ziehen neue Fans aus dem musikalischem Spektrum von Bands wie Opeth und AAnathema in ihren Bann. Gleichzeitig zementieren sie ihren Status als eine der meistgeschätzten und beliebtesten Bands in der Welt.

Jonas Renkse, Gesang
Anders Nyström, Gitarre
Roger Öjersson, Gitarre
Niklas Sandin, Bass
Daniel Moilanen, Schlagzeug


Katatonia
The passing of time brings longer shadows and darker thoughts to the human mind. Melancholy’s cry is never far from our ears, even in the happiest of times. But while there is no true answer to the meaning of our brief lives, music will always be a reliable and trustworthy companion through fear and uncertainty. Perhaps more than any other contemporary band, Katatonia have long displayed a masterful propensity for expressing the tears and torments of mortality, offering sumptuous glimmers of sonic hope to soothe our troubled souls. In 2016, Stockholm’s widely celebrated soldiers of sorrow will once again stir the blood and embolden our hearts with a brand new album that promises to further cement their already unassailable reputation.

The band’s story began in earnest 25 years ago when Jonas Renkse and Anders Nyström first joined forces to explore the limitless possibilities of the then burgeoning doom and death metal scenes. Bands like Paradise Lost and My Dying Bride were standard bearers for British melancholy, but Peaceville label mates Katatonia swiftly established themselves as Sweden’s idiosyncratic equivalent, releasing their debut album Dance Of December Souls at the end of 1993 and receiving immediate acclaim within the metal underground. With a sound that was both familiar and startlingly fresh, Katatonia’s early works exhibited plenty of the elegance and subtlety that would later typify the band’s work: 1996’s Brave Murder Day (featuring harsh vocals by Opeth’s Mikael Akerfeldt) proved a major milestone, eliciting rave reviews and taking its creators away from the doom mainstream and into unique, uncharted territory. 1998’s Discouraged Ones reaffirmed the Swedes’ blossoming mastery of dark metallic wonder; their steadily increasing fascination with the vivid hues of progressive rock and other non-metal elements enabling their sound to evolve exponentially with each successive creative splurge. The impact of Tonight’s Decision (1999) and Last Fair Deal Gone Down (2001) was equally undeniable. These were records that brimmed with ingenuity, melodic intuition and moments of emotionally devastating dynamism: the sound of Katatonia’s metal roots being allowed to assimilate a richer, more diverse array of influences and textures. …

This album contains no booklet.

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