Fürchtet euch nicht: Bassoons & Bombards, Music from the German Baroque Vox Luminis, Lionel Meunier

• Johann Hermann Schein (1586 - 1630):
• 1 Hosianna dem Sohne David 04:52
• Philipp Friedrich Böddecker (1615 - 1683):
• 2 Sonata sopra La Monica, fagotto solo 05:44
• Anonymous:
• 3 Sonata a 8, 4 Viole e 4 Fagotti 04:21
• Johann Vierdanck (1605 - 1646):
• 4 Canzona No. 30 03:06
• Samuel Scheidt (1587 - 1654):
• 5 Padouan 3 a 4 05:06
• 6 Alamande 16 a 4 01:58
• Heinrich Schütz (1585 - 1672):
• 7 In lectulo meo per noctes, SWV 272 05:15
• 8 Invenerunt me custodes civitatis, SWV 273 04:58
• Johann Rosenmüller (1619 - 1684):
• 9 Sonata settima a 4 07:22
• Daniel Speer (1636 - 1707):
• 10 Sonata 2 03:01
• Johann Theile (1646 - 1724):
• 11 Sonate Basson solo 03:10
• Anonymous:
• 12 Sonata II 02:45
• Philipp Friedrich Buchner (1614 - 1669):
• 13 Sonata VIII 05:18
• Anonymous:
• 14 Sonata I 02:30
• Johann Rudolph Ahle (1625 -1673):
• 15 Fürchtet euch nicht 07:59
• Total Runtime 01:07:25

Info for Fürchtet euch nicht: Bassoons & Bombards, Music from the German Baroque

Einer der Schwerpunkte in den vierzig Jahren des Bestehens von RICERCAR war die Entdeckung seltener alter Instrumente und ihres Repertoires. Im Mittelpunkt der hier präsentierten Produktion stehen die Bass-Pommer und das Fagott. Die vielfach bewährten Ensembles Syntagma Amici und Vox Luminis porträtieren die beiden Instrumente anschaulich anhand von deutschem Originalrepertoire aus dem 17. Jahrhundert.

Fear not... The Angel's words to the shepherds suggest the daring premise of this recording, which, for Ricercar's fortieth anniversary, enriches in highly original fashion the series dedicated to the discovery of early instruments and their repertory. The cover illustration, depicting two angels playing the bass shawm and the bassoon, perfectly portrays the subject of this disc devoted to the original repertories written for the two instruments in seventeenth-century Germany, whether it be the ceremonial music of the Stadtpfeifer (town musicians), chamber music or even sacred compositions.

Julie Roset, Sopran
Paulin Bündgen, Countertenor
VOX LUMINIS
Lionel Meunier, Leitung

Vox Luminis
founded in 2004 in Namur, Belgium, is an ensemble specialising in the performance of 16th – 18th century vocal music.

The ensemble has been praised for its seamless blend of high quality individual voices, exquisite tuning and clarity of sound. Critics have also commented on the ensemble’s enthusiasm in sharing its passion for early music with an audience. The majority of the group met at one of the most significant centers for early music in Europe: the Royal Conservatory in The Hague.

Vox Luminis has performed in festivals and venues in Belgium (Nuits de Septembre de Liège, festival de Stavelot, Juillet Musical de Saint-Hubert, Automne Musical de Spa, MA festival Bruges, festival van Vlanderen Gent, Laus Polifoniae Antwerpen, festival des midi-Minimes, Eté Musical de Roisin, Société Philharmonique de Namur…); France (festival d’Ambronay, festival de Saintes, Rencontres Musicales de Vézelay, festival de Saint-Michel en Thiérarche, Midsummer festival d’Hardelot, festival Contrepoint 62, Festival Musique et Mémoire de Luxeuil, Musique et Natures en Bauges, festival Bach en Combrailles…); Germany (Ratingen Bachtage festival, Muziekfest Stuttgart); The Netherlands (Oude Muziek Utrecht, Den Haag, Delft); Portugal (Centro Cultural Bélem-Lisbon) and Croatia (Varazdin Baroque Evenings).

Vox Luminis records exclusively for the Belgian Label Ricercar. The ensemble’s first CD, released at the end of 2007, features four vocal works by Domenico Scarlatti, including his famous 10-part Stabat Mater. In May 2010 the ensemble released its second album, Samuel Scheidt: Sacrae Cantiones, which features several world premieres. Vox Luminis’ most recent CD, released in June 2012, created a buzz with an interpretation of Heinrich Schütz’s Musicalische Exequien. This recording has received several prestigious awards such as the Gramophone ‘Recording of the Year’, the ‘Baroque Vocal Gramophone Award’ and the ‘International Classical Music Award’.

Other recordings have also received many awards throughout the world including, Gramophone’s ‘Editor’s Choice’, Diapason d’Or, Choc de Classica, Muse d’Or Baroque, Preis der Deutschen Schallplatten Kritik, Joker de Crescendo and Prix Caecilia.

Vox Luminis is very grateful to have the support of the Federation Wallonie-Bruxelles and the City of Namur.

Lionel Meunier
was born in France. He began his musical education in the music school of his town, Clamecy where he studied solfege, recorder and trumpet. Being passionated for music from his young age, he continued his studies in IMEP, Namur at the age of 18, where he gratuated with high distinction from recorder in 2004 as a student of Tatiana Babut du Mares. He had masterclasses with Jean Tubéry, working at the same time with Hugo Reyne. The same year he started vocal studies in the Royal Conservatoire of the Hague with Rita Dams and Peter Kooij as his teachers.

Since that he has been sung with numerous ensembles such as the Collegium Vocale Gent (P. Herreweghe), World Youth Choir, Arsys Bourgogne (P. Cao), Amsterdam Baroque Choir (T. Koopman), Namur Chamber Choir, Ex Tempore and with soloist ensemble such as I Favoriti de la Fenice (J. Tubery), the Soloists of Namur Chamber Choir, Capella Pratensis and as ripienist with the Nederlandse Bach Vereniging. All these experiences gave him the opportunity to work with many specialists like Christophe Rousset, Tonu Kaljuste, Gustav Leonhardt, Roberto Gini, Jean-Claude Malgoire, Paul Dombrecht, Florian Heyerick, Rinaldo Alessandrini, Richard Egarr...Lionel is also active as a soloist, he has performed the A minor mass of Schubert, Johannes Passion and sever cantatas by J. S. Bach, Haydn's Stabat Mater & Nelson Mass, Kronung's Mass and C minor Mass by Mozart, Mass in G of C. Franck, ect...

He is the artistic director of the ensemble Vox Luminis, group that he created in 2004 with his friend pianist.

This album contains no booklet.