Live at the Glasgow Barrowlands Deacon Blue

• 1 Come Awake 02:59
• 2 Gone 03:31
• 3 Your Town 04:06
• 4 Bethlehem Begins 04:51
• 5 Raintown 04:09
• 6 Chocolate Girl 07:25
• 7 The Outsiders 04:09
• 8 Your Swaying Arms 04:41
• 9 This Is a Love Song 04:34
• 10 Real Gone Kid 07:16
• 11 The Believers 03:50
• 12 Cover from the Sky 03:42
• 13 Birds 05:27
• 14 Town to Be Blamed 05:57
• 15 Delivery Man 04:21
• 16 The Hipsters 03:20
• 17 Loaded 06:58
• 18 Wages Day 06:32
• 19 Fergus Sings the Blues 05:01
• 20 That's What We Can Do 05:43
• 21 I Will and I Won't 03:35
• 22 When Will You (Make My Telephone Ring)? 06:23
• 23 I'll Never Fall in Love Again 02:36
• 24 Dignity 04:13
• 25 Twist and Shout 03:40
• 26 Queen of the New Year 09:07
• 27 Forever Young 05:14
• Total Runtime 02:13:20

Info for Live at the Glasgow Barrowlands

Deacon Blue ist eine der einflussreichsten Pop-Bands in Großbritannien und hat seit seiner Gründung im Jahr 1985 zwei Nummer 1 Alben und 17 Top 40 Singles in UK veröffentlicht. Ende September erschien mit „Believers“ ihr derzeit aktuelles Studioalbum, welches direkt in die UK TOP 15 Album-­Charts schoss.

„Live At The Glasgow Barrowlands“ wurde in der Kult­-Location Barrowland Ballroom in Glas­gow gefilmt, am letzten Abend ihrer »Believers« UK­ Tour im Dezember 2016. Mit dabei sind nicht nur die Songs ihres kürzlich veröffentlichten Albums »Believers«, sondern auch die Hits aus 30 Jahren Bandgeschichte.

Eine Band, die Anfang der 1990er-Jahre mehr als sechs Millionen Platten verkauft hat, mir aber völlig unbekannt ist, ist mir erstmal etwas suspekt. Schließlich bin ich Kind der 1990er. Da sich die Erfolge der schottischen Rockband Deacon Blue aber größtenteils auf die britischen Inseln begrenzten, lohnt ein genauer Blick vielleicht doch.

Die Band, die sich Mitte der 1980er-Jahre gründete und bereits wenige Jahre später zu britischen Rockstars mutierte, zeigt sich dabei professionell und spielfreudig. Natürlich spielt die Band im Laufe des Sets auch ihre größten Hits, wie „Twist And Shout“, „Dignity“ oder „Wages Day“. Das klatschwillige Publikum ist erfreut und feiert die Rückkehr ihrer alten Helden. Ich kenne derweil, um mal auf meine Einleitung zurückzukommen, tatsächlich keinen einzigen Song der Band.

Nicht, dass ich vor 20 Jahren etwas verpasst hätte, aber Teile der Songs sind objektiv betrachtet wirklich gut. Das ruhige und schön (zweistimmig) gesungene „I Will And I Won´t“ gefällt mir dabei noch am besten. Der Rest pendelt zwischen einer angenehmen Belanglosigkeit, die an The Hooters erinnert und WDR-2-Airplay am Sonntagnachmittag. Auch das kann man sich auf längeren Autofahrten ja ganz gut anhören. Und doch wundere ich mich, warum ich mich jetzt seit mehr als einer Stunde mit einer Veröffentlichung beschäftigt habe (Dauer insgesamt: 135 Minuten), die ich wahrscheinlich morgen wieder vergessen habe… Im Zweifel wollte ich einfach nur eine vermeintliche Bildungslücke schließen.

Deacon Blue

Deacon Blue
were never hipsters. With six million album sales, 12 UK Top 40 singles and two No. 1 albums to their credit, they have been majorly successful and have always been adored by their fans. And their inspirational brand of soulful Scottish pop remains an enduring tonic for the troops. Indeed, when Wayne Rooney tweeted his Spotify playlist before England's vita group match against Ukraine in Euro 2012, his No. 1 song was Real Gone Kid, still one of the Glasgow group's best-loved hits. But hip? Cool? One of the bands that you'd find hanging out with the fashionistas? That was never Deacon Blue.

"I remember saying when we first got back together that we must by the uncoolest band in the world," says Deacon Blue's singer, songwriter and mainstay Ricky Ross. "But I like that. And people still love us despite all that."

So The Hipsters is a decidedly ironic title for a brilliant new Deacon Blue record, the group's first studio album since Homesick in 2001. For beneath that faintly sardonic veneer, is a collection of finely-tuned songs which find Ross reflecting on the long-distance life and times of his group with a deep, thoughtful passion. The opening track, Here I am in London Town, sets the scene as if at the start of a stage musical, as Ross conjures up an impression of how his younger self felt as he sat in a studio "waiting for the world to begin".

"I was remembering what it was like starting out, coming down to London for the first time," Ross says. "You were hoping someone would open a door and your world would start."

It is now 25 years since the band released their debut album, Raintown, and the world of Deacon Blue began in earnest. It was the first of a string of best-selling albums: When the World Knows Your Name [1989]; Fellow Hoodlums [1991]; Whatever You Say, Say Nothing [1993]; and a double-platinum compilation Our Town – The Greatest Hits [1994], after which the group split up for five years. While Ross built up his career as a songwriter and solo act, he and the other band members set about establishing themselves with remarkable success in various other fields of the media, the arts and academia. But as their lives unfolded, they never gave up on the Deacon Blue dream. A reunion show led on to a new album Walking Back Home [1999] which marked the beginning of a period to the present, during which the band has continued to reconvene whenever there has been a good reason to do so, of which there have been many.

"I suppose we thought when we went down to London the first time that everything would be solved by a record deal and hit records and that's all there was to life," says the singer Lorraine McIntosh, who has been married to Ross for 22 years. "And then, 25 years down the line, after you've all gone through life, got married, had kids and lost people you've loved, you realise that there's so much more to it than that."

"We're all the same people, but our lives have completely changed," says the drummer Dougie Vipond, who has become a familiar face as a TV presenter on BBC Scotland. "I was 18 when I joined Deacon Blue. I grew up in the band. The only thing that concerned me was making records and playing gigs. Now I've got three children and all sorts of other responsibilities. So I feel really blessed that I'm still able to do it."

"I've got a lot of things going on," says the keyboard player James Prime, who runs a Commercial Music course at the University of the West of Scotland. "But playing and touring with my friends in Deacon Blue is no problem. It's more of a wrench going back to work when you're finished."

The band were united in their determination to record a new album. And not just any new album. "We'd done the greatest hits thing for a while," Ross says, "and we needed to do some new material or not do it at all." He began by writing the song The Hipsters and then another called The Outsiders which summed up the hectic rush of life in a band: "We took the road, any road, every road out of here/Forgot the past, cut the strands, made a path, took a stand/Chased the day, raced the night, grabbed our chance didn't look/Back to where we'd come from".

"It's so different to come back to it when you're not in the thick of things," Ross says. When you're a young, aspiring musician, chasing success, nothing ever satisfies you. Now, after writing a couple of these new songs, I realized there was a different narrative developing. I felt I was in a new moment. Then I realized: It's about us! It's about being in this amazing band. It's an open love letter to Deacon Blue."

With the songs written and demoed, the band convened at Gorbals Sound, a new, state-of-the-art recording facility in the heart of Glasgow. Working with Paul Savage, a smart, young producer whose work Ross had discovered through presenting his show on BBC Radio Scotland, the band recorded the new album in the old-school way, with the whole band set up, and all playing and singing together in the studio – the first time they had worked like that since recording Fellow Hoodlums in Paris in 1991.

"I still get excited when the band is together," says Prime. "We tell each other the old jokes just to remind each other how long we've been doing it. It's lovely that Ricky has come up with an album of personal songs rather than stuff about towns and rivers and mythical characters. These are really heartfelt, one-to-one songs."

This album contains no booklet.