Boogie With Canned Heat Canned Heat

Album Info

Album Veröffentlichung:
1967

HRA-Veröffentlichung:
11.08.2014

Label: Capitol Records

Genre: Rock

Subgenre: Blues-Rock

Interpret: Canned Heat

Das Album enthält Albumcover

Entschuldigen Sie bitte!

Sehr geehrter HIGHRESAUDIO Besucher,

leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.

Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.

Wir bedanken uns für Ihr Verständnis und Ihre Geduld.

Ihr, HIGHRESAUDIO

  • 1 Evil Woman 02:58
  • 2 My Crime 03:59
  • 3 On The Road Again 04:56
  • 4 World In A Jug 03:25
  • 5 Turpentine Moan 02:56
  • 6 Whiskey Headed Woman No. 2 02:53
  • 7 Amphetamine Annie 03:33
  • 8 An Owl Song 02:44
  • 9 Marie Laveau 05:13
  • 10 Fried Hockey Boogie 11:08
  • Total Runtime 43:45

Info zu Boogie With Canned Heat

Originally released in 1967 and 1968 on the Liberty record label. The first album consists of down-home country blues blowing. They lift a few licks from here and there, but the finished product is their own and it wails.

Canned Heat's second long-player, Boogie with Canned Heat, pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie.

Follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation. One development is their incorporation of strong original compositions. 'On the Road Again' -- which became the combo's first, and arguably, most significant hit -- as well as the Albert King inspired anti-speed anthem, 'Amphetamine Annie,' were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs 'World in a Jug,' the dark 'Turpentine Blues,' and Hite's update of Tommy McClennan's 'Whiskey Headed Woman.' The Creole anthem 'Marie Laveau' is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source.

The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on 'Fried Hockey Boogie.' Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of ' ... Don't forget to boogie!'

Bob 'The Bear' Hite, vocals
Alan 'Blind Owl' Wilson, guitar, harmonica, vocals
Henry 'Sunflower' Vestine, guitar
Larry 'The Mole' Taylor, bass
Aldolfo 'Fido' Dela Parra, drums

Digitally remastered


Canned Heat
rose to fame because their knowledge and love of blues music was both wide and deep. Emerging in 1966, Canned Heat was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. Hite took the name “Canned Heat” from a 1928 recording by Tommy Johnson. They were joined by Henry “The Sunflower” Vestine, another ardent record collector who was a former member of Frank Zappa’s Mothers of Invention. Rounding out the band in 1967 were Larry “The Mole” Taylor on bass, an experienced session musician who had played with Jerry Lee Lewis and The Monkees and Adolfo “Fito” de la Parra on drums who had played in two of the biggest Latin American bands, Los Sinners and Los Hooligans.

The band attained three worldwide hits, “On The Road Again” in 1968, “Let’s Work Together” in 1970 and “Going Up The Country” in 1969 became rock anthems throughout the world with the later being adopted as the unofficial theme song for the film Woodstock and the “Woodstock Generation.”

They secured their niche in the pages of rock ‘n roll history with their performances at the 1967 Monterey Pop Festival (along with Jimi Hendrix, Janis Joplin and The Who) and the headlining slot at the original Woodstock Festival in 1969. The band can boast of collaborations with John Mayall and Little Richard and later with blues icon, John Lee Hooker, the musician that they initially got much of their musical inspiration from in the first place. This union produced the spirited and revered album, “Hooker ‘n Heat.” The band is also credited with bringing a number of other forgotten bluesmen to the forefront of modern blues including Sunnyland Slim, who they found driving a taxi in Chicago, Skip James, who they found in a hospital in Tunica, Mississippi and took to the Newport Festival, Memphis Slim and Clarence “Gatemouth” Brown with whom theyrecorded in France and Albert Collins.

On September 3rd, 1970, the band was shattered by the suicide of Alan Wilson. His death sparked reconstruction within the group and member changes have continued throughout the past three decades. On April 5th, 1981, at the Palamino in Los Angeles, gargantuan vocalist,Bob Hite, collapsed and died of a heart attack and on October 20th, 1997, Henry Vestine died in Paris, France following the final gig of a European tour. In 2008, singer/harmonica frontman Robert Lucas passed away from a drug overdose.

Despite these untimely deaths and assorted musical trends, Canned Heat has survived. They have performed at world-renowned venues such as Paris’ Olympia, both Fillmore Auditoriums, The Kaleidoscope, Carnegie Hall (with John Lee Hooker), Madison Square Garden and even Royal Albert Hall and have played more biker festivals and charity events than any other band in the world. They and/or their music have been featured on television (In Concert, David Frost, MervGriffin, Midnight Special, Playboy After Dark, etc.), and in films (“Woodstock,” “Flashback,” and “Forrest Gump”) etc. Their legend has recently been heard and felt in various television commercials (“On The Road Again” for Miller Beer, “Goin’ Up The Country” for Pepsi, Chevrolet and McDonalds, “Let’s Work Together” for Lloyd’s Bank, England’s Electric Company and for Target Stores along with other songs for 7-Up, Levi’s and Heineken Beer).

Now, more than forty-five years later and with thirty-eight albums to their credit, Canned Heat is still going strong. They have been anchored throughout the past forty years by the steady hand of drummer/band leader Adolfo “Fito” de la Parra. Joining “Fito” is original bassist Larry “The Mole” Taylor and New Orleans legend, Dale Spalding on harmonica, guitar and lead vocals. Chicago great Harvey Mandel is the regular guitarist but has been temporarily replaced by John “JP” Paulus while “The Snake” deals with serious health issues.

Fito’s book, “LIVING THE BLUES” tells the complete and outrageous Canned Heat story of “Music, Drugs, Death, Sex and Survival” along with over 100 captivating pictures from their past and is available through the band’s website at www.cannedheatmusic.com and at most popular book outlets.

Dieses Album enthält kein Booklet

© 2010-2024 HIGHRESAUDIO