Ricchezza: Los Santos Niños Cappella Neapolitana & Antonio Florio

Cover Ricchezza: Los Santos Niños

Album Info

Album Veröffentlichung:
2018

HRA-Veröffentlichung:
23.03.2018

Label: Glossa

Genre: Classical

Subgenre: Vocal

Interpret: Cappella Neapolitana & Antonio Florio

Komponist: Gaetano Veneziano (1665-1716), Donato Ricchezza

Das Album enthält Albumcover Booklet (PDF)

?

Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 12,50
  • Donato Ricchezza (ca.1650-1722):
  • 1San Antonio da Padova: Sinfonia03:46
  • 2Los Santos Niños: La fiamma bambina01:26
  • 3Los Santos Niños: All'armi, all'armi01:09
  • 4Los Santos Niños: Non sia chi non adori - Ben vedrà la destra irata01:50
  • 5Los Santos Niños: Non turbarti, o mio sire01:54
  • 6Los Santos Niños: Ma ridotti al posto atroce01:05
  • 7Los Santos Niños: Resta, o mio fido01:04
  • 8Los Santos Niños: Mostri dell'Erebo02:39
  • 9Los Santos Niños: A strage e ruina01:38
  • 10Los Santos Niños: Alla scola d'amor02:24
  • 11Los Santos Niños: Insolenti garzoni - Troppo tenero01:11
  • 12Los Santos Niños: Qual'infamia - Sempre il tronco adorerò02:23
  • 13Los Santos Niños: Dell'etade il fiore invola00:54
  • 14Los Santos Niños: Che pretendi tiranno01:35
  • 15Los Santos Niños: L'intendo e'l soffro01:29
  • 16Los Santos Niños: Dilatarci al sommo bene01:06
  • 17Los Santos Niños: Ignoranti che sete - Ben si accordano insieme01:07
  • 18Los Santos Niños: Che lieto aviso01:02
  • 19Il Tobia sposo: Sinfonia01:24
  • 20Los Santos Niños: Fra catene e ritorte03:41
  • 21Los Santos Niños: Tiranno pietoso01:45
  • 22Los Santos Niños: Io non so qual magia - La nativa crudeltà01:46
  • 23Los Santos Niños: Quando, deh quando, oh Dio00:26
  • 24Los Santos Niños: Sete vicini00:55
  • 25Los Santos Niños: Sinfonia I01:19
  • 26Los Santos Niños: Ingannato dagli aspetti - Non può rigido ferro01:25
  • 27Los Santos Niños: Non sai tu, Daciano00:57
  • 28Los Santos Niños: Qual maestro v'insegnò03:02
  • 29Los Santos Niños: Che tanta dolcezza01:11
  • 30Los Santos Niños: Alme di scoglio00:36
  • 31Los Santos Niños: Morì come un infame02:00
  • 32Los Santos Niños: Che si aspetta00:33
  • 33Los Santos Niños: Fra poco osservarete00:19
  • 34Los Santos Niños: Sinfonia II01:21
  • 35Los Santos Niños: Giusto mio - O Pastore02:18
  • 36Los Santos Niños: Udite impertinenza! - Sia trionfo01:25
  • 37Los Santos Niños: O fiamme volanti02:07
  • 38La gara degli elementi: La pietà di goccia ardente04:09
  • Total Runtime01:02:21

Info zu Ricchezza: Los Santos Niños

Dem unermüdlichen Antonio Florio ist es zusammen mit seinen Mitstreitern von der Cappella Neapolitana gelungen, ein weiteres bedeutendes Werk des neapolitanischen Barock der Vegessenheit zu entreißen: ein Oratorium von Donato Ricchezza. Florio hat die Begabung, karge Noten aus einem staubigen Manuskript in ein prächtiges Fest für die Ohren zu verwandeln – das gelingt ihm mit diesem Oratorium über Los Santos Niños (»Oratorio di San Giusto e San Pastore«) auf unnachahmliche Weise. Der Komponist war ein Schüler des großen Francesco Provenzale.

Über Donato Ricchezza (ca.1650-1722) ist kaum etwas bekannt – abgesehen von der Tatsache, dass er seiner Wirkungsstätte, dem Oratorio dei Girolamini in Neapel, eine ganze Reihe von Partituren vermacht hat. In diesem Oratorium wird die Geschichte der heiligen Kinder Justus und Pastor erzählt, zweier Brüder, die in Spanien unter der diokletianischen Christenverfolgung im Jahr 303/4 zu leiden hatten. Sie werden zunächst von einem Soldaten und dann vom römischen Statthalter Datianus angegriffen und sterben schließlich den Märtyrertod. Marta Fumagalli, Federica Pagliuca, Luca Cervoni und Giuseppe Naviglio stellen diese vier Figuren lebhaft dar.

Dinko Fabris geht in seinem informativen Booklettext u.a. darauf ein, warum Ricchezza 1683 in Neapel diese Legende vertonte. Aus dem Wenigen, was man über den Komponisten weiß, geht hervor, dass er noch acht weitere Oratorien schrieb; als Bonus ist auf dieser Glossa-CD eine Arie aus La gara degli elementi eingespielt. Die Aufnahme wird außerdem um zwei Sinfonien von Gaetano Veneziano ergänzt, einem Zeitgenossen Ricchezzas, der ebenfalls von Provenzale ausgebildet wurde.

Marta Fumagalli, contralto (San Giusto)
Federica Pagliuca, soprano (San Pastore)
Luca Cervoni, tenor (Soldato)
Giuseppe Naviglio, bass (Daciano)
Cappella Neapolitana
Antonio Florio




Cappella Neapolitana
“CAPPELLA NEAPOLITANA ANTONIO FLORIO”: A NEW NAME FOR THE ENSEMBLE THAT HAS MADE THE HISTORY OF BAROQUE NEAPOLITAN MUSIC AFTER ALMOST THIRTY YEARS, NEW PROJECTS FILLED WITH THE SAME RIGOROUS AND MOTIVATED APPROACH Originally called Cappella della Pietà dei Turchini, the ensemble was founded by Antonio Florio in 1987 after a ten-year period of studies and experimentations, and it has since become internationally appreciated thanks to rare concert programs, opera productions, and over 40 recordings, and it represents the symbol of the rediscovery of Neapolitan music written between the fifteenth to the nineteenth centuries. Today – almost thirty years after its creation – that group of “bold pioneers” takes on the name of “Cappella Neapolitana Antonio Florio”, with the same musicians and collaborators that have contributed to develop this musical project since the very beginning. “Cappella Neapolitana Antonio Florio” is a registered trademark and it will be used for every forthcoming concert. A long, highly acclaimed and prestigious musical experience that began its journey at the precious Chiesa delle Pietà dei Turchini in Naples (also known as “Incoronatella”) to reach high international visibility with the ambition to present original Neapolitan repertoires – rediscovered and researched by Antonio Florio, aided since the beginning by musicologist Dinko Fabris – thus bringing back to life works of the highest musical and poetic quality by composers whose names have in some cases been unfairly neglected by historians; names such as those of Sabino, Salvatore, Netti, Caresana, Veneziano, Leo, Jommelli, Vinci, Latilla, Paisiello, Provenzale. A culturally exciting and educationally significant project that has contributed to the rediscovery of precious musical gems, today fully integrated within the repertoire of other important artists, and to the training of an entire new generation of musicians – not only Neapolitan musicians – who dedicate themselves to “ancient music”. Innumerable artistic and scientific collaborations have marked the journey since the beginning and have materialized into historical concert performances and significant recordings for labels such as Symphonia, and particularly Opus111, and the successful series “Les Trésors de Naples”. It’s impossible to list all the performances held in the most prestigious halls worldwide: United States, Argentina, Columbia, Brazil, Chile, China, Japan, and naturally Europe, including Claudio Abbado’s invitation to Berlin’s Philharmonie. One of many achievements of this exciting artistic journey was the creation in 1997 of a Centre for Ancient Music in Naples. Since 2010, and due to differing artistic visions, the original musical and scientific leaders, from Florio and Fabris themselves, started new and different journeys from the Centro Musica Antica now transformed into a Fondazione Pietà dei Turchini, defending their history and their internationally renowned interpretative approach. Today, counting on a collaboration with a very refined Spanish recording label, Glossa, the musicians who identify with programmatic and poetic guidelines of the original Turchini – independently from the organization bearing that name – have taken the name of “Cappella Neapolitana Antonio Florio” and, driven by the same rigorous approach and the same motivation, continue their work of research, restoration and interpretation of “Naples’ musical treasures”. Through its new name, the Cappella Neapolitana Antonio Florio intends to keep pursuing its commitment on the international musical panorama. Its first fruits will be the April release of Gaetano Veneziano: Passio, a new CD with by the label Glossa, starring the Ghisleri Choir and soloists Raffaele Pe, Luca Cervoni, Marco Bussi. The first concert performance of the Cappella Neapolitana Antonio Florio is also dedicated to Gaetano Veneziano, a musician whose three-hundredth anniversary falls in 2016. His Passione Secondo Giovanni (1685) will be performed in Naples on March 24 at the Auditorium Castel Sant’Elmo, at 9 pm, as part of the Concert Season of the Associazione Alessandro Scarlatti. The ensemble will then be performing in Florence (14 June) and in numerous summer festivals, the details of which will soon be released.

Antonio Florio
was born in Bari, where he received his classical education, graduating in Cello, Piano, and Composition at the local Conservatory, under the guidance of Maestro Nino Rota. He later pursued his studies of ancient instruments and baroque performance practice. In 1987, he founded the Turchini Ensemble (from 2016 Cappella Neapolitana), and from then on he devoted himself with great commitment to both concerts and intensive musicological research. In particular, he explored the repertoire of Neapolitan music of the 17th and 18th Centuries, uncovering masterpieces that had never been published before; he has taken care of their representations by the most prestigious theatres in Italy and Europe. The many titles unearthed by Florio include La colomba ferita (1670), Il schiavo di sua moglie (1671) and La Stellidaura vendicante (1674) by Francesco Provenzale, Il disperato innocente by Francesco Boerio (1673), La finta cameriera by Gaetano Latilla (1673), Li Zite’n Galera by Leonardo Vinci (1722), Il Pulcinella vendicato by Giovanni Paisiello (1767), Statira by Francesco Cavalli - from a 1666 Naples edition - , Montezuma by Francesco De Majo (1765). In 1999 and 2000, Florio conducted the Symphony Orchestra of Santiago de Compostela, presenting La Serva Padrona and Stabat Mater by Giovanni Battista Pergolesi. His teaching efforts have not been any less challenging: he has given seminars and master classes on Baroque vocal and chamber music for the “Centre de Musique Baroque de Versailles”, the “Fondation Royaumont” and the Conservatory of Toulouse. He is also Professor of Chamber Music at the Conservatory San Pietro a Majella in Naples, where he delivers a university course on Baroque style and repertoire. His most recent commitments include the recovery and revision of the of Leonardo Vinci’s opera seria La Partenope, which was edited in 2004 and will be presented on stage this year at the theatre of Ponferrada, and at the Auditorium of León, Spain. The year 2005 was devoted by Antonio Florio to the discovery and review of the opera La Finta Giardiniera by Pasquale Anfossi, which he had already presented to the “Fondation Royaumont”, together with the eponymous work by Mozart; both the concert and the stage perfrmonces he delivered were also the subject of an international workshop. In 2006, he directed his own ensemble at the prestigious festival “Anima Mundi” in Pisa, before taking the show Festa Napoletana to four venues in China. In the same year, Antonio Florio received the first edition of the “Award for the diffusion of Mediterranean Music” by Mousiké, Bari’s Festival of Ancient Mediterranean Music. During the 2007 concert season he was guest (conductor) at the Accademia Chigiana in Siena and at the Ravenna Festival, at the Associazione Scarlatti in Naples, the Centre Lyrique d’Auvergne Clermont Ferrand in France, and the Ravello Festival. In 2008, he conducted the opera Alidoro by Leonardo Leo at the Valli theatre in Reggio Emilia and at the Mercadante in Naples. The show, available on DVD, won the prestigious “Diapason d’Or” award and the “Orphée d’or du disque lyrique” award. At the same time, in Oviedo (Spain) he was awarded the “Luis Gracia Iberni” award (the equivalent of the Abbiati Prize in Italy) for Best Musical Director for the first performance in modern times of the opera Ottavia restituita al trono by Domenico Scarlatti, presented in San Sebastian in August 2007. In October 2008 he won the “Premio Napoli” for the section “Hidden Excellence” of the city of Naples. He has taken part at the “MITO” Festival, presenting the concert version of the opera Acis and Galatea by Handel at the Teatro dell’Arte in Milan; in June 2009, he then presented a stage performance of the same opera, directed by David Livermore, at the Regio Theatre in Turin. Also in 2009, he presented La Partenope by Vinci in a co-production with the Theatre of León in Spain (at the San Carlo Theatre in Naples, at the La Maestranza in Seville, in La Coruña, Santander and Murcia; he received the Oviedo Prize for best theatrical production) and went on a long Italian with the Stabat Mater by Pergolesi. In 2010, he directed Orpheus and Eurydice by Fux at the Konzerthaus in Vienna, and on several occasions the Baroque orchestra “Casa da Musica” of Porto and the Orchestra of Galicia-La Coruña.



Booklet für Ricchezza: Los Santos Niños

© 2010-2020 HIGHRESAUDIO