Cover Arvo Pärt: Choral & Orchestral Works

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  • Arvo Pärt (b. 1935):
  • 1Fratres10:21
  • 2Silouan's Song05:03
  • 3La sindone06:54
  • 4Summa05:06
  • 5Für Lennart in memoriam06:56
  • 6Stabat mater: Amen. Stabat mater dolorosa07:29
  • 7Stabat mater: Quis est homo04:59
  • 8Stabat mater: Sancta mater04:25
  • 9Stabat mater: Fac me plagis08:11
  • Total Runtime59:24

Info for Arvo Pärt: Choral & Orchestral Works

After "Te Deum", "Arvo Pärt - Live" and "Miserere", "Stabat Mater" is already the fourth album to emerge from the close artistic collaboration between the composer and the Bavarian Radio Chorus, and to be recently released by BR-Klassik. - In addition to this impressive piece, this newly-released album offers some of the works that are key to the composer's stylistic development, and rarely appear in the concert repertoire or as recordings. Despite or perhaps precisely because of the radical reduction of its means of expression, Pärt's music demands the greatest care in its performance from those playing, and is masterfully realized in this recording by the Bavarian Radio Chorus and the Münchner Rundfunkorchester under the conductor Ivan Repušic.

Like almost no other contemporary composer, the Estonian Arvo Pärt (born 1935) has succeeded in bringing sacred music back to the attention of a larger audience, even outside the church service. Because of its meditative character and its return to the simplest basic musical forms, his music gives us an insight into key spiritual moments. To this end, even before his emigration from the Soviet Union, Pärt invented what he referred to as the "tintinnabuli style" (Latin for “little bells”) of composing. In 1977 he delivered one of the first significant examples of this style with the first version of Fratres, which still has no fixed and prescribed instrumentation. In its ascetic austerity and almost liturgical solemnity, the work is reminiscent of a communal prayer or a spiritual act.

Chor des Bayerischen Rundfunks
Münchner Rundfunkorchester
Ivan Repušić, conductor

Ivan Repušić
Born in 1978, the Croatian conductor Ivan Repušić studied with Vjekoslav Šutej at Zagreb Academy of Music and furthered his training with Jorma Panula and Gianluigi Gelmetti. He also served as assistant to Kazushi Ōno at the State Theatre in Karlsruhe and with Donald Runnicles at the Deutsche Oper in Berlin. His actual career was launched in 2002 at the Croatian National Theatre in Split, where he functioned as chief conductor and opera director (2006–08). There he mastered an especially large repertoire of Italian opera that distinguishes him to the present day. He also gathered formative experiences as music programme director of the Split and Dubrovnik summer festivals. A longstanding friendship connects him with the Zadar Chamber Orchestra, whose director he has been since 2005. He also held a teaching appointment at the Academy of Fine Arts at Split University until 2017.

From 2010 to 2013 he served as the first Kapellmeister and, from 2016 until the end of the 2018/2019 season, General Music Director at the Staatsoper Hannover. There he has directed, among other productions, Manon Lescaut, the Flying Dutchman, Salome, Aida and La damnation de Faust. In 2011 he gave his début at the Deutsche Oper, Berlin, with Puccini’s La bohème. Since then he has served as its first permanent guest conductor, presenting such central repertory works as The Magic Flute, La traviata, Un ballo in maschera, La bohème, Tosca, Turandot, Cavalleria rusticana / Pagliacci, Eugene Onegin, Carmen and Tannhäuser. He could also be heard at the Hamburg State Opera, the Semper Opera in Dresden, the Komische Oper in Berlin, the New National Theatre Tokyo, the Orchestra sinfonica di Milano Giuseppe Verdi, the Berlin Radio Symphony Orchestra, the Brussels Philharmonic, the Prague Symphony, the Slovenian Philharmonic and the Zagreb Philharmonic Orchestra.

Ivan Repušić took over as principal conductor of the Munich Radio Orchestra in the 2017/18 season. In his inaugural concert he conducted Verdi’s Luisa Miller, launching a cycle of rarely heard early Verdi operas that has continued with I due Foscari and Attila. Live recordings of each of these performances have appeared on BR-KLASSIK. The same label also released the CD of Igor Kuljerić’s Croatian Glagolitic Requiem, which most recently has won two important prizes (International Classical Music Award 2021 and Diapason d’or/January 2021). Maestro Repušić also explored new repertoire with Jakov Gotovac’s comic opera Ero the Joker, likewise released on CD. Further highlights include guest appearances in Budapest, Ljubljana and Zagreb and a tour with Diana Damrau. Ivan Repušić has also arranged for the orchestra to invite an artist-in-residence every season.

In July 2020, Ivan Repušić received the Vladimir Nazor Prize 2019, one of Croatia’s most important cultural awards, for a guest performance with the Bavarian Radio Chorus and the Munich Radio Orchestra in Zagreb.

In the meantime Ivan Repušić’s contract with the orchestra, originally intended to end with the 2019/20 season, has been extended for another three years to summer 2023.

Booklet for Arvo Pärt: Choral & Orchestral Works

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