Richter: Recomposed: Vivaldi's Four Seasons Daniel Rowland

• Vivaldi (1678 - 1741), Max Richter (b. 1966): Recomposed: Vivaldi - The Four Seasons:
• 1 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Spring 0 00:37
• 2 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Spring 1 02:24
• 3 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Spring 2 03:40
• 4 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Spring 3 03:00
• 5 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Summer 1 03:40
• 6 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Summer 2 04:12
• 7 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Summer 3 03:17
• 8 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Autumn 0 00:21
• 9 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Autumn 1 03:16
• 10 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Autumn 2 02:58
• 11 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Autumn 3 03:07
• 12 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Winter 1 04:32
• 13 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Winter 2 03:18
• 14 Vivaldi, Richter: Recomposed: Vivaldi - The Four Seasons: Winter 3 04:41
• Total Runtime 43:03

Info for Richter: Recomposed: Vivaldi's Four Seasons

Vivaldis Le Quattro Stagioni (Die vier Jahreszeiten) könnte ohne weiteres das berühmteste Stück klassischer Musik sein, das je komponiert wurde, eines der ersten Beispiele für "Programmmusik". Es ist in vielerlei Hinsicht ein bahnbrechendes, radikales Stück - eines, das durch seinen Ruhm, wie Max Richter sagt, "Teil der musikalischen Landschaft und ein Teil meines täglichen Lebens geworden ist". Max Richter (*1966) ist ein in London lebender Komponist, der die Grenzen zwischen der klassischen und der elektronischen Welt geschickt verwischt. Sein "postklassisches Idiom" schöpft seine Inspiration aus verschiedenen Einflüssen. Obwohl er 75 Prozent des Originalmaterials von Vivaldi in seiner "Recomposed, The Four Seasons" verworfen hat, ist die musikalische DNA des italienischen Komponisten in seiner Neubearbeitung des Materials allgegenwärtig. Richters umgestaltete Version behält die Grundform und einen Großteil des Geistes der ursprünglichen vier Violinkonzerte des Meisters bei, wobei jede Jahreszeit insgesamt etwa zehn Minuten lang ist und aus drei Sätzen besteht, die in der Reihenfolge schnell-langsam-schnell aufgeführt werden. Kunstvoll, aber originalgetreu ordnet Richter die Noten auf dem Blatt neu an, wodurch die strahlenden Melodien und üppigen Klangfarben der Musik wieder zum Vorschein kommen und ein durch zu viel Vertrautheit abgestumpftes Stück in etwas leuchtend Aktuelles verwandelt wird.

Daniel Rowland, Violine
Stift Festival Orchestra

Daniel Rowland
was born in London and grew up in the Netherlands studying with Davina van Wely and Viktor Liberman in Amsterdam and with Igor Oistrakh in Brussels as well as working intensively with Herman Krebbers, Ruggiero Ricci and Ivry Gitlis. Having won various national and international prizes, such as the "Brahms Prize" of the Brahms Society in Baden- Baden and the prestigious Oskar Back competition at the Amsterdam Concertgebouw, he made his concerto debut at the Concertgebouw in 1992 performing the Tchaikovsky Concerto. This launched a busy international career as a soloist, recitalist, chamber musician and director.

As a soloist Daniel Rowland has performed widely in venues like the Concertgebouw in Amsterdam, Carnegie Hall in New York, the Royal Albert Hall in London, the Glinka Hall in St. Petersburg, Symphony Hall in Birmingham, City Halls in Cape Town and the Gulbenkian in Lisbon, with noted conductors such as Andrei Boreiko, Djanzug Khakidze, Viktor Liberman, Lawrence Foster, Heinz Holliger, Francois Xavier Roth, Diego Masson, Lev Markiz, James Laughran and Jaap van Zweden. Apart from the core classical and romantic repertoire Daniel is an enthousiastic advocate of 20th and 21st century music with recent highlights including Berg Kammerconcert under Heinz Holliger, Saariaho's Graaltheater and Ferneyhough's Terrain with Ensemble Contrechamps in Geneva as well as Berio's Sequenza at the Wigmore Hall. In 2009 his recording of the Vivaldi/Piazzolla 8 Seasons was released to critical acclaim ("to understand the meaning of fabulous, listen to these Piazzolla Seasons - Die Burger). Daniel returned to South Africa for the sixth time in October 2010 performing concertos by Tchaikowsky, Elgar and Schnittke with the orchestras of Johannesburg, Durban and Pretoria, as well as making his Debut with the Johannesburg Philharmonic as a violist in Mozart's Sinfonia Concertante and touring the Vivaldi/Piazzolla '8 Seasons' with the Chamber Orchestra of South Africa.

A passionate chamber musician, Daniel has performed with artists as diverse as Ivry Gitlis, Polina Leschenko, Heinz Holliger, Dawn Upshaw, Alexander Lonquich, Priya Mitchell, Marcelo Nisinman, Michael Collins, Tunde Jegede, Nicolas Daniel, Alexander Baillie, Natalie Clein, Willard White and Elvis Costello. He is a frequent guest at international chamber music festivals such as Kuhmo, Stellenbosch, Trecastagni, Ljubjana, Perth, Povoa de Varzim, Osnabrück and Oxford. The Stift International Music Festival, of which he is founder and artistic director will have it's 7th edition in August 2011. The summer festival at an idyllic spot in the eastern Netherlands with concerts given in a small 14 century church with special acoustics has gathered acclaim as a festival of exceptional intimacy and intensity.

In July 2007 Rowland joined the renowned, London based Brodsky String Quartet as their new first violinist. The Brodskys have an international performing and recording schedule with concerts in Australia, Mexico, the far east and throughout Europe in '09/'10. They are the International Chamber Music Fellows at the RSAMD in Glasgow and are in residence at Cadogan Hall in London.

In demand as a soloist/director and conductor he has been invited to work with the Gulbenkian Orchestra Lisbon, Camerata Scotland, the Tromsø Chamber Orchestra (Norway), the Chamber Orchestra of South Africa, the London Mozart Festival Orchestra, among many others. He is also invited as guest concertmaster by renowned orchestras such as the Philharmonia, the BBC Symphony Orchestra, the Royal Philharmonic and the Russian National Orchestra - with conductors such as Muti, Pletnev, Haitink, Ashkenazy, Dohnanyi, Harnoncourt and Gergiev.

Daniel is professor of violin at the Royal College of Music in London and visiting professor at the Royal Scottisch Academy of Music & Drama in Glasgow. He gives masterclasses in places as far afield as Italy, Portugal, Finland, Mexico, Hong Kong, Australia, and South Africa. His instrument is by Lorenzo Storioni, Cremona 1776.

Booklet for Richter: Recomposed: Vivaldi's Four Seasons