Upheld by Stillness, Renaissance Gems and their Reflections Ora Singers

Cover Upheld by Stillness, Renaissance Gems and their Reflections

Album Info

Album Veröffentlichung:


Label: harmonia mundi

Genre: Classical

Subgenre: Choral

Interpret: Ora Singers

Komponist: Charlotte Bray (1982-), William Byrd (1543-1623), Alexander L'Estrange (1974-), Philippe de Monte (1521-1603), Roxanna Panufnik (1968-), Owain Park (1993-), Francis John Dolben Pott (1957-), Roderick Williams (1965-)

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  • Philippe de Monte (1521 - 1603):
  • 1Super Flumina Babylonis04:43
  • William Byrd (1543 - 1623):
  • 2Quomodo cantabimus07:00
  • Mass for Five Voices:
  • 3I. Kyrie01:27
  • 4II. Gloria05:02
  • 5III. Credo09:14
  • 6IV. Sanctus and Benedictus03:37
  • 7V. Agnus Dei03:37
  • Roxanna Panufnik (1968 - ):
  • 8Kyrie after Byrd03:42
  • Francis Pott (1957 -):
  • 9Laudate Dominum05:57
  • L'Estrange Alexander (1974 - ):
  • 10Show me, deare Christ13:08
  • Owain Park (1993 - ):
  • 11Upheld by stillness06:52
  • Charlotte Bray (1982 - ):
  • 12Agnus Dei04:37
  • William Byrd:
  • 13Ave verum corpus03:32
  • Roderick Williams (1965 -):
  • 14Ave verum corpus Re-imagined05:45
  • Total Runtime01:18:13

Info zu Upheld by Stillness, Renaissance Gems and their Reflections

For their first recording for harmonia mundi UK new signing ORA have chosen to focus on that towering figure of the English music scene, William Byrd.

As Suzi Digby says in her introduction: 'Starting the recording with an original Renaissance reflection, Byrd’s pairing of his own music to Da Monte’s setting of verses from Psalm 137 - one of the most remarkable exchanges in musical history - we centre on his peerless Mass for Five Voices. We then asked Roxanna Panufnik, Francis Pott, Alexander L’Estrange, Owain Park and Charlotte Bray to set their own reactions to the individual movements and we are delighted with the varied responses we got - showing the universality of Byrd’s sacred music and its relevance to today’s musicians. We imposed no restrictions, other than length, on our chosen composers in order to gain their truest reactions. The recording closes with possibly Byrd’s most famous work, his setting of the text of Ave Verum Corpus, and we asked the multi-talented musician Roderick Williams to write a setting on the same text. I am so grateful to him, and to all the composers of these wonderful new works, and hope you will be equally entertained and enlightened.'

Suzi Digby, artistic director, conductor

is a professional vocal ensemble made up of some of the leading singers in choral music, founded by Suzi Digby OBE. ORA seeks to captivate audiences with the highest standards of musical excellence combined with a fresh and engaging approach to performance. ORA is not just about singing, though that is at the core of its being, it is also about engaging audiences on many levels with a dramatic and all-encompassing approach to performance that makes true ‘events’ out of concerts.

ORA came into being through a belief that we are in a second golden age of choral music, matching that of the Renaissance. The choir’s performances and recordings showcase ‘classic’ masterpieces of Renaissance choral music alongside specially commissioned reflections from prominent and award-winning contemporary composers.

Suzi Digby OBE
was born in Japan and lived in Hong Kong, Mexico and the Philippines before settling in London & Cambridge. She is an internationally renowned Choral Conductor and Music Educator. She has trail-blazed the revival of singing in UK schools and the community over two and a half decades.

Suzi founded and runs the following influential National arts/education organisations: The Voices Foundation (the UK’s leading Primary Music Education Charity); Voce Chamber Choir (one of London’s finest young Chamber Choirs); Vocal Futures (Nurturing young [16-22] audiences for Classical Music); Singing4Success (Leadership and ‘Accelerated Learning’ for Corporates) and The London Youth Choir (a pyramid of 5 choirs, 8-22, serving all ethnic communities in London’s 33 boroughs). Suzi is also a visiting Professor at University of Southern California (Choral Studies) and in 2014 launched her Californian professional vocal consort, The Golden Bridge.

As a conductor, Suzi’s 2011 debut with the Orchestra of the Age of Enlightenment (Vocal Futures’ Bach’s St Matthew Passion) was met with outstanding critical acclaim: “Choral wizard”, “The mother of all music”, The Telegraph; “Sensitive and accomplished conductor”, Musical America; “A serious force for good within Britain’s music education system”, New Statesman. Suzi annually conducts 2,000 voices in the Royal Albert Hall in a scratch Youth Messiah which, last year, this was awarded Best Classical Music Education Initiative Nationwide by popular Classic FM vote. Suzi has conducted many major choral-orchestral works with, amongst others: BBC Symphony Orchestra, London Mozart Players, Orchestra of the Age of Enlightenment, Brandenburg Festival Orchestra. Venues at which she has conducted include The Royal Albert Hall; St John’s Smith Square; the Gstaad Festival; Ambika P3, London; St Martin in the Fields; St James’ Piccadilly; King’s College Chapel, Cambridge; and (with the Rolling Stones) O2; Glastonbury Festival and Hyde Park.

Suzi is a Trustee of Music in Country Churches, among other music and education charities. She is Past President of the Incorporated Society of Musicians and was Acting Music Director of Queens’ College, Cambridge (where she founded and runs the Queens’ Choral Conducting Programme). Amongst many TV appearances, she was judge in BBC1’s hit show, Last Choir Standing with over seven million viewers. She regularly adjudicates choral competitions and gives workshops and lectures around the world.

Booklet für Upheld by Stillness, Renaissance Gems and their Reflections

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