Riding With The King (Remastered) Eric Clapton & B.B. King
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- 1Riding With The King04:23
- 2Ten Long Years04:54
- 3Key To The Highway03:40
- 4Marry You05:00
- 5Three O'Clock Blues08:37
- 6Help The Poor05:06
- 7I Wanna Be04:46
- 8Worried Life Blues04:26
- 9Days Of Old03:00
- 10When My Heart Beats Like A Hammer07:10
- 11Hold On I'm Coming06:20
- 12Come Rain Or Come Shine04:11
Info zu Riding With The King (Remastered)
Riding With the King (Reprise 9 47612-2; 61:20) is both a dream project for rock star Eric Clapton and a love letter to his biggest inspiration. On the inside panel of this brilliant blues-drenched album there's a picture of a much younger, much thinner B.B. and a Cream-era, hippie-styled Clapton sitting atop matching Fender amplifiers and picking their respective axes. That vintage snapshot suggests just how long this collaboration has been in the making. On the cover, a current-day Clapton is pictured behind the wheel of a black Cadillac convertible (with fins), chauffeuring a regal B.B. who sits in the backseat with Lucille. More than 30 years have passed between photos but the bond these two guitar heroes share is still there. While there are some nods to concert rock on Riding With the King, like on Doyle Bramhall II's 'Marry You' and the 'Layla'-esque 'I Wanna Be,' the great majority of selections here is downhome, gritty and inspired, with the common ground being the almighty blue note. B.B. squeezes warm-toned blue notes and roars with unparalleled, sanctified intensity on signature pieces like 'Ten Long Years,' 'Three O'Clock Blues' and 'When My Heart Beats Like a Hammer,' and he wails triumphantly on the raucous upbeat shuffle 'Days Of Old.' Clapton, steeped in the blues tradition since his mid-'60s tenure with John Mayall's Bluesbreakers, more than holds his own on B.B.'s home turf. There are two mellow acoustic offerings in Big Bill Broonzy's 'Key to the Highway' and B.B.'s 'Worried Life Blues,' which sounds like Clapton and King sitting on the back porch strummin' and moanin' the blues-and it's interesting to hear B.B. transpose his signature Lucille licks onto acoustic steel-string guitar. For something completely different, there's a bluesy reading of the Johnny Mercer/Harold Arlen ballad 'Come Rain or Come Shine,' with string arrangements and orchestrations by Arif Mardin. Joe Sample provides real deal, gospel-flavored piano accompaniment throughout Riding With the King, sounding particularly churchy on 'When My Heart Beats Like a Hammer,' while Steve Gadd lays down a wide, loose backbeat that organically fuels this meeting of two giants. the standard 'Come Rain or Come Shine' are worthy of Ray Charles's 1959 version. (Bill Milkowski, JazzTimes)
'...On this triumphant collaboration, the 2 cross-generational masters take on...the blues in its many guises....'father' and 'son' find plenty of common ground.' (Entertainment Weekly)
Eric Clapton, vocals & guitar
B.B. King, vocals & guitar
Doyle Bramhall II, guitar
Jimmie Vaughan, guitar
Andy Fairweather Low, guitar
Joe Sample, piano, Fender Rhodes piano, Wurlitzer organ
Steve Gadd, drums
Paul Waller, drum programming
Nathan East, bass
Susannah Melvoin, background vocals
Wendy Melvoin, background vocals
Included in Rolling Stone's 'Top 50 Albums of 2000'.
RIDING WITH THE KING won the 2001 Grammy Award for Best Traditional Blues Album.
Eric Patrick Clapton
was born on 30 March 1945 in his grandparents’ home at 1 The Green, Ripley, Surrey, England. He was the son of 16-year-old Patricia Molly Clapton (b. 7 January 1929, d. March 1999) and Edward Walter Fryer (b. 21 March 1920, d. 1985), a 24-year-old Canadian soldier stationed in England during World War II. Before Eric was born, Fryer returned to his wife in Canada.
It was extraordinarily difficult for an unmarried 16-year-old to raise a child on her own in the mid-1940s. Pat’s parents, Rose and Jack Clapp, stepped in as surrogate parents and raised Eric as their own. Thus, he grew up believing his mother was his sister. His grandparents never legally adopted him, but remained his legal guardians until 1963. Eric’s last name comes from Rose’s first husband and Pat’s father, Reginald Cecil Clapton (d. 1933).
Eric’s mother, Pat, eventually married and moved to Canada and Germany as her husband, Frank MacDonald, continued his military career. They had two girls and a boy. Eric’s half-brother, Brian, was killed in a road accident in 1974 at the age of 26. His half-sisters are Cheryl (b. May 1953) and Heather (b. September 1958).
Eric was raised in a musical household. His grandmother played piano and his uncle and mother both enjoyed listening to the sounds of the big bands. Pat later told Eric’s official biographer, Ray Coleman, that his father was a gifted musician, playing piano in several dance bands in the Surrey area.
Quiet and polite, he was characterized as an above-average student with an aptitude for art. But, from his earliest years in school, he realized something was not quite right when he wrote his name as “Eric Clapton” and his parents’ names as “Mr. and Mrs. Clapp”. At the age of nine, he learned the truth about his parentage when Pat returned to England with his six-year-old half brother for a visit. This singular event affected him deeply and was a defining moment in his life. He became moody and distant and stopped applying himself at school. Emotionally scarred by this event, Eric failed the all-important 11 Plus Exams. He was sent to St. Bede’s Secondary Modern School and two years later, entered the art branch of Holyfield Road School.
By 1958, Rock and Roll had exploded onto the world. For his 13th birthday, Eric asked for a guitar. Finding the inexpensive German-made Hoyer difficult to play - it had steel strings - he put it aside. In 1961, when he was 16, Eric began studying at the Kingston College of Art on a one-year probation. He was expelled at the end of that time for lack of progress as he had not submitted enough work. The reason? Guitar playing and listening to the blues dominated his waking hours. For more, please visit the Eric Clapton Homepage.
His reign as King of the Blues has been as long as that of any monarch on earth. Yet B.B. King continues to wear his crown well. At age 76, he is still light on his feet, singing and playing the blues with relentless passion. Time has no apparent effect on B.B., other than to make him more popular, more cherished, more relevant than ever. Don't look for him in some kind of semi-retirement; look for him out on the road, playing for people, popping up in a myriad of T.V. commercials, or laying down tracks for his next album. B.B. King is as alive as the music he plays, and a grateful world can't get enough of him.
For more than half a century, Riley B. King - better known as B.B. King - has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night. In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. B.B. stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.
B.B.'s first big break came in 1948 when he performed on Sonny Boy Williamson's radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. 'King's Spot,' became so popular, it was expanded and became the 'Sepia Swing Club.' Soon B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.
In the mid-1950s, while B.B. was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. B.B. raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death. When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.'s trademark Gibson guitars has been called Lucille.
Soon after his number one hit, 'Three O'Clock Blues,' B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. has become the most renowned blues musician of the past 40 years.
Over the years, B.B. has developed one of the world's most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist's vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.'s words, 'When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.'
In 1968, B.B. played at the Newport Folk Festival and at Bill Graham's Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In ``69, B.B. was chosen by the Rolling Stones to open 18 American concerts for them; Ike and Tina Turner also played on 18 shows.
B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS' Lifetime Achievement Grammy Award in 1987, and has received honorary doctorates from Tougaloo(MS) College in 1973; Yale University in 1977; Berklee College of Music in 1982; Rhodes College of Memphis in 1990; Mississippi Valley State University in 2002 and Brown University in 2007. In 1992, he received the National Award of Distinction from the University of Mississippi.
In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal CityWalk in Los Angeles. A third club in New York City's Times Square opened in June 2000 and most recently two clubs opened at Foxwoods Casino in Connecticut in January 2002. In 1996, the CD-Rom On The Road With B.B. King: An Interactive Autobiography was released to rave reviews. Also in 1996, B.B.'s autobiography, 'Blues All Around Me' (written with David Ritz for Avon Books) was published. In a similar vein, Doubleday published 'The Arrival of B.B. King' by Charles Sawyer, in 1980.
B.B. continues to tour extensively, averaging over 250 concerts per year around the world. Classics such as 'Payin' The Cost To Be The Boss,' 'The Thrill Is Gone,' How Blue Can You Get,' 'Everyday I Have The Blues,' and 'Why I Sing The Blues' are concert (and fan) staples. Over the years, the Grammy Award-winner has had two #1 R&B hits, 1951's 'Three O'Clock Blues,' and 1952's 'You Don't Know Me,' and four #2 R&B hits, 1953's 'Please Love Me,' 1954's 'You Upset Me Baby,' 1960's 'Sweet Sixteen, Part I,' and 1966's 'Don't Answer The Door, Part I.' B.B.'s most popular crossover hit, 1970's 'The Thrill Is Gone,' went to #15 pop.
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