Christopher Gunning: Symphonies 2, 10 & 12 BBC National Orchestra of Wales & Kenneth Woods

• Christopher Gunning (b. 1944):
• 1 Symphony No. 10 21:43
• Symphony No. 2:
• 2 Symphony No. 2: I 11:57
• 3 Symphony No. 2: II 09:34
• 4 Symphony No. 2: III 07:34
• Symphony No. 12:
• 5 Symphony No. 12: I 13:47
• 6 Symphony No. 12: II 13:27
• Total Runtime 01:18:02

Info zu Christopher Gunning: Symphonies 2, 10 & 12

Christopher Gunning has composed twelve symphonies, as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar; many of these have now been recorded. He has also composed many scores for films and television dramas, including Agatha Christie’s ‘Poirot’, La Vie en Rose, Middlemarch, Cold Lazarus, Rebecca, Under Suspicion, Firelight, The Big Battalions, Wild Africa, When the Whales Came and Porterhouse Blue. With a career spanning 50 years, he has won 4 BAFTA and 3 Ivor Novello Awards, and BASCA’s prestigious Gold Badge Award.

Christopher studied composition with Edmund Rubbra and Sir Richard Rodney Bennett at the Guildhall School of Music and Drama. After a hugely successful career writing for the big and small screen he is now focussed on his classical work and releases.

BBC National Orchestra of Wales
Kenneth Woods, conductor

Kenneth Woods
Hailed by Gramophone Magazine as “a symphonic conductor of stature”, American conductor Kenneth Woods was appointed Artistic Director and Principal Conductor of the English Symphony Orchestra in 2013, and has quickly built up an impressive and acclaimed body of work with them. Woods was also recently appointed Artistic Director of both the Colorado MahlerFest – the only US organisation other than the New Year Philharmonic to receive the International Gustav Mahler Society’s Gold Medal – and the Elgar Festival in Worcester.

As a guest, Woods has conducted ensembles including the National Symphony Orchestra (Washington), Royal Philharmonic Orchestra, Cincinnati Symphony, BBC National Orchestra of Wales, Budapest Festival Orchestra, Royal Northern Sinfonia and the English Chamber Orchestra, and has made numerous broadcasts for BBC Radio 3, National Public Radio and the Canadian Broadcasting Corporation. He has appeared on the stages of some of the world’s leading music festivals, such as Aspen, Scotia and Lucerne.

Under Kenneth Woods’ leadership, the English Symphony Orchestra has gained widespread recognition as one of the most innovative and influential orchestras in the UK. They received Classical Music Magazine’s “Premiere of the Year” plaudit for both Donald Fraser’s orchestration of the Elgar Piano Quintet in 2015 and John Joubert’s opera Jane Eyre in 2016. Jane Eyre also marked the ESO’s first foray into opera, and the premiere and subsequent Somm Recordings CD were both received with international critical acclaim including a string of five-star reviews, Disc of the Month and MusicWeb Opera Recording of the Year nods, and was named the Birmingham Post’s “classical music highlight of 2016.”

The first of Woods’ many acclaimed ESO discs was volume one in the Complete Piano Concertos of Ernst Krenek, selected by The Times as one of their “Best Recordings of 2016,” with Volume 2 chosen by Forbes Magazine as one of their “Top 11 Classical CDs of 2017.” Their recording of Fraser’s Elgar orchestrations for Avie was a Classic FM Disc of the Month, and An Eventful Morning in East London (a collection of 21st Century violin concertos with soloist Harriet Mackenzie) for Nimbus received a five-star review in The Times. Woods’ recording of his own orchestration of Brahms’ Piano Quartet in A major was chosen by The Arts Desk as one of their Top Ten Classical CDs of 2018.

In 2016, Woods and the ESO launched their “21st Century Symphony Project,” an ambitious multi-year effort to commission, premiere and record nine new symphonies by leading composers, with Philip Sawyers’ Third Symphony, a work described by ClassicalSource as “a masterpiece” following its triumphant St John’s Smith Square premiere in 2017. In 2018 The Spectator selected the premiere of the second work in the 21CSP, David Matthews’ Ninth Symphony, as one of the top-10 classical concerts of 2018. In 2019, the ESO premiered Matthew Taylor’s Fifth Symphony at Cadogan Hall, and this work was welcomed by Robert Matthew-Walker, editor of Musical Opinion as “a masterwork of genuine symphonic thinking.”

Highlights in 2018-19 included the ESO’s sold-out debut at St George’s Bristol with Sheku Kanneh-Mason, a triumphant return to the Orchestra of the Swan with two programmes combining Mahler symphonies with the music of David Matthews, world-premiere recordings of three new symphonies by Christopher Gunning for Signum with the BBC National Orchestra of Wales, a gala concert with the North Czech Philharmonic at Prague Castle and the ESO’s first foray into Wagnerian opera with a performance of Act One of Die Walküre. As Artistic Director of the Colorado MahlerFest, Ken has overseen an expansion of the artistic program, introducing a new chamber orchestra concert alongside an acclaimed final concert which included Mahler’s First Symphony and the Korngold Violin Concerto. In his second year as Artistic Director of the Elgar Festival, Ken conducted the ESO and Raphael Wallfisch in the official 100th Anniversary performance of Elgar’s iconic Cello Concerto in a gala concert at Worcester Cathedral which crowned a week of sold-out concerts.

2019-20 will see Woods making his debut with the Madison Symphony Orchestra in a program featuring Richard Strauss’s Ein Heldenleben. At the ESO he’ll be joined by Nicola Benedetti for the Elgar Violin Concerto, and Isata Kanneh-Mason and Alexander Sitkovetsky for piano and violin concertos by Ludwig van Beethoven as part of the orchestra’s year-long celebration of that composers 250th birthday, while at Colorado MahlerFest he conducts Mahler’s Second Symphony and Wagner’s Die Walküre.

A widely read writer and frequent broadcaster, Woods’ blog, A View from the Podium, is one of the 25 most popular classical blogs in the world. He has spoken on Mahler on NPR’s All Things Considered and is a regular speaker on BBC radio programmes. Since 2014, he has been Honorary Patron of the Hans Gál Society.

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