Robert Saxton: Scenes from the Epic of Gilgamesh & The Resurrection of the Soldiers English Symphony Orchestra, English String Orchestra & Kenneth Woods

• Robert Saxton (b. 1953): Scenes from the Epic of Gilgamesh:
• 1 Saxton: Scenes from the Epic of Gilgamesh: I. Prologue 04:14
• 2 Saxton: Scenes from the Epic of Gilgamesh: II. The Journey to the Forest of Cedar 06:42
• 3 Saxton: Scenes from the Epic of Gilgamesh: III. From Dawn to Dusk 04:35
• 4 Saxton: Scenes from the Epic of Gilgamesh: IV. Lament on the Death of Enkidu 09:16
• 5 Saxton: Scenes from the Epic of Gilgamesh: V. Apotheosis 07:44
• The Resurrection of the Soldiers:
• 6 Saxton: The Resurrection of the Soldiers 14:41
• Total Runtime 47:12

Info zu Robert Saxton: Scenes from the Epic of Gilgamesh & The Resurrection of the Soldiers

Das Gilgamesch-Epos, der älteste geschriebene literarische Text in der Kulturgeschichte des Nahen Ostens und des Westens, ist älter als die hebräische Bibel und erzählt die Geschichte von König Gilgamesch, der teils göttlich, teils menschlich ist und historisch um 2800 v. Chr. existiert haben könnte. Nach einer unreifen Jugend und dem Glauben an seine Unsterblichkeit muss er schließlich die Macht und Realität des Todes akzeptieren.

Das Stück besteht aus fünf Sätzen / Szenen: Der erste, der Prolog, spiegelt die ängstliche Lage der Stadt Uruk wider, die unter der despotischen Herrschaft des jungen Königs Gilgamesch leidet. Um das Gleichgewicht wiederherzustellen, erschaffen die Götter sein Gegenstück, den wilden Mann Enkidu, der von einer Tempelprostituierten weggelockt und gezähmt wird. Die Tonhöhenzentren dieser Szene buchstabieren die musikalischen Buchstaben des Gilgamesch, die auch dem gesamten Werk zugrunde liegen. Die Reise zum Zedernwald schildert die mühsame Reise von Enkidu und Gilgamesch auf der Suche nach Ruhm. Sie wagen sich in den Zedernwald, um einen der größten Bäume zu fällen und daraus ein großes Tor für den Tempel des Enlil, des göttlichen Herrschers des Kosmos, zu bauen. Sie töten den Wächter des Waldes, Humbaba, der von sieben Auren beschützt wird. Von der Morgendämmerung bis zur Abenddämmerung, ein schneller Satz, veranschaulicht Gilgameschs Wettlauf mit der Sonne. Er kommt kurz vor Sonnenuntergang an und findet sich in einem Garten voller Juwelen wieder. Gilgamesch singt ein Klagelied über den Tod von Enkidu, das in die Schlussszene überleitet.

English Symphony Orchestra
English String Orchestra
Kenneth Woods, Dirigent

Kenneth Woods
Hailed by Gramophone Magazine as “a symphonic conductor of stature”, American conductor Kenneth Woods was appointed Artistic Director and Principal Conductor of the English Symphony Orchestra in 2013, and has quickly built up an impressive and acclaimed body of work and recordings with them. Woods was also recently appointed Artistic Director of both the Colorado MahlerFest – the only US organisation other than the New Year Philharmonic to receive the International Gustav Mahler Society’s Gold Medal – and the Elgar Festival in Worcester.

As a guest, Woods has conducted ensembles including the National Symphony Orchestra (Washington), Royal Philharmonic Orchestra, Cincinnati Symphony, BBC National Orchestra of Wales, Budapest Festival Orchestra, Royal Northern Sinfonia and the English Chamber Orchestra, and has made numerous broadcasts for BBC Radio 3, National Public Radio and the Canadian Broadcasting Corporation. He has appeared on the stages of some of the world’s leading music festivals, such as Aspen, Scotia and Lucerne.

Under Kenneth Woods’ leadership, the English Symphony Orchestra has gained widespread recognition as one of the most innovative and influential orchestras in the UK. They received Classical Music Magazine’s “Premiere of the Year” plaudit for both Donald Fraser’s orchestration of the Elgar Piano Quintet in 2015 and John Joubert’s opera Jane Eyre in 2016. Jane Eyre also marked the ESO’s first foray into opera, and the premiere and subsequent Somm Recordings CD were both received with international critical acclaim including a string of five-star reviews, Disc of the Month nods and the Birmingham Post’s classical music highlight of 2016 accolade.

The first of Woods’ many acclaimed ESO discs was volume one in the Complete Piano Concertos of Ernst Krenek, selected by The Times as one of their “Best Recordings of 2016.” Their recording of Fraser’s Elgar orchestrations for Avie was a Classic FM Disc of the Month, and An Eventful Morning in East London (a collection of 21st Century violin concertos with soloist Harriet Mackenzie) for Nimbus received a five-star review in The Times.

In 2016, Woods and the ESO launched their 21st Century Symphony Project, an ambitious multi-year effort to commission, premiere and record nine new symphonies by leading composers, with the triumphant premiere of Philip Sawyers’ Third Symphony at St John’s Smith Square

Highlights of Woods’ 17/18 season included the world premiere of David Matthews’ Ninth Symphony and a performance of the Elgar Cello Concerto with Sheku Kanneh-Mason at a packed St. George’s in Bristol with the ESO; acclaimed performances of Das Lied von der Erde in Colorado; the Elgar Festival’s inaugural gala concert at Worcester Cathedral; and their latest CD release Woods’ own arrangement of the Brahms Piano Quartet Op. 15 – hailed by the Birmingham Post as “effectively a completely new Brahms symphony… so many of Brahms’s ideas translated beautifully.”

Upcoming highlights in 18/19 and beyond include an all-Dvorak UK tour with the ESO and Czech star violinist Pavel Sporcl; performances of Mahler 1 in Colorado; concerts with the Orchestra of the Swan in April and May (in continuation of the David Matthews In the Heart of England 75th Birthday joint ESO and OOTS celebrations); new world premiere 21stCentury Symphony performances in London; and an exciting new season of ESO concerts including Die Walküre Act and The Hour of Love and Death (a multimedia staging of Shostakovich’s 14th Symphony).

A widely read writer and frequent broadcaster, Woods’ blog, A View from the Podium, is one of the 25 most popular classical blogs in the world. He has spoken on Mahler on NPR’s All Things Considered and is a regular speaker on BBC radio programmes. Since 2014, he has been Honorary Patron of the Hans Gál Society.

Ken also serves as Artistic Director of the English Symphony Orchestra and Colorado MahlerFest, one of only two North American organisations to receive the Gold Medal of the International Mahler Society. A prolific recording artist, his first disc of the music of Elgar was a Classic FM Disc of the Month and spent eight weeks in the Classical Charts.

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