Echoes Of Life Alice Sara Ott

Album Info

Album Veröffentlichung:
2021

HRA-Veröffentlichung:
30.07.2021

Label: Deutsche Grammophon (DG)

Genre: Classical

Subgenre: Instrumental

Interpret: Alice Sara Ott

Komponist: Frederic Chopin (1810-1849), György Ligeti (1923-2006), Nino Rota (1911-1979), Arvo Pärt (1935), Francesco Tristano (1981), Chilly Gonzales (1972)

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  • Francesco Tristano (b. 1981): In The Beginning Was
  • 1Tristano: : In The Beginning Was04:17
  • Frédéric Chopin (1810 - 1849): 24 Preludes, Op. 28:
  • 2Chopin: 24 Preludes, Op. 28: No. 1 in C Major. Agitato00:37
  • 3Chopin: 24 Preludes, Op. 28: No. 2 in A Minor. Lento02:45
  • 4Chopin: 24 Preludes, Op. 28: No. 3 in G Major. Vivace00:57
  • 5Chopin: 24 Preludes, Op. 28: No. 4 in E Minor. Largo02:14
  • György Ligeti (1923 - 2006): Musica ricercata:
  • 6Ligeti: Musica ricercata: I. Sostenuto. Misurato. Prestissimo02:26
  • Frédéric Chopin: 24 Preludes, Op. 28:
  • 7Chopin: 24 Preludes, Op. 28: No. 5 in D Major. Molto allegro00:40
  • 8Chopin: 24 Preludes, Op. 28: No. 6 in B Minor. Lento assai02:10
  • 9Chopin: 24 Preludes, Op. 28: No. 7 in A Major. Andantino00:42
  • 10Chopin: 24 Preludes, Op. 28: No. 8 in F Sharp Minor. Molto agitato01:59
  • 11Chopin: 24 Preludes, Op. 28: No. 9 in E Major. Largo01:58
  • Nino Rota (1911 - 1979): Valzer:
  • 12Rota: : Valzer02:52
  • Frédéric Chopin: 24 Preludes, Op. 28:
  • 13Chopin: 24 Preludes, Op. 28: No. 10 in C Sharp Minor. Molto allegro00:34
  • 14Chopin: 24 Preludes, Op. 28: No. 11 in B Major. Vivace00:40
  • 15Chopin: 24 Preludes, Op. 28: No. 12 in G Sharp Minor. Presto01:29
  • 16Chopin: 24 Preludes, Op. 28: No. 13 in F Sharp Minor. Lento02:55
  • 17Chopin: 24 Preludes, Op. 28: No. 14 in E Flat Minor. Allegro00:31
  • 18Chopin: 24 Preludes, Op. 28: No. 15 in D Flat Major. Sostenuto "Raindrop"06:20
  • Chilly Gonzales (b. 1972): Prelude in C Sharp Major:
  • 19Gonzales: : Prelude in C Sharp Major03:02
  • Frédéric Chopin: 24 Preludes, Op. 28:
  • 20Chopin: 24 Preludes, Op. 28: No. 16 in B Flat Minor. Presto con fuoco01:16
  • 21Chopin: 24 Preludes, Op. 28: No. 17 in A Flat Major. Allegretto03:55
  • 22Chopin: 24 Preludes, Op. 28: No. 18 in C Minor. Molto allegro01:00
  • Tōru Takemitsu (1930 - 1996): Litany (In Memory of Michael Vyner):
  • 23Takemitsu: Litany (In Memory of Michael Vyner): I. Adagio04:53
  • Frédéric Chopin: 24 Preludes, Op. 28:
  • 24Chopin: 24 Preludes, Op. 28: No. 19 in E Flat Major. Vivace01:26
  • 25Chopin: 24 Preludes, Op. 28: No. 20 in C Minor. Largo01:37
  • Arvo Pärt (b. 1935): Für Alina:
  • 26Pärt: : Für Alina02:13
  • Frédéric Chopin: 24 Preludes, Op. 28:
  • 27Chopin: 24 Preludes, Op. 28: No. 21 in B Flat Major. Cantabile02:13
  • 28Chopin: 24 Preludes, Op. 28: No. 22 in G Minor. Molto agitato00:48
  • 29Chopin: 24 Preludes, Op. 28: No. 23 in F Major. Moderato00:47
  • 30Chopin: 24 Preludes, Op. 28: No. 24 in D Minor. Allegro appassionato02:43
  • Alice Sara Ott (b. 1988): Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa"):
  • 31Ott: : Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa")02:48
  • Total Runtime01:04:47

Info zu Echoes Of Life

Alice Sara Ott veröffentlicht ihr zehntes Album bei Deutsche Grammophon. Das Repertoire von “Echoes Of Life” beinhaltet neben Frédéric Chopins 24 Préludes sieben zeitgenössische Werke verschiedener Komponisten, unter anderem ein von Francesco Tristano eigens für das Album geschriebenes Werk sowie eine Komposition von Alice Sara Ott selbst, basierend auf Mozarts Lacrimosa. Mit diesen sieben Kompositionen aus dem 20. und 21. Jahrhundert stellt die Pianistin den Klavierzyklus in einen zeitgenössischen Kontext – hinter jedem der sieben “Interludes” verbirgt sich ein autobiographisches Moment Otts, ausführlich und persönlich dokumentiert im Album-Booklet.

“Echoes Of Life ist eine persönliche Reflexion über Gedanken und Momente, die unser Leben beeinflussen und verändern. Das Album erzählt auch von einer Transformation, einer Reise, auf die ich mich begeben habe, um so zu werden, wie ich mich heute sehe, als Mensch und Künstlerin. Ich spiele Musik von Komponisten, die zu ihrer Zeit die Konventionen herausforderten und Musik neu definierten. Und ich verstehe es als meine Aufgabe als klassische Musikerin, diesen Geist weiterzutragen, denn ich will eben nicht vergangene Traditionen mit ihren Grenzen fortschreiben.”

Alice Sara Ott, Klavier




Alice Sara Ott
In less than five years, the twenty-five year old German-Japanese pianist Alice Sara Ott has gained critical acclaim for her performances at major concert halls worldwide and has established herself as one of the most exciting musical talents of today.

Recent concerts have seen Alice perform with the Münchner Philharmoniker in Munich and the NHK Symphony Orchestra in Tokyo, both under Lorin Maazel, and a very successful European tour with the Czech Philharmonic Orchestra under Krzysztof Urbański. In recital, she had great success with her recitals in London’s International Piano Series, Chicago Symphony Center, New York’s Le Poisson Rouge, Hamburg’s Laeiszhalle and Berlin’s Kammermusiksaal.

Highlights of the 2013/14 season include appearances with the Philharmonia Orchestra (Vladimir Ashkenazy), Washington’s National Symphony Orchestra (Neeme Järvi), Chamber Orchestra of Europe (Thomas Dausgaard) and tours with Finnish Radio Symphony Orchestra (Hannu Lintu), Oslo Philharmonic Orchestra (Vasily Petrenko) and Orchestre Philharmonique de Radio France (Myung-Whun Chung). In recital, she makes return visits to Beethovensaal in Stuttgart, Prinzregententheater in Munich and Vienna’s Konzerthaus.

In previous seasons she has appeared with the Royal Stockholm Philharmonic Orchestra (Sakari Oramo), London Symphony Orchestra (Daniel Harding), San Francisco Symphony (Pablo Heras-Casado), Danish National Symphony Orchestra (Robin Ticciati), Philharmonia Orchestra (Leif Segerstam), and hr-Sinfonieorchester (Paavo Järvi).

Alice has recorded exclusively for Deutsche Grammophon since 2008, with her highly successful debut recording of Liszt’s 12 Études d’exécution transcendante quickly followed by a second album of Chopin’s complete waltzes, entering both the German and US Classical iTunes charts at No.1. Alice’s debut concerto album, with works by Tchaikovsky and Liszt (with the Münchner Philharmoniker and Thomas Hengelbrock) was named Editor’s Choice in both International Piano and Classic FM magazines. Alice was also awarded the prize for Young Artist of the Year at the Echo Klassik Awards for her Chopin recording in October 2010. Her performance of Mussorgsky’s Pictures from an Exhibition at the Mariinsky Theatre, was recorded live in July 2012 during the White Nights Festival in St Petersburg and was released in January 2013. Upcoming recording projects include a two piano programme based on Russian ballet with Francesco Tristano in autumn 2013, and which will be on worldwide tour in 2014/15 season.

Francesco Tristano
a young musician and composer causing a stir on the club scene as well as in classical concert venues is probably a world-first. It may also be the first time that purists from the classical and techno camps actually agree on something – That they don’t know quite what to make of this young musician who refuses to stick to the rules. For Francesco Tristano this kind of reaction is nothing new. Experienced concert audiences and classical music lovers may feel equally baffled when they hear a pianist blend and mix his own composition – just like a DJ – into a piece by baroque composer Girolamo Frescobaldi…

The intrepidness with Francesco Tristano combines eras and styles, occasionally allowing them to collide, may initially create a baffled response. However, Luxembourg-born Tristano has no aspirations as an agitator. Almost everything he does is an expression of an open-minded attitude which refuses to accept borders and constrictions. Tristano knows all about the interpretational conventions that have shaped generations of classical pianists – and he has chosen to ignore them. He does not seek approval as an artist and when his dynamic performance emotively basks in the intrinsic severity of Old music – that’s when he’s truly radical.

Tristano, born in 1981, discovered the piano at the age of five. Aged 13, he played his first concert, presenting his own compositions. He later toured both as a soloist and with renowned orchestras, such as the Russian National Orchestra, the Deutsches Symphonie-Orchester Berlin, and the Hanoi Philharmonic Orchestra among others. Tristano founded his chamber ensemble, The New Bach Players which he also conducts. This ensemble consciously breaks with conventions, using a modern grand piano and old, vibratoless bows on contemporary string instruments.

Tristano visited New York’s Juilliard School during five years. The city of New York opened his ears to electronic and club music. to complete Bach legend Rosalyn Tureck’s master class. In 2004, he won the first prize at the International piano competition for contemporary music in Orléans, France. Tristano has released twelve albums, among them recordings of Bach Goldberg Variations and complete keyboard concertos, Luciano Berio complete piano works, and Girolamo Frescobaldi Toccatas. ‘Not for Piano’ (inFine, 2007), presented his own compositions as well as versions of techno classics at the piano. ‘Idiosynkrasia’ (inFine, 2010), recorded at Carl Craig’s Planet E-communications in Detroit, was released to critical acclaim in 2010. Tristano is a Deutsche Grammophon artist and is about to release his third album on that label. His ‘bachCage’, produced by Moritz von Oswald, was released on DGG in 2011. His collaborative tracks and remixes have been released on labels such as Innervisions, CLR, Visionquest, PIAS and Inflyte.

Dieses Album enthält kein Booklet

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