Poulenc: Piano Concertos & Aubade, FP 51 Louis Lortie, Hélène Mercier, BBC Philharmonix & Edward Gardner

• Francis Poulenc (1899 - 1963): Piano Concerto, FP 146:
• 1 Piano Concerto, FP 146: I. Allegretto 10:00
• 2 Piano Concerto, FP 146: II. Andante con moto 05:57
• 3 Piano Concerto, FP 146: III. Rondo à la française 03:56
• Aubade, FP 51:
• 4 Aubade, FP 51: Toccata. Lento e pesante 02:35
• 5 Aubade, FP 51: Recitatif. Les compagnes de Diane. Larghetto 01:42
• 6 Aubade, FP 51: Rondeau. Diane et compagnes 03:11
• 7 Aubade, FP 51: Presto. Toilette de Diane. Presto 01:24
• 8 Aubade, FP 51: Recitatif. Introduction à la variation de Diane. Larghetto 02:09
• 9 Aubade, FP 51: Variation de Diane. Andante con moto 03:33
• 10 Aubade, FP 51: Conclusion. Adieux et depart de Diane. Adagio 04:54
• Concerto for 2 Pianos in D Minor, FP 61:
• 11 Concerto for 2 Pianos in D Minor, FP 61: I. Allegro ma non troppo 08:02
• 12 Concerto for 2 Pianos in D Minor, FP 61: II. Larghetto 05:19
• 13 Concerto for 2 Pianos in D Minor, FP 61: III. Finale 05:36
• Sonata for Piano 4 hands, FP 8:
• 14 Sonata for Piano 4 hands, FP 8: I. Prélude 02:02
• 15 Sonata for Piano 4 hands, FP 8: II. Rustique 01:56
• 16 Sonata for Piano 4 hands, FP 8: III. Final 01:53
• Élégie for 2 Pianos, FP 175:
• 17 Élégie for 2 Pianos, FP 175 05:20
• L'embarquement pour Cythère, FP 150:
• 18 L'embarquement pour Cythère, FP 150 02:02
• Total Runtime 01:11:31

Info zu Poulenc: Piano Concertos & Aubade, FP 51

After a successful cycle of Chopin works for solo piano, exclusive Chandos artist Louis Lortie plays here works by Poulenc with his duet partner Hélène Mercier. In Aubade and the two concertos they are joined by Edward Gardner and the BBC Philharmonic.

The French-Canadian pianists draw a persuasive portrait of the melancholic Parisian that Poulenc was: playful and depressed, like his tutor, Erik Satie. There is always a sense of palpable anxiety in these pieces, be it the sarcastic joie de vivre of the 'choreographic concerto' Aubade or the ironic melancholy of the explosive Concerto for Two Pianos – Mozartean and Stravinskyan at the same time. Further examples are the contrasting pair of works for two pianos, in which the evocation of the sound of accordion and smell of fried potatoes in L'Embarquement pour Cythère complement the Élégie which, as Poulenc indicated, should be played with 'a cigar in your mouth and a glass of cognac on the piano'.

Similarly, the dazzling and dissonant Sonata for Piano Duet alternates between passages of charme and others that are féroce and strident. 'Inventing his own folk tunes', as Ravel noted, Poulenc took a decisive step in his musical emancipation with this very 'dissident' work.

Louis Lortie also plays the Piano Concerto, in which the traditional concerto virtues are more obvious: memorable tunes, sparkling orchestration, and a wide range of textures in the piano part.

"[Lortie and Mercier] perform [the Poulenc] with great panache, also capturing the work's more reflective qualities, with Edward Gardner and the BBC Philharmonic providing by turns zestful and sensitive accompaniment" (BBC Music Magazine)

"the distinct attraction of this performance by Lortie with the BBC Philharmonic under Edward Gardner is the way in which orchestral colour, as well as piano texture, is so clearly defined and zestfully articulated…Lortie is joined by Helene Mercier for cracking performances of the Two-Piano Concerto and the Sonata for four hands, their distinctive acerbities given whiplash emphasis by both pianists…and yet with their more lyrical leanings tenderly voiced." (Gramophone Magazine)

Louis Lortie, piano
Hélène Mercier, piano
BBC Philharmonic
Edward Gardner, conductor

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Booklet für Poulenc: Piano Concertos & Aubade, FP 51