#3 Camille & Julie Berthollet

• Anghelus Dinicu (1838 - 1905):
• 1 Dinicu / Arr Lehn: Ciocârlia (Transcr. Lehn for Quintet) 02:45
• Johannes Brahms (1833 - 1897(:
• 2 Brahms: 21 Hungarian Dances, WoO 1: No. 6 in D-Flat Major 03:46
• Antonín Dvorák (1841 - 1904):
• 3 Dvorák: From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods 05:24
• Niccolò Paganini (1782 - 1840):
• 4 Paganini: Moto Perpetuo, Op. 11 No. 6 03:45
• Fritz Kreisler (1875 - 1962):
• 5 Kreisler: 3 Old Viennese Dances: II. Liebesleid 03:28
• Franz Schubert (1797 - 1828):
• 6 Schubert: Piano Quintet in A Major, D. 667, "The Trout": IV. Andante (Thema e variazioni ) 07:30
• Niccolò Paganini:
• 7 Paganini / Arr Kreisler: Violin Concerto No. 2 in B Minor, Op. 7, "La Campanella": III. Rondo "La Campanella" (Arr. Kreisler for Piano & Violin) 05:16
• Johann Sebastian Bach (1685 - 1750):
• 8 Bach, JS / Orch Mahler: Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Orch. Mahler) 04:26
• Sergei Rachmaninov (1873 - 1943):
• 9 Rachmaninov: Trio élégiaque No. 1 in G Minor, TN ii/34 13:58
• Johannes Brahms:
• 10 Brahms / Orch. Herzog: 5 Lieder, Op. 49: IV. Wiegenlied (Orch. Herzog) 01:48
• Anonymous:
• 11 Anonymous / Arr. Lehn: The Two Guitars 03:42
• John Corigliano (b.1938):
• 12 Corigliano: Le Violon rouge 03:35
• Alessandro Marcello (1673 - 1747):
• 13 Marcello / Arr J.S. Bach / Orch Herzog: Oboe Concerto in D Minor, S. Z799: II. Adagio (Orch. Herzog) 03:41
• Alan Silvestri (b. 1950):
• 14 Silvestri: Forrest Gump Suite 06:49
• Claude François (1939 - 1978), Jacques Revaux (b.1940):
• 15 Revaud & François / Arr. Berthollet C, J & Vincent: My Way (Transcr. Berthollet C. & J. & Vincent for Trio) 03:41
• Sergei Rachmaninov
• 16 Rachmaninov: 2 Pieces for 6 Hands, TN ii/22: II. Romance in A Major (Andante sostenuto) 04:38
• Total Runtime 01:18:12

Info zu #3

Camille & Julie - ein Feuerwerk von Bach bis Sinatra: Das dritte Album der fabelhaften Berthollet-Schwestern. Wenn sie zu ihren Instrumenten greifen, kann man sich auf ein wahres Feuerwerk der Virtuosität freuen. Zehntausende bejubeln die Geschwister Camille und Julie Berthollet, seit Camille vor einigen Jahren als 15-jährige die französische Casting-Show Prodiges gewann. Ihr gemeinsames Debütalbum errang in kürzester Zeit französische Gold-Ehren, ihre Fans verfolgen sie begeistert im Internet wie eine Girl Group. Jetzt erscheint das dritte gemeinsame Album der Multitalente, die jeweils mehrere Instrumente spielen – was das Programm auch der neuen Produktion besonders farbig macht. »Wir haben Stücke ausgesucht, in denen wir uns besonders frei ausdrücken können«, so die Schwestern über ihre Auswahl – und die reicht über klassische Grenzen hinweg von Bach über Brahms, Schubert Paganini oder Kreisler bis zu einem Soundtrack von Alan Silvestri und Frank Sinatras Evergreen My Way. Vielleicht mag diese Hymne an einen außergewöhnlichen Lebensweg auch als großes Motto der beiden stehen, die unter dem Jubel eines Riesenpublikums die Musik zum Zentrum ihres Lebens gemacht haben, und mit ihrer typischen Mischung aus jugendlichem Elan und überbordendem Talent in jeder Stilarten faszinieren und begeistern. Zusammen mit dem Ensemble Appassionato, den Pianisten Guillaume Vincent und Thomas Enhco sowie weiteren Solisten bieten die Berthollet-Schwestern ein musikalisch hinreißendes Potpourri, auf das ihre Fans seit dem letzten Album gewartet haben!

Camille Berthollet, Violine, Cello, Klavier
Julie Berthollet, Violine, Klavier
Guillaume Vincent, Klavier
Thomas Enhco, Klavier
Ensemble Appassionato
Mathieu Herzog, Dirigent

Camille Dalmais
Born in the 14th arrondissement of Paris in 1978, Camille Dalmais came into contact with the music world at an early age. Her father was a musician, who also indulged in a spot of songwriting from time to time. Camille soon discovered her own artistic bent, developing a passion for dance. She started taking ballet classes at the age of 7 and went on to perfect her skills over the next ten years. Meanwhile, Camille was also keenly aware of music, attending her first live concert at the age of 7 (when she watched Ray Charles perform at the Roman amphitheatre in Nîmes).

Camille, who had also developed a strong interest in bossa nova and American musicals, was already set on taking to the stage one day herself as a dancer, an actress or a singer. Yet she never once conceived of the idea of learning her profession in any kind of institution. For her, the arts were a personal world, to be explored in an instinctive, self-taught way. Camille went on to give her first public performance, singing at a wedding when she was just 16. "Un homme déserté", the song she performed at the wedding, was co-written with friends.

While still dreaming of becoming a dancer, an actress or a singer, Camille applied herself to her studies. She was a particularly gifted pupil and studied at the Lycée Henri IV in Paris, obtaining an arts degree before sitting the exam for the prestigious Normale-Sup Saint-Cloud. Camille then went on to graduate from "Sciences Po" (where she was allowed to record her album "Sac de filles" as a final end-of-year-project). Meanwhile, on the songwriting front, "Un homme déserté" had laid the foundations of what was to become the Camille style: a combination of ‘70s soul influences, ‘60s folk influences, French 'chanson' and a particular attention to language.

Camille honed her vocal skills, taking singing lessons, and she began trying out her new songs on the Paris jazz circuit, accompanied by a backing band which included her future guitarist, Sébastien Martel. Camille also found work as a backing singer and she came to professional and public attention, performing as one of the backing singers with Jean-Louis Murat when the latter appeared on a television show. …

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