Rameau: Concerts en sextuor Thibault Noally & Les Accents

• Jean-Philippe Rameau (1683 - 1764): Concerts en sextuor, Premier Concert:
• 1 Rameau: Concerts en sextuor, Premier Concert: I. La Coulicam (Allegro moderato) 03:20
• 2 Rameau: Concerts en sextuor, Premier Concert: II. La Livri (Rondeau gracieux) 02:41
• 3 Rameau: Concerts en sextuor, Premier Concert: III. Le Vézinet (Gayement sans vitesse) 03:06
• Concerts en sextuor, Deuxième Concert:
• 4 Rameau: Concerts en sextuor, Deuxième Concert: I. La Laborde (Rondement) 05:16
• 5 Rameau: Concerts en sextuor, Deuxième Concert: II. La Boucon (Air gracieux) 05:37
• 6 Rameau: Concerts en sextuor, Deuxième Concert: III. L'Agaçante (Rondement) 02:21
• 7 Rameau: Concerts en sextuor, Deuxième Concert: IV. Premier et Deuxième Menuet en rondeau 03:59
• Concerts en sextuor, Troisième Concert:
• 8 Rameau: Concerts en sextuor, Troisième Concert: I. La Lapoplinière (Rondement) 04:15
• 9 Rameau: Concerts en sextuor, Troisième Concert: II. La Timide (Premier Rondeau). Deuxième Rondeau 05:22
• 10 Rameau: Concerts en sextuor, Troisième Concert: III. Premier Tambourin, deuxième Tambourin en rondeau 02:32
• Concerts en sextuor, Quatrième Concert:
• 11 Rameau: Concerts en sextuor, Quatrième Concert: I. La Pantomime (Loure vivement) 04:07
• 12 Rameau: Concerts en sextuor, Quatrième Concert: II. L'Indiscrète (Allegro vivace rondeau) 01:37
• 13 Rameau: Concerts en sextuor, Quatrième Concert: III. La Rameau (Rondement) 04:03
• Concerts en sextuor, Cinquième Concert:
• 14 Rameau: Concerts en sextuor, Cinquième Concert: I. La Forqueray (Fugue) 04:16
• 15 Rameau: Concerts en sextuor, Cinquième Concert: II. La Cupis (Modérément) 05:57
• 16 Rameau: Concerts en sextuor, Cinquième Concert: III. La Marais (Rondement) 02:25
• Total Runtime 01:00:54

Info zu Rameau: Concerts en sextuor

Transcriptions for string sextet of Rameau's Pièces de clavecin en concerts of 1741, the Concerts en sextuor were published by Saint-Saëns in the monumental edition of Rameau's works that he undertook in the nineteenth century for Durand. Hitherto they had existed only in a manuscript bearing the name Decroix and dated 1768 (four years after the composer's death). These concerts, consisting of typical French character pieces, evoking a place (Le Vésinet), a temperament (La Timide) or a person (La Marais), show the composer's skills at capturing character, mood and color. This performance on period instruments by Thibault Noally and Les Accents brings out all the warmth of this version of Rameau's compositions.

Les Accents
Thibault Noally, violin, musical direction

Thibault Noally
Born in 1982, Thibault Noally began his musical studies with Maurice Talvat, Yuko Mori and Irina Medvedeva. In 2000 he entered the class of Lydia Mordkovitch at the Royal Academy of Music in London. He also studied ancient music and began to perform with Margaret Faultless, Micaëla Comberti and Sir Trevor Pinnock.

He has worked with the Ensemble Baroque de Limoges, Concerto Köln, Ensemble Matheus, Orfeo 55 and Opus 5, amongst other ensembles.

Since 2006, he has been concertmaster with Les Musiciens du Louvre-Grenoble under Marc Minkowski. He also works with cellist Ophélie Gaillard and the ensemble Pulcinella, and guests as concertmaster with the Sinfonia Varsovia Orchestra.

Thibault Noally performs regularly with renowned singers such as Cecilia Bartoli, Anne Sofie von Otter, Jennifer Larmore and Philippe Jaroussky, and appears as a soloist at prestig- ious international venues (Paris Salle Pleyel, Madrid Auditorio Nacional, Vienna Staatsoper, Berlin Staatsoper, Concertgebouw Amsterdam, Shanghai Concert Hall, Hong Kong Arts Centre, Tokyo Opera City Concert Hall, Aix-en-Provence Festival, Salzburg Mozartwoche, etc.).

At the Salzburg Mozartwoche in January 2011, he conducted Les Musiciens du Louvre-Grenoble in a programme with the countertenor Philippe Jaroussky.

Thibault Noally’s projects include various recitals with the harpsichordist Francesco Corti. In January 2013, during the Salzburg Mozartwoche, they began a concert cycle played on Mozart’s original instruments.

He has taken part in various recordings for Deutsche Grammophon and Naïve.

Booklet für Rameau: Concerts en sextuor