Gesualdo: Silenzio mio. Il quarto libro di madrigali Collegium Vocale Gent, Philippe Herreweghe

Cover Gesualdo: Silenzio mio. Il quarto libro di madrigali

Album Info

Album Veröffentlichung:
2024

HRA-Veröffentlichung:
13.09.2024

Label: Phi

Genre: Classical

Subgenre: Vocal

Interpret: Collegium Vocale Gent, Philippe Herreweghe

Komponist: Carlo Gesualdo von Venosa (1566-1613)

Das Album enthält Albumcover Booklet (PDF)

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 14,50
  • Carlo Gesualdo (1566 - 1613): Madrigali a cinque voici, Libro quarto:
  • 1 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 1, Luci serene e chiare 03:18
  • 2 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 2, Tall’ or sano desio 02:53
  • 3 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 3, Io tacerò, ma nel silenzio mio: Prima parte 02:21
  • 4 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 3, Io tacerò, ma nel silenzio mio: Seconda parte 02:14
  • 5 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 4, Che fai meco, mio cor? 02:10
  • 6 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 5, Questa crudele e pia 02:48
  • 7 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 6, Or che in gioia: Prima parte 01:00
  • 8 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 6, Or che in gioia: Seconda parte 01:56
  • 9 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 7, Cor mio, deh, non piangete: Prima parte 01:15
  • 10 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 7, Cor mio, deh, non piangete: Seconda parte 02:07
  • 11 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 8, Sparge la morte al mio Signor nel viso 04:05
  • 12 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 9, Moro, e mentre sospiro: Prima parte 01:15
  • 13 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 9, Moro, e mentre sospiro: Seconda parte 01:36
  • 14 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 10, Mentre gira costei 02:01
  • 15 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 11, A voi, mentre il mio core 02:11
  • 16 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 12, Ecco, morirò dunque!: Prima parte 01:09
  • 17 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 12, Ecco, morirò dunque!: Seconda parte 01:48
  • 18 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 13, Arde ’l mio cor, ed è sì dolce il foco 02:17
  • 19 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 14, Se chiudete nel core 02:02
  • 20 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 15, Il sol, qual or più splende: Prima parte 00:59
  • 21 Gesualdo: Madrigali a cinque voici, Libro quarto: No. 15, Il sol, qual or più splende: Seconda parte 02:01
  • Total Runtime 43:26

Info zu Gesualdo: Silenzio mio. Il quarto libro di madrigali

Das Collegium Vocale Gent und sein Gründer Philippe Herreweghe setzen ihre Aufnahmen der Werke von Carlo Gesualdo mit "Silenzio Mio", dem vierten Buch der Madrigale aus dem Jahr 1596, fort. Gesualdo, der als einer der exzentrischsten, aber auch kreativsten Komponisten des späten 16. und frühen 17. Jahrhunderts gilt, experimentiert hier mit neuen melodischen und harmonischen Effekten, die die Hörer der damaligen Zeit begeisterten. Vertont werden für diese Innovationen Gedichte von Alessandro Guarini und mehreren anonymen Autoren, die sich alle auf den Ausdruck persönlicher Gefühle konzentrieren, insbesondere auf ein in der Literaturszene neues "Pathos". Dieses vierte Buch ist ein echtes historisches Zeugnis der künstlerischen Wende, die sich am Hof von Ferrara zu Beginn des 17. Jahrhunderts vollzog, und reiht sich in das langfristige Aufnahmeprojekt des Collegium Vocale ein, das von den Kritikern für seine "Homogenität, kontrapunktische Transparenz und Leuchtkraft, die selbst in den leidvollsten Stücken auffällig ist" (Diapason), gelobt wurde.

Collegium Vocale Gent
Philippe Herreweghe, Dirigent




Collegium Vocale Gent
In 2010, Collegium Vocale Gent celebrated its founding forty years before, by a group of friends studying at the University of Ghent, on Philippe Herreweghe’s initiative. They were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals of Europe, Israel, the United States, Russia, South America, Japan, Hong Kong and Australia.

In recent years, Collegium Vocale Gent has grown organically into an extremely flexible ensemble whose wide repertoire encompasses a range of different stylistic periods. Its greatest strength is its ability to assemble the ideal performing forces for any project. Music from the Renaissance, for example, is performed by an ensemble of six to twelve singers. German Baroque music, particularly J.S. Bach’s vocal works, quickly became a speciality of the group and is still the jewel in its crown. Today Collegium Vocale performs this music with a small ensemble in which the singers take both the chorus and solo parts. Collegium Vocale is also specializing more and more in the Romantic, modern and contemporary oratorio repertoires. To this end, Collegium Vocale Gent entered into a partnership with the Accademia Chigiana in Siena and since 2011 enjoys the support of the European Union’s Cultural Programme. The result is a shared symphonic choir recruiting singers from all of Europe, in which experienced singers stand alongside young talent. Moreover, Collegium Vocale Gent fulfils an important educational position.

Besides using its own baroque orchestra, Collegium Vocale Gent works with several historically informed instrumental ensembles to perform these projects, including the Orchestre des Champs Elysées, Freiburger Barockorchester and Akademie für Alte Musik Berlin. It also works with prominent symphony orchestras such as deFilharmonie (Royal Flemish Philharmonic), the Rotterdam Philharmonic Orchestra, the Budapest Festival Orchestra and Amsterdam’s Royal Concertgebouw Orchestra. The ensemble has worked with Nikolaus Harnoncourt, Sigiswald Kuijken, René Jacobs, Paul Van Nevel, Iván Fischer, Marcus Creed, Kaspars Putnins, Yannick Nézet-Séguin and many others leading conductors.

Under Philippe Herreweghe’s direction, Collegium Vocale Gent has built up an impressive discography with more than 80 recordings, most of them with the Harmonia Mundi France and Virgin Classics labels. In 2010, Philippe Herreweghe started his own label φ (phi) in order to give himself full artistic freedom to build up a rich and varied catalogue. In 2011-2012 a new cd with Motets by J.S.Bach (LHI 002) was released, followed by a recording of Choral works by Johannes Brahms (LPH 003) , a new recording of Bach’s Mass in B minor (LPH 004) and T.Lde Victoria’s Officium defunctorum (LPH 005).

Collegium Vocale Gent enjoys the financial support of the Flemish Community, the Province of East Flanders and the city of Ghent. In 2011 the ensemble became Ambassador of the European Union.

Booklet für Gesualdo: Silenzio mio. Il quarto libro di madrigali

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