Beethoven-Liszt Tamar Beraia

• Ludwig van Beethoven (1770 - 1827): Variations and Fugue in E-Flat Major, Op. 35:
• 1 Variations and Fugue in E-Flat Major, Op. 35 23:30
• Rondos in C Major, Op. 51:
• 2 Rondos in C Major, Op. 51: I. Moderato e grazioso 05:02
• 3 Rondos in G Major, Op. 51: II. Andante cantabile e grazioso 09:12
• Franz Liszt (1811 - 1886): Piano Sonata in B Minor, S. 178:
• 4 Piano Sonata in B Minor, S. 178 30:46
• Total Runtime 01:08:30

Info zu Beethoven-Liszt

Georgian/Swiss pianist Tamar Beraia was born in Tbilisi (Georgia) into a family of musicians. She received most of her training in Georgia: first piano lessons from her mother at the age of five, then continuing with Dodo Tsintsadze at the Z. Paliashvili Central Music School, and with Nana Khubutia at the Tbilisi State Conservatoire. She completed her studies with Ivan Klánský in Lucerne. She is a prizewinner of many national and international competitions, including the Third Prize ex-aequo, the Bronze Medal, and the Sony Audience Prize at the Seventeenth Paloma O‘Shea Santander International Piano Competition. During her studies she was supported by various scholarships, including those awarded by the M. Tariverdiev Foundation and the eminent pianist Elisabeth Leonskaja. With her sister Natia Beraia, she plays duo since childhood, both in four-hand and twopiano repertoire. In February 2014, Tamar’s debut CD Portrait was released on the EaSonus label. Since 2015, Tamar Beraia has been supported by the Bayer AG firm’s cultural department within the framework of their stART programme. Engagements include recitals at the Philharmonie de Luxembourg and at Wigmore Hall, as well as performances at festivals and with orchestras in Austria, Denmark, Georgia, Germany, France, Ireland, Poland, Spain, Switzerland, and Ukraine.

It is an enormous pleasure for me to introduce my second solo CD album, featuring works by Beethoven and Liszt. These two composers have exerted a strong influence on me throughout my life and played a paramount role in forming me as a musician. I could be wild and unlimited in expression in Liszt, sincere and firm when playing Beethoven. The two, in tandem, always helped me convey my complex individuality.

I was 17 years old when I experienced my first encounter with the most sublime works these two composers ever wrote. Beethoven‘s Hammerklavier Sonata in B flat Major, Op. 106 and Liszt’s Sonata in B Minor introduced me to new worlds of imagination, sounds, forms, and shapes. I was riveted by their intensity of expression, by the contrasts and the poetry they contain. It felt like diving beneath the surface of the ocean to discover a completely different universe with new colours, shapes and unusual movements, or like being catapulted to the cosmos, surrounded by infinite space and time, exposed to the wonder and mystery of the Universe.... (Liner notes by Tamar Bereia)

Tamar Beraia, piano

Tamar Beraia
The Georgian-Swiss pianist Tamar Beraia strikes with a piano play full of strength and maturity, musicality and virtuosity. Two solo recordings ‘Portrait’ (EaSonus, 2014) and ‘Beethoven-Liszt’ (Avi-music, 2018) feature her landmark performances of Schumann’s Carnaval, Beethoven’s Variations and Fugue in E-Flat Major and Liszt’s Sonata in B Minor.

Tamar Beraia’s intense concert career focuses on recitals and soloist performances in orchestral appearances. In recent years, she has been performing in Austria, Denmark, Georgia, Germany (Konzerthaus Berlin), France, Ireland, Luxemburg (Philharmonie Luxembourg), the Netherlands, Poland, Spain, in The USA, Switzerland, the United Kingdom (London Wigmore Hall) and Ukraine (National Philharmonic of Ukraine).

Tamar Beraia is a winner of prestigious piano competitions and special awards. This includes the the Third Prize ex aequo and the Sony Audience Award at the 17th International Santander Piano Competition ‘Paloma O’Shea’ (Spain, 2012), the First Prize of the International Piano Competition ‘New Stars’ in Wernigerode (Germany, 2010) and the First Prize at the International Piano Competition in Tbilisi (2005), Georgia. In 2014, Tamar Beraia was selected by Bayer’s Cultural Department as a promising young artist and was supported in 2015-2018 as a part of the multinational company’s ‘stART programme’.

In June 2021 she took over the solo piano part of the dance project ‘Piano Chapters’ at the Stadttheater Bern, realized by renowned choreographers.

Tamar holds a Master’s degree in Solo Performance from Lucerne School of Music (Switzerland) where she studied with professor Ivan Klánský.

Tamar Beraia was born in 1987 in Tbilisi, Georgia. At the age of five, she received her first piano lessons from her mother to later study at the music school for talented children ‘Z. Paliashvili’ with Dodo Tsintsadze and at the State Conservatory (Georgia) with Nana Khubutia. In her childhood already, Tamar Beraia had won first prizes at the International Piano Competitions “Balys Dvarionas” (Lithuania, 1997) and “Heinrich Neuhaus” (Russia, 2000). She also received scholarships from the Mikael Tariverdiev Foundation and pianist Elisabeth Leonskaja. She has been playing four-handed with her sister, as well as repertoire for two pianos.

Tamar Beraia resides in Bern, Switzerland.

Booklet für Beethoven-Liszt