Blight Music Sam Ospovat

• 1 The Sower 07:56
• 2 Blight Music 04:26
• 3 The Sky above the Port 00:26
• 4 Salvador Dahl 03:46
• 5 Bison 00:10
• 6 Schu-Schu 04:06
• 7 American Talent 09:18
• 8 Deep Contractions 05:41
• Total Runtime 35:49

Info zu Blight Music

Blight Music, the third album by drummer and composer Sam Ospovat as a bandleader, is an uncompromising statement that bridges the ecstatic freedom of avant-garde improvisation with the rhythmic vitality and melodic tension of the 1970s loft jazz scene. The album doesn't just nod to history--it vibrates with it, reimagining past energies for a chaotic present.

Recorded in a burned-out, graffiti-covered waterfront warehouse in Brooklyn's Bush Terminal, Blight Music captures more than just music. It captures atmosphere. Concrete pillars, soaring 20-foot ceilings, and the industrial remnants of New York's past created a reverberant environment where the city's monumental history, volatile present, and uncertain future all seemed to collide. That tension lives in every note--raw, alive, unfiltered.

The music itself is a high-wire act. It veers between exuberant melodic lines and unrelenting intensity, often suspending time through intricate polyrhythmic layers. Each composition is executed with fiery conviction by a transatlantic supergroup of improvisers--musicians known for their adventurous spirits and distinct voices.

Sam Ospovat, drums, gongs, electronics
Tim Dahl, fretless electric bass
Rieko Okuda, piano
Olli Hirvonen, guitar (tracks 2, 4, 5, 8)
Raoul Björkenheim, guitar (track 7)
Jeremy Viner, tenor saxophone
Michael Attias, alto saxophone, tenor with effects (track 7)
Nick Lyons, alto saxophone
Davy Lazar, trumpet (track 7)

Sam Ospovat
Originally from Lincoln, Nebraska, Ospovat played piano and sang in boys' choir before picking up his first pair of drumsticks in 5th grade. Late nights spent improvising in friends' parents' basements eventually revealed to him the wisdom of moving to the Bay Area, where he studied percussion with William Winant, drum set with Peter Magadini, George Marsh and Eddie Marshall, and Haitian Vodou drumming with master drummer Daniel Brevil.

His debut recording as a band leader, Ride Angles, came out on Chris Speed's Skirl Records in 2019. It features his trio with pianist Matt Mitchell and bassist Kim Cass, along with guest virtuosos Brandon Seabrook (guitar), Nick Lyons (alto saxophone), and Lorin Benedict (scat vocals).

Other projects he’s involved in represent a trenchant cross-section of the Brooklyn/NYC scene. They include the Flying Luttenbachers, Angelica Sanchez’ Nonet, Brandon Seabrook's Die Trommel Fatal and Epic Proportions, Ava Mendoza's avant-garde rock trio Unnatural Ways, and legendary underground post-rock spoken-word group Enablers.

Ospovat has toured extensively throughout North America and Europe and worked with many notable musicians, including Lydia Lunch, Tim Dahl, Terry Riley, The San Francisco Contemporary Music Players, Weasel Walter, William Winant, Shahzad Ismaily, Ches Smith, Tuneyards, and Bill McHenry.

He was extremely fortunate to work closely with Cecil Taylor, Wadada Leo Smith, and Maryanne Amacher while at Mills College, where he earned his MFA in 20th century Percussion Performance and Literature, and is in the 2005 Cecil documentary All the Notes.

He made his recording debut at Fantasy Studios playing bell tree on Lou Harrison's “Threnody for Carlos Chavez” for the Winant produced Drums Along the Pacific on New Albion Records, and subsequently recorded on dozens of albums during the halcyon days of the early 21st century Oakland, CA creative music scene. At this time he was a member of influential Bay Area bands Beep, Timosaurus, Shit Pony, Kapowski, Cavity Fang, The Oakland Active Orchestra, Ton Trio, Anteater, and The R&B Free Jazz Gospel Supreme 80.

From 2007-2009 Ospovat took two years off of music to realize a lifelong goal to be fluent in a foreign language. He did a second bachelor's in French at San Francisco State University, along with a one year study abroad in France at l'Université de Paris 8. The experience of learning a new language as an adult in a foreign country catalyzed important changes in his life and his approach to music.

Ospovat currently resides in Brooklyn, and prior to the pandemic divided his time between touring, recording, performing around New York City, and accompanying modern dance classes at the world renowned Laguardia High School (the Fame School), where he has been on the dance faculty since 2016. He recorded the theme and interstitial music for the groundbreaking Paris Review podcast with David Cieri, Mike Brown and Shahzad Ismaily, and is featured with this same group on an album of poems by Pulitzer Prize winning poet Yusef Komunyakaa.

In September 2018 Ospovat was a featured performer at the One Planet Summit of world leaders in New York City, organized by the United Nations, the Office of the President of France, and Bloomberg Philanthropies. And in May 2019 he performed his first concert with Lydia Lunch in Mexico City. He has subsequently toured with Lydia, and appears in her new documentary “Artists: Anxiety, Depression and Rage.”

Dieses Album enthält kein Booklet