Fresh Evidence (Remastered) Rory Gallagher
Label: UMC (Universal Music Catalogue)
Interpret: Rory Gallagher
Das Album enthält Albumcover
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- 1Kid Gloves05:38
- 2The King Of Zydeco03:42
- 3Middle Name04:13
- 5Empire State Express05:07
- 6Ghost Blues07:58
- 7Heaven's Gate05:07
- 8The Loop02:20
- 9Walkin' Wounded05:08
- 10Slumming Angel03:37
- 11Never Asked You For Nothin'04:29
- 12Bowed Not Broken03:27
Info zu Fresh Evidence (Remastered)
Fresh Evidence is Rory Gallagher's eleventh and last studio album, his fourteenth album overall. The album was originally released on 1st May 1990 and was recorded at Maison Rouge, Redan Recorders, Music Station and Audio One. This 2012 remaster used the original vinyl artwork and 1/4" tapes so that they look and sound exactly as Rory intended. “Perhaps the most important achievement of "Fresh Evidence" is in re-establishing Rory as something more than an electric guitar virtuoso. Here is the proof that the man is a master, someone with a supreme feel for the instrument and the song, whatever its mood” Carol Clerk, Melody Maker.
"There was no way that Rory Gallagher could have known that Fresh Evidence would be his last recording, but in retrospect, it is a good summary of all that is fine and some that is frustrating about his work. The first few tracks are competent but less than perfect; "'Kid' Gloves" is yet another weak song that is based on his well-known love of crime fiction, and "The King of Zydeco" shows that Gallagher may have liked zydeco music a lot, but he doesn't sound natural playing it. Things pick up on "Middle Name," which sounds a lot like the Doors' "The Wasp" but has some sharp soloing, and things really get rolling on "Ghost Blues." From this point on, it seems that Gallagher wanted to prove his mastery of every style of blues, and amazingly, he succeeds. The Delta blues of "Heaven's Gate" shows his mastery of the form, and the jazzy, swinging Chicago blues instrumental "The Loop" is a classic track. The very best was saved for last: the thundering "Slumming Angel." Everything is absolutely together here, the distinctive voice belting out a great simple lyric over a hammering rhythm section and a heaping helping of guitar, guitar, guitar. For all that, it starts slow and has a few tracks that sound like filler, albeit tasty filler. Nevertheless, Fresh Evidence showed that even after over 20 years of reinterpreting various strains of blues, there was plenty of spirit and creativity left in the great Irish rocker." (Richard Foss, AMG)
Rory Gallagher, vocals, electric and acoustic guitars, dulcimer, mandolin and electric sitar
Gerry McAvoy, bass
Brendan O'Neill, drums
John Cooke, keyboards
Lou Martin, piano
Mark Feltham, harmonica
Geraint Watkins, accordion
John Earle, tenor saxophone, baritone saxophone
Ray Beavis, tenor saxophone
Dick Hanson, trumpet
Recorded Maison Rouge, Redan Recorders, Music Station and Audio One
Produced by Rory Gallagher
After a career cut short by illness and a premature death, guitarist, singer, and songwriter Rory Gallagher left his mark in the blues and rock worlds. His hard-charging, intensely rhythmic playing style on his 1961 Stratocaster still casts a long shadow over rock & roll: Queen's Brian May imitated not only his playing but his gear early on; he credits Gallagher with the root of his sound. Eric Clapton said it was Gallagher who got him "back into the blues." Johnny Marr acknowledges a great debt as well: After learning how to play the guitarist's classic Deuce album track-for-track at 13, he revealed Gallagher's influence throughout his career. Marr also said that he received mentorship and advice on his conduct on-stage and off. Even U2's the Edge and Slash sing his praises and credit his influence. While Gallagher didn't tour the U.S. very often, he lived on the stages of Europe. But he was well-known on Yankee shores for his marathon-length, no-holds-barred live shows at clubs and theaters across North America. While never a major presence on radio in the United States, Gallagher nonetheless racked up a handful of semi-hit singles with "Laundromat," "I Walk on Hot Coals," "Shadow Play," and "Philby," as well as a slew of acclaimed albums from 1971's Deuce and the remarkable Irish Tour in 1974, through Calling Card in 1976 and Top Priority in 1979. Even after the hits, Gallagher continued to pump out high-quality albums including 1982's Jinx and 1990's Fresh Evidence. Even after his accidental death on an operating table in 1995, Gallagher continued to win over new fans and influence artists of many stripes, including the mystery writer Ian Rankin, who created a posthumous compilation called The Continental Op in 2013 comprised of the guitarist's many songs about spies and suspense. Gallagher was born in Ballyshannon, County Donegal, Irish Republic, on March 2, 1948. Shortly after his birth, his family moved to Cork City in the south, and at age nine he became fascinated with American blues and folk singers he heard on the radio. An avid record collector, he had a wide range of influences, including Leadbelly, Buddy Guy, Freddie King, Albert King, Muddy Waters, and John Lee Hooker. Gallagher would always try to mix some simple country blues songs into his recordings.
He began his recording career after moving to London, when he formed a trio called Taste. The group's self-titled debut album was released in 1969 in England and later picked up for U.S. distribution by Atco/Atlantic. Between 1969 and 1971, with producer Tony Colton behind the board, Gallagher recorded three albums with Taste before they split up. He began performing under his own name in 1971, releasing his 1970 debut, Rory Gallagher, for Polydor Records in the U.K. The album was picked up for U.S. distribution by Atlantic, and later that year he recorded Deuce, also released by Atlantic in the U.S.
His prolific output continued, as he followed up Deuce with Live in Europe (1972) and Blueprint and Tattoo, both in 1973. Irish Tour 1974, like Live in Europe, did a good job of capturing the excitement of his live shows on tape, and he followed that with Calling Card for Chrysalis in 1976, and Photo Finish and Jinx for the same label in 1978 and 1982. By this point, Gallagher had made several world tours, and he took a few years of rest from the road. He got back into recording and performing live again with the 1987 release (in the U.K.) of Defender. His last album, Fresh Evidence, was released in 1991 on the Capo/I.R.S. label. Capo was his own record and publishing company that he set up in the hopes of eventually exposing other great blues talents.
Some of Gallagher's best work on record wasn't under his own name; it's music he recorded with Muddy Waters on The London Sessions (Chess, 1972) and with Albert King on Live (RCA/Utopia, 1977). Gallagher made his last U.S. tours in 1985 and 1991, and admitted in interviews that he'd always been a guitarist who fed off the instant reaction and feedback a live audience can provide. In a 1991 interview, he said: "I try to sit down and write a Rory Gallagher song, which generally happens to be quite bluesy. I try to find different issues, different themes and different topics that haven't been covered before...I've done songs in all the different styles...train blues, drinking blues, economic blues. But I try to find a slightly different angle on all these things. The music can be very traditional, but you can sort of creep into the future with the lyrics."
Gallagher passed away from complications after a liver transplant on June 14, 1995, at age 47. In 2019, to mark what would have been Gallagher's 50th year of recording, his estate released the four-disc anthology Blues, featuring rare and unreleased recordings from the '70s to the '90s. (Richard Skelly, AMG)
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