Sugar Hill: Music of Duke Ellington and Billy Strayhorn Javon Jackson, David Hazeltine, Tony Reedus, Paul Gill

• 1 Caravan 05:19
• 2 Warm Valley 06:29
• 3 In My Solitude 05:54
• 4 Prelude to a Kiss 07:10
• 5 Things Ain't What They Used To Be 05:03
• 6 Chelsea Bridge 06:36
• 7 In a Mellow Tone 05:34
• 8 In a Sentimental Mood 07:02
• 9 Lotus Blossom 05:01
• Total Runtime 54:08

Info zu Sugar Hill: Music of Duke Ellington and Billy Strayhorn

The acclaimed New York saxophonist Javon Jackson leads a celebration of the music of Duke Ellington and Billy Strayhorn, whose collaboration began in 1938 and continued until Strayhorn's death in 1967. Jackson is joined for this session by arranger/pianist David Hazeltine, bassist Paul Gill and drummer Tony Reedus. Together they perform well-known compositions such as "Caravan," "Chelsea Bridge," and "Lotus Blossom," as well as tunes that are not usually played by quartets such as "In My Solitude." The two soloists, Jackson and Hazeltine explore the bluesier and moodier side of Ellington's music as well as ballads like "Warm Valley" and slightly more up-tempo tunes like "In a Sentimental Mood."

"This is a tight little quartet date led by saxophonist Javon Jackson, celebrating the music of the Duke. His co-conspirators on the session are arranger/pianist David Hazeltine, drummer Tony Reedus, and bassist Paul Gill. The material ranges from the obvious like "Caravan," "Chelsea Bridge," and "Lotus Blossom," to selections usually not played by quartets such as "In My Solitude." The emphasis here is on the bluesier and moodier side of Ellington's music, which works beautifully. The colors and textures a larger orchestra display may be richer, but in the quartet setting they can go deeper. It puts additional pressure on the individual players, but Jackson and Hazeltine as front line soloists are more than up to the challenge. The greatest proof of this lies in the ballads like "Warm Valley," and in the more lithe and slightly more up-tempo tunes like "In a Sentimental Mood." This is a fine session, and utterly lyrically beautiful all around." (Thom Jurek, AMG)

David Hazeltine, piano
Javon Jackson, tenor saxophone
Paul Gill, double bass
Tony Reedus, drums

David Hazeltine
is one of a handful of contemporary pianists who has mastered all of the major musical skills, from improvisation and technique, to accompaniment, arranging, and composition. Even more impressive, David is the rare artist able to innovate in each category. Thus it’s no surprise that he’s the most recorded contemporary jazz pianist of our time, having recorded thirty five cd’s as a leader and hundreds more as a sideman, on various major labels globally. A Milwaukee native, David was playing the clubs as a preteen, and before he’d even come of age he was already grabbing the attention and respect of jazz legends like Sonny Stitt, and Chet Baker. They urged him to make the move to New York City, which he did in 1992.

The mark of a true artist, David’s style appeals to a wide range of musical tastes and levels of sophistication. His melodies and harmonies are beautifully complex and memorable. As a composer and instrumentalist, he has developed a signature style that is readily recognizable. His cooperative group “One For All” featuring tenor great Eric Alexander, has attained critical acclaim with their impressive 16 cd discography, and live concerts worldwide including appearances at the North Sea Jazz Festival and the Newport Jazz Festival.

Hazeltine is one of the most sought after pianists today. He has worked with some of the world’s most respected jazz legends including James Moody, Eddie Harris, Jon Faddis, Joe Henderson, Pepper Adams, Jon Hendricks, and Marlena Shaw. David is known for taking a familiar or unexpected song and making it new, making it his own. He effortlessly transfers this skill from song to stage. Whether he’s composing or interpreting, accompanying or leading, you are certain to end the set remembering the sounds of David Hazeltine.

Javon Jackson
Born on June 16, 1965, in Carthage, Missouri, Javon Jackson was raised in Denver, Colorado and chose saxophone at the age of 10. At age 16 he switched from alto to tenor and later enrolled at the University of Denver before spending part of 1985–86 at the Berklee College of Music in Boston. He left Berklee in 1986 to join Art Blakey’s Jazz Messengers, where he later played alongside pianist Benny Green, trumpeter Philip Harper, trombonist Robin Eubanks and bassist Peter Washington. Jackson remained a fixture in the Jazz Messengers until Blakey’s passing in 1990.

In 1991, Jackson made his recording debut with Me and Mr. Jones, featuring James Williams, Christian McBride, and master drummer Elvin Jones. He joined Jones’ group in 1992, appearing on the great drummer’s albums Youngblood and Going Home. Jackson’s 1994 Blue Note debut, When the Time Is Right, was a straight-ahead affair produced by iconic jazz vocalist and bandleader Betty Carter. His subsequent four recordings for the Blue Note label through the ‘90s were produced by Craig Street and featured wildly eclectic programs ranging from Caetano Veloso, Frank Zappa and Santana to Muddy Waters, Al Green and Serge Gainsbourg. His subsequent four recordings for the Palmetto label had him exploring a blend of funk, jazz and soul with such stellar sidemen as organist Dr. Lonnie Smith, guitarists Mark Whitfield and David Gilmore, trombonist Fred Wesley and drummer Lenny White. In 2009, Javon was commissioned by the Syracuse International Film Festival to compose a full-length score for the Alfred Hitchcock film, “The Lodger,” a silent movie based on the hunt for Jack the Ripper. The original score had its debut at the festival, performed live by Jackson’s band (featuring pianist Manasia) at the film’s screening in October 2010.

In 2012, the saxophonist released a potent tribute to a towering influence, Celebrating John Coltrane, his inaugural release on his Solid Jackson Records which featured the venerable drummer and former Coltrane collaborator Jimmy Cobb. He followed later in 2012 with Lucky 13, which featured the great soul-jazz keyboardist Les McCann and included a mellow instrumental rendition of Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” along with a version of McCann’s 1969 hit, “Compared to What.” That same remarkably productive year, Jackson was the recipient of the prestigious Benny Golson Award from Howard University in Washington, D.C. for recognition of excellence in jazz. Jackson’s debut on the Smoke Sessions label, 2014’s Expression, was a live quartet recording from the Smoke Jazz & Supper Club in Upper Manhattan. On February 18, 2022, Javon will release, The Gospel According to Nikki Giovanni, his fifth album for his Solid Jackson Records label.

Jackson finished and received his undergraduate degree from the Berklee College of Music and obtained a master’s degree from the State University of New York at Purchase, where he also taught. In 2013, he accepted the position of Professor of Jazz Saxophone; Director of the Jackie McLean Institute of Jazz Studies at the University of Hartford’s Hartt School of Music, Theatre and Dance.

Paul Gill
Bassist Paul Gill is veteran of the New York jazz scene and is recognized for his buoyant, swinging bass lines and virtuosic arco solos. When Gill arrived in New York in the mid 1990's he was described by Jazz Times magazine as "surely one of the brightest of the up-and-coming bassists”. He has appeared as a sideman on over 60 recordings. Born in Baltimore, MD, Paul had established himself as a local mainstay in the Balto-DC area from 1984-1994 by both working with fellow hometown musician Gary Bartz, and backing artists that came to town such as Benny Golson, Rosemary Clooney, Stanley Turrentine, and Sonny Fortune. Immediately upon moving to New York, Gill began working with legendary vocalist Jon Hendricks. In 1999 he left Hendricks to embark on a year long world tour with singer Diana Krall. Following Diana Krall in 2001 he joined the Toshiko Akiyoshi Jazz Orchestra. The second half of the 2000’s found Paul touring with either vocalist Elvis Costello or guitarist Pat Martino. Gill has worked in every major jazz club in New York City and has performed or recorded with artists such as Hank Jones, Joe Henderson, Wynton Marsalis, Lou Donaldson, Bill Charlap, Jimmy Cobb, Al Foster, The Vanguard Orchestra, George Coleman, Eric Alexander, Lew Tabackin, Jim Snidero, Steve Wilson, Eddie Henderson, Kurt Elling, Kenny Rankin, and John Pizzarelli. He is currently spending his time working in a trio setting with pianist Toshiko Akiyoshi as well as touring with vocalist Hilary Kole.

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