Lead Belly's Gold, Live At The Sunset... And More Eric Bibb & Jean-Jacques Milteau

Cover Lead Belly's Gold, Live At The Sunset... And More

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  • 1Grey Goose (Live)05:34
  • 2When That Train Comes Along / Swing Low, Swing Chariot (Live)03:53
  • 3On A Monday (Live)02:53
  • 4The House Of The Rising Sun (Live)03:29
  • 5Midnight Special (Live)03:58
  • 6Bring A Little Water, Sylvie (Live)03:16
  • 7Where Did You Sleep Last Night (Live)03:27
  • 8When I Get To Dallas (Live)01:41
  • 9Pick A Bale Of Cotton (Live)02:57
  • 10Good Night, Irene (Live)03:38
  • 11Rock Island Line (Live)03:50
  • 12Bourgeois Blues (Studio)03:20
  • 13Chauffeur Blues (Studio)02:51
  • 14Stewball (Studio)03:28
  • 15Titanic (Studio)03:03
  • 16Swimmin' In A River Of Songs (Studio)03:22
  • 17Don't Ever Let Nobody Drag Your Spirit Down (Live)04:39
  • 18Goin' Down Slow (Live)05:30
  • 19I heard The Angels Singing (Live)05:22
  • Total Runtime01:10:11

Info zu Lead Belly's Gold, Live At The Sunset... And More

Leadbelly, geboren wahrscheinlich 1885 in Lousiana, ist eine Ikone des Blues in der Hall of Fame. Er war ein Raufbold und Schürzenjäger. Im Streit um eine Frau tötete er 1917 einen Rivalen und sollte dreißig Jahre im Gefängnis sitzen. Dort spielte er eine 12-saitige Gitarre mit schwerer Betonung der Bässe in einem Stil, der die Folksänger der sechziger Jahre sehr beeinflusste. 1934 gelang es, ihn aus dem Gefängnis freizubekommen. Leadbelly ging nach New York und war der erste Schwarze, der dort vor einem weißen Publikum auftreten durfte. Er wurde zum Mittelpunkt der Folkszene New Yorks. Pete Seegers Band ersang sich mit "Goodnight Irene", einem Song von Leadbelly, internationalen Erfolg.

Nun also der Tribut an Leadbelly von Eric Bibb, Jean-Jacques Milteau und Larry Crockett. Drei Ikonen, die die traditionellen Americana-Elemente des schwarzen Blues und des weißen Folk glorreich verbinden. Der US-Amerikaner Eric Bibb wuchs in einer Familie auf, in der Bob Dylan, Pete Seeger und Miles Davis ein- und ausgingen. Eric zog es nach Europa, über Paris kam der Gitarrist und Sänger nach Stockholm und dort lebt er auch heute. Dabei ist Eric Bibb einer der einflussreichsten Künstler des US-amerikanischen Folk. Jean-Jacques Milteau vereint mit seiner atemberaubenden Technik die Mundharmonika zu spielen, eine enorme stilistische Offenheit. Er mischt Blues und Country mit afrikanischen Rythmen. Blues Harp wird diese kleine, schwer zu bändigenden Instrument genannt und Milteau spielt es so virtuos, dass er schon mit nahezu jedem aus den Blues-Zirkus die Bühne teilte, sei es Gil Scot-Heron, Loe Louis Walker, B.B. King oder Little Milton. Dritter im Bunde ist Larry Crockett. Was dieser vielseitige "Mr. Sticks" aus seinem Schlagzeug herausholt, ist schon à la bonne heure.

Eric Bibb, Gitarre, Gesang
Jean-Jacques Milteau, Mundharmonika
Gilles Michel, Bass
Larry Crockett, Schlagzeug

Eric Bibb
Like Josh White, Jr. — son of folk singer Josh White — singer, songwriter, and guitarist Eric Bibb was raised in the folk tradition, the son of folk singer Leon Bibb. Bibb's uncle was the world-famous jazz pianist and composer John Lewis, part of the Modern Jazz Quartet. Bibb was raised in a music-filled household, and family friends in the '50s and '60s included Pete Seeger, Odetta, Bob Dylan, and the late Paul Robeson, who was named Eric's godfather. Bibb got his first steel guitar at age seven, and some advice from Dylan that he never forgot: "keep it simple, forget all that fancy stuff." When he was 13, Bibb entered New York City's High School of Music and Art, where he studied double bass, vocals, classical guitar, and piano. When he was 16, his father asked him to play guitar in the house band for his TV talent show, Someone New.

In 1970, Bibb left New York City for Paris, where he met with guitarist Mickey Baker. There, he began to focus in on blues guitar, and, after moving to Stockholm, he became enamored with pre-war blues. He continued to write his own songs and perform during this time, and returned to New York in 1980 to pursue a career as a folk and blues singer. He moved back to Sweden five years later and continued performing, but also taught music in school. His debut, Spirit and the Blues, showcased the sounds of bouzouki, mandolin, accordion, and a gospel group, inspired by other recordings that married bluesmen like Leadbelly with gospel groups like the Golden Gate Quartet. He performed at the London Blues Festival in 1996, where he shared a set with Corey Harris and Keb' Mo', and he quickly followed up with 1997's Good Stuff. His third album, Me to You, featured performances and collaborations with some of his musical heroes, including Pops & Mavis Staples and Taj Mahal. He followed up the success of the album with tours of the U.K., U.S., Canada, France, Germany, and Sweden. He recorded and released Home to Me in 1999, Roadworks in 2000, Painting Signs and Just Like Love in 2001, and A Family Affair in 2001, which featured duets and solo tunes by Bibb and his father. Bibb joined Robert Cray on two U.S. tours in 2001 and 2002, and opened for Ray Charles in the summer of 2002. Bibb was nominated for a Grammy for "Shakin' a Tailfeather," and he has been nominated for many W.C. Handy Awards in a variety of categories.

Ever the prolific songwriter, forever brimming with new musical ideas and a freshness of appreciation with no dimming in his enthusiasm for performing, Bibb has kept up a hectic schedule of performing and recording since Home to Me and A Family Affair were released in 2001. He recorded Natural Light for Earthbeat in 2003, Roadworks and Sisters and Brothers in 2004, and Friends in 2004. His late-2000s recordings include A Ship Called Love, Diamond Days, and Twelve Gates to the City in 2006, and a collaboration with his father, Praising Peace: A Tribute to Paul Robeson. Not all of Bibb's releases are available in the U.S., but most can be found via the Internet. He released a live album in 2007, An Evening with Eric Bibb, for the Telarc Blues label. 2008's Get on Board on Telarc Blues features performances by Bonnie Raitt and Ruthie Foster. Bibb describes the sounds and songs on the album best when he says, it's "a further exploration into the place where blues meets gospel and soul." Troubadour Live, recorded at a December 9, 2010 concert in Stockholm, Sweden and featuring guest guitarist Staffan Astner, was released in 2011. Jericho Road, which found Bibb working once again with long-time collaborator, producer, engineer, and multi-instrumentalist Glen Scott, appeared in 2013.

Booklet für Lead Belly's Gold, Live At The Sunset... And More

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