Bob Chilcott: Christmas Oratorio Sarah Connolly, Nick Pritchard & Neal Davies

• Bob Chilcott (b. 1955): Jesus Christ the Apple Tree:
• 1 Chilcott: Jesus Christ the Apple Tree 02:50
• Christmas Oratorio:
• 2 Chilcott: Christmas Oratorio: I. Lo! How a Rose, e’er blooming 03:26
• 3 Chilcott: Christmas Oratorio: II. The Angel Gabriel 05:12
• 4 Chilcott: Christmas Oratorio: III. Magnificat 06:56
• 5 Chilcott: Christmas Oratorio: IV. Hymn: Thou whose almighty word 02:40
• 6 Chilcott: Christmas Oratorio: V. And it came to pass in those days 03:27
• 7 Chilcott: Christmas Oratorio: VI. A Boy was born 02:29
• 8 Chilcott: Christmas Oratorio: VII. And there were in the same country shepherds 04:00
• 9 Chilcott: Christmas Oratorio: VIII. Hymn: Shepherds in the field abiding 03:09
• 10 Chilcott: Christmas Oratorio: IX. And they came with haste 01:52
• 11 Chilcott: Christmas Oratorio: X. Love came down at Christmas 04:07
• 12 Chilcott: Christmas Oratorio: XI. Now when Jesus was born in Bethlehem 05:22
• 13 Chilcott: Christmas Oratorio: XII. A Carol to the King 03:12
• 14 Chilcott: Christmas Oratorio: XIII. Hymn: As with gladness men of old 03:26
• 15 Chilcott: Christmas Oratorio: XIV. And when eight days were accomplished 03:33
• 16 Chilcott: Christmas Oratorio: XV. Nunc dimittis 03:38
• 17 Chilcott: Christmas Oratorio: XVI. And Joseph and his mother marvelled at those things 02:00
• 18 Chilcott: Christmas Oratorio: XVII. Hymn: A great and mighty wonder 03:21
• The Pear Tree Carol:
• 19 Chilcott: The Pear Tree Carol 03:59
• Welcome, all wonders in one sight!:
• 20 Chilcott: Welcome, all wonders in one sight! 03:20
• Total Runtime 01:11:59

Info zu Bob Chilcott: Christmas Oratorio

Das Weihnachtsoratorium von Bob Chilcott, das bei der Uraufführung als "spürbarer Erfolg ... und völlig neu" gefeiert wurde, bringt den Zauber, das Wunder und die Freude einer jahrhundertealten Geschichte in die heutige Zeit.

Diese Ersteinspielung versammelt die glanzvolle Solistenbesetzung der Uraufführung erneut: Nick Pritchards Evangelist, der von Harfe und Flöte intim begleitet wird, wird von der Mezzosopranistin Dame Sarah Connolly und dem Bass Neal Davies begleitet.

Der preisgekrönte Chor des Merton College in Oxford unter der Leitung von Benjamin Nicholas bereichert die Weihnachtsgeschichte mit Weihnachtsliedern, die mit Sicherheit sofort zu Lieblingsliedern werden. Der Komponist ist von der Aufnahme begeistert und beschreibt sie als "elegant, gut getaktet und ausgeglichen ... Der Chor ist fabelhaft - selbstbewusst und sicher".

Neal Davies, Bariton
Sarah Connolly, Mezzosopran
Nick Pritchard, Tenor
Chor des Merton College Oxford
Zeitgenössische Sinfonie Oxford
Benjamin Nicholas, Dirigent

Neal Davies
studied at King’s College, London, and the Royal Academy of Music, and won the Lieder Prize at the 1991 Cardiff Singer of the World Competition. He has appeared with the Oslo Philharmonic Orchestra under Mariss Jansons, BBC Symphony Orchestra under Pierre Boulez, Cleveland and Philharmonia orchestras under Christoph von Dohnányi, Chamber Orchestra of Europe under Nikolaus Harnoncourt, Orchestra of the Age of Enlightenment under Frans Brüggen, English Concert with Harry Bicket, Gabrieli Consort under Paul McCreesh, Hallé Orchestra with Sir Mark Elder, Concerto Koeln under Ivor Bolton, Scottish Chamber Orchestra with Adam Fischer, Bergen Philharmonic Orchestra with Edward Gardner, Deutsches Symphonie Orchester Berlin with David Zinman, Melbourne Symphony Orchestra with Sir Andrew Davis, and the London Symphony and Vienna Philharmonic orchestras under Daniel Harding. He has been a regular guest of the Edinburgh Festival and BBC Proms.

Plans for the 23/24 season include a Messiah concert tour with RIAS Kammerchor cond. Justin Doyle, Plutone/Pastore in Monteverdi’s Orfeo with the Freiburger Barockorchester cond. René Jacobs, Polyphemus Acis & Galatea with the English Concert cond. Harry Bicket, Bach’s St John Passion with Music of the Baroque cond. Jane Glover in Chicago, Mozart’s Requiem with the Royal Northern Sinfonia cond. Stephen Layton, Bach’s St Matthew Passion with the Tampere Philharmonic cond. Matthew Halls and The Messiah with Polyphony at St John’s Smith Square.

Sarah Connolly
Born in County Durham, Sarah Connolly studied piano and singing at the Royal College of Music, of which she is now a Fellow. She was made a DBE in the 2017 Birthday Honours, having previously been made a CBE in the 2010 New Year’s Honours. In 2011 she was honoured by the Incorporated Society of Musicians and presented with the Distinguished Musician Award. She is the recipient of the Royal Philharmonic Society’s 2012 Singer Award.

Highlights in her 2017/18 season include her debut at the Wiener Staatsoper in a new production of Ariodante, the title role in Giulio Cesare at the Glyndebourne Festival and Brangäne Tristan und Isolde for the Gran Teatro del Liceu.

Past highlights have included Fricka (Covent Garden & Bayreuther Festspiele) Brangäne Tristan und Isolde (Covent Garden & Festspielhaus Baden-Baden); Komponist Ariadne auf Naxos and Clairon Capriccio (Metropolitan Opera); the title role in Giulio Cesare, Brangäne and Gertrude in the world premiere of Brett Dean's Hamlet (Glyndebourne Festival); the title role in Ariodante and Sesto La clemenza di Tito (Festival d’Aix-en-Provence); Purcell’s Dido (Teatro alla Scala & Covent Garden); Jocaste in Enescu's Œdipe (Covent Garden); Gluck’s Orfeo and the title role in The Rape of Lucretia (Bayerische Staatsoper); Phèdre Hippolyte et Aricie (Opéra national de Paris) and the title role in Agrippina and Nerone L’Incoronazione di Poppea (Gran Teatro del Liceu).

She has also sung the title role in Maria Stuarda and Roméo I Capuleti e i Montecchi (Opera North); Komponist (Welsh National Opera) and Octavian Der Rosenkavalier (Scottish Opera). A favorite at the English National Opera, her many roles for the company have included Geschwitz Lulu; Octavian; the title roles in Charpentier’s Medée and Handel's Agrippina, Xerxes, Ariodante and Ruggiero Alcina; the title role in The Rape of Lucretia; Didon Les Troyens; Roméo, Susie The Silver Tassie and Sesto - for which she was nominated for an Olivier Award for Outstanding Achievement in Opera.

The future sees her return to the Metropolitan Opera, Covent Garden, the Opéra national de Paris and make her debut at the Teatro Réal in Madrid.

Her many concert engagements include appearances at the Lucerne, Salzburg, Tanglewood and Three Choirs Festivals and at the BBC Proms where, in 2009, she was a memorable guest soloist at The Last Night. Other notable engagements have included The Dream of Gerontius (Boston Symphony Orchestra/Sir Colin Davis & Mozarteumorchester Salzburg/Bolton); Mahler’s Symphony No. 3 at the BBC Proms (LSO/Haitink); A Child of our Time and Brangäne (Berliner Philharmoniker/Rattle); Mahler’s Symphony No. 2 (Leipzig Gewandhausorchester/Chailly, Boston Symphony Orchestra/von Dohnanyi & Philadelphia Orchestra/Nézet-Séguin); Das Lied von der Erde (Concertgebouworkest/Harding, Rotterdam Philharmonic Orchestra/Nézet-Séguin & LPO/Jurowski); Des Knaben Wunderhorn (L’Orchestre des Champs-Elysées/Herreweghe) and La mort de Cléopâtre (Hallé/Elder, CBSO/Gardner & BBC Symphony Orchestra/Sir Andrew Davis).

She has appeared in recital in London, New York, Boston, Paris, Amsterdam, Rotterdam, San Francisco, Atlanta, Stuttgart; at the Incontri in Terra di Siena La Foce and the Schubertiada Vilabertran and at the Aldeburgh, Cheltenham, Edinburgh and Oxford Lieder Festivals.

Committed to promoting new music, her world premiere performances include two re-discovered songs by Benjamin Britten (BBC Proms 2018) with Joseph Middleton; Sir john Tavener's Gnosis, (BBC Proms); songs by Mark Anthony Turnage, Sally Beamish and Dame Judith Weir, Jonathan Harvey.

Nick Pritchard
is gaining fast recognition for his performances of the music of Bach and in particular his interpretation of the Evangelist in the Passions. Described as a ‘Masterly Evangelist’ in The Guardian, he has sung the role in Bach’s St John and Matthew Passions around the world and his recording of the St John Passion (Evangelist) for Deutsche Grammophon with Sir John Elliot Gardiner was nominated for a Grammy Award for best Choral Performance (2023). Recent performances of the piece include those with the Netherlands Chamber Orchestra at the Concertgebouw under Jonathan Cohen, for the Orchestra of the Age of Enlightenment and Polyphony and Antwerp Symphony Orchestra.

On the concert platform he has performed with Ensemble Pygmalion, Concerto Köln, Les Talens Lyriques, Les Violons du Roy, L’Orchestre du Chambre de Paris, Orchestra of the Age of Enlightenment, English Concert, Early Opera Company, Philharmonia Orchestra, The Royal Philharmonic Orchestra, BBC National Orchestra of Wales, Gabrieli Consort, the Monteverdi Choir and Orchestra, Early Opera Company and he made his BBC Proms debut with Britten Sinfonia under David Bates performing Mozart’s Requiem. He has performed under conductors including Harry Bicket, John Butt, Laurence Cummings, Jonathan Cohen, Christian Curnyn, Maxim Emelyanychev, Adam Fischer, Emmanuelle Haïm, Simon Halsey, George Petrou, Raphaël Pichon, Christophe Rousset, Sir András Schiff and Ryan Wigglesworth.

A fine actor and equally at home on the operatic stage, roles have included Oronte, Alcina in a new Tim Albery production for Opera North, Lysander, A Midsummer Night’s Dream as part of the Aldeburgh Festival’s 70th anniversary, Tamino, Die Zauberflöte for Glyndebourne on Tour and for Irish National Opera and Peter Whelan, Prologue The Turn of the Screw and Ferrando, Cosí fan tutte for Opera Holland Park, Amphinomus, The Return of Ulysses for the Royal Opera House, Purcell’s The Indian Queen for the Opéra de Lille, Théâtre de Caen, Opera Vlaandern and Grand Theatre Luxembourg all under Emmanuelle Haïm as well as Albert Albert Herring, John/Angel 3, Written on Skin, Colonel Fairfax, The Yeomen of the Guard, Acis, Acis and Galatea and the title role in Candide. A regular performer of New Music he has also given several World Premieres, including creating the role of Matthew in Mark Simpson’s opera Pleasure (Opera North, Aldeburgh and The Royal Opera House), Through these Pale Cold Days, a song cycle for Tenor, Viola and Piano written by Ian Venables for the 100th anniversary of the Battle of the Somme, Sleepsinging by Cassandra Miller (with David Bates and La Nuova Music at Wigmore Hall), Daniel Kidane’s Songs of Illumination (with Ian Tindale at the Leeds Lieder Festival), Gabriel Jackson’s Passion of our Lord Jesus Christ (with The Choir of Merton College, Oxford and Benjamin Nicholas) and Bob Chilcott’s Christmas Oratorio (The Three Choirs Festival and Adrian Partington).

In August 2023 Nick gave his Edinburgh International Festival recital debut with pianist Ian Tindale which was broadcast on BBC Radio 3 including works by Gabriel Fauré, Francis Poulenc and Benjamin Britten. He has also given recitals with Gary Matthewman, James Bailieu, Simon Lepper, Sholto Kynoch, Christopher Glynn, Graham Johnson and Malcolm Martineau at Wigmore Hall, Oxford International Song Festival, Leeds Lieder Festival, Ryedale Festival, Lammermuir Festival and Two Mores Festivals.

The 23/24 season highlights include a US tour of Handel’s Allegro and Bach’s B Minor Mass with Monteverdi Choir and Orchestra with two performances at Carnegie Hall, New York, performances with Early Opera Company, Les Talens Lyrique Lully’s Atys at l’Opera Royal de Versailles and at the Vienna Konzerthaus, Evangleist with Irish Baroque under Peter Whelan, Residentie Orkest under Richard Egarr and Stavanger Symfoniorkester under Masato Suzuki, George Benjamin’s Written on Skin (John/Angel 3) with the Finnish Radio Symphony conducted by the composer, Messiah with the Academy of Ancient Music and the Flemish Radio Choir and Britten St Nicolas at the Aldeburgh Festival.

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