Fidelio Trio & Friends
Biographie Fidelio Trio & Friends
Fidelio Trio
The …virtuosic Fidelio Trio… (Sunday Times) are Darragh Morgan, violin, Tim Gill, cello and Mary Dullea, piano. Shortlisted for the 2016 Royal Philharmonic Society Music Awards, The Fidelio Trio broadcast regularly on BBC Radio 3, RTÉ Lyric FM, WQXR, and have been featured on a Sky Arts documentary.
Since their debut at London’s Southbank Centre, they have regularly appeared at the Wigmore Hall and Kings Place, at festivals including Spitalfields, Cheltenham, St. Magnus and Huddersfield. In Ireland they regularly perform at National Concert Hall, Dublin, Kilkenny Festival and Belfast Festival as well as Shanghai Oriental Arts Centre, Beijing Modern Music Festival, Hong Kong Chamber Music Society, Singapore, Bangkok, Porto, Paris, Venice, Florence, Johannesburg, Harare, New York City, Pittsburgh, San Francisco and Boston.
Their extensive discography includes most recently a Gramophone Magazine Editor’s Choice of Chamber Music by E J Moeran, a composer with whom they are closely associated and the release of premiere recordings on Mode Records of music by Gerald Barry. Forthcoming in 2022 are a portrait CD of Ye Xiaogang and Robert Saxton’s recently commissioned piano trio. Other releases include 2 French albums of Ravel and Saint-Saëns, Fauré, Chausson and Satie; Philip Glass Head On & Pendulum on Orange Mountain; Korngold and Schoenberg (Verklärte Nacht arr. Steuermann) for Naxos; the complete Michael Nyman Piano Trios for MN Records; multiple releases on NMC, Delphian Records including portrait CDs for composers such as Luke Bedford, Piers Hellawell and Michael Zev Gordon. Their previous release of French Piano Trios for Resonus was also a Gramophone Magazine Editor’s Choice.
The Fidelio Trio have given masterclasses at Peabody Conservatory, Curtis Institute, NYU, Central Conservatory Beijing, and Stellenbosch Conservatorium South Africa. They have been artists-in-residence at St. Patrick’s College Dublin City University, University of Illinois at Champaign-Urbana, the State University of New York, SUNY and Tufts University, Boston.
Composers that the Trio have premiered music by include Anna Clyne, Robert Saxton, Toshio Hosokawa, Charles Wuorinen, Johannes Maria Staud, Michael Nyman, Gerald Barry, Donnacha Dennehy, Joe Cutler, Ann Cleare, Simon Bainbridge, Judith Weir, Alexander Goehr, David Fennessy and Kevin Volans.
Inspirational musicians The Fidelio Trio have collaborated with include Nicholas Daniel (oboe), Richard Watkins (horn), Joan Rodgers and Patricia Rozario (soprano), Rachel Roberts (viola), and with spoken word, author Alexander McCall Smith, T.S. Eliot prizewinning poet Sinéad Morrissey and actor Adrian Dunbar.
They often perform Beethoven’s Triple Concerto including recently with KZN Philharmonic Orchestra South Africa and RTÉ National Symphony Orchestra of Ireland and are Artistic Directors of their annual Winter Chamber Music Festival at Belvedere House, Dublin City University.
Thomas Kemp
is an acclaimed conductor and artistic director renowned for his passionate advocacy and ground breaking programming that places contemporary music into its historical context. The Guardian recently commented “…an extraordinary performance… with a fluency that came over brilliantly under the baton of Thomas Kemp.”
Thomas is regularly in demand as a guest conductor in the UK and Europe. Recent and forthcoming engagements include concerts with BBC Symphony Orchestra, BBC National Orchestra of Wales, RTE National Symphony Orchestra, Ostrobothnian Chamber Orchestra, Swedish Chamber Orchestra, Fretwork, Birmingham Contemporary Music Group and Orchestra of the Age of Enlightenment.
Thomas is the Music Director of Chamber Domaine, which is at the forefront of ensembles focusing on 20th and 21st century music. He regularly conducts Chamber Domaine in festivals and concert series in the UK, Europe and North America. In 2022, the ensemble received five star reviews in the national press for Six Brandenburgs: Six Commissions – giving world premieres of new works by Brian Elias, Michael Price, Deborah Pritchard, Daniel Kidane, Joseph Phibbs and Stevie Wishart alongside the Brandenburg Concertos.
The Artsdesk described the concerts as “metaphysical brilliance…a colossal achievement made up of seemingly effortless and joyous playing meeting with an equally joyous audience response.” The Observer described the performances as “superbly performed.” Musical Opinion praised the concerts as “a true continuation of the energising, restorative effect of Bach’s music, crisply and spontaneously rendered by members of Chamber Domaine under Thomas Kemp’s alert direction.”
Six Brandenburgs: Six Commissions will be toured to festivals and concert series in the UK and Europe including Wigmore Hall in June 2025.
In June 2023, Chamber Domaine will be premiered new works by composer Deborah Pritchard in a series of immersive concerts featuring art by Maggi Hambling CBE and Marc Chagall.
Thomas is the Artistic Director and Founder of Music@Malling which brings world-class music to people’s doorsteps through concerts and outreach. Music@Malling has an annual festival held each September and a summer series held in historic venues in and around West Malling, Kent. Music@Malling has year around outreach which engages hundreds of people in creative activities and reaches many people who would not otherwise engage with the arts. Acclaimed for its innovative programming, Music@Malling promotes contemporary music alongside classical and jazz. Featured composers in 2024 include Brian Elias, Gavin Bryars, Deborah Pritchard and John Woolrich.
Music@Malling was featured in The Guardian – 10 Best Concerts and Operas of 2022.
Thomas has an award winning discography with Resonus and Signum Records. Forthcoming recordings include world-premiere recordings of music by Brian Elias, Eleanor Alberga, Ye Xiogang, and Richard Strauss.
An acclaimed exponent of late nineteenth and early 20th century repertoire, recent engagements include groundbreaking concerts in the UK and Asia with The Orchestra of the Age of Enlightenment conducting the 1925 film version of Strauss – Der Rosenkavalier. The critical edition he prepared for these performances is published by Schott.
Thomas was a featured artist at the Oxford Lieder Festival conducting Mahler and Strauss with outstanding vocalists Toby Spence, Dietrich Henschel and Louise Alder. The Spectator commented “It’s supremely, exhaustingly virtuosic writing…the OAE conducted by Thomas Kemp gave their all…” Seen and Heard praised the performances for their “marvellous sweep.”
Other recent highlights include a tour of Ireland with the Fidelio Trio and the RTE National Symphony Orchestra and conducting world premieres of Mark-Anthony Turnage – Concertino and Howard Skempton – Hinterland with The Birmingham Contemporary Music Group.
In 2023, he conducted the BBC Symphony Orchestra recording world premieres of music by Eleanor Alberga including her Symphony No.1 – Strata, Mythologies and Tower featuring the Castalian String Quartet.
Thomas made his operatic debut in a new production of Cosi fan tutte for Opera Holland Park with the City of London Sinfonia to widespread praise. “Cosi fan tutte was conducted with real shape and nuance by Thomas Kemp…Altogether this was the most original and idiomatic attempt on this ungraspable work London has seen in a long time.” Opera Now.
From 1989-92, Thomas read music at St.Catharine’s College, Cambridge and went on to study violin and chamber music at the Royal Northern College of Music, Manchester where from 2000-2014 he worked as a professor. He has given masterclasses, conducted and coached ensembles in conservatoires and universities worldwide.
From 2003-2007, he studied conducting at the Royal College of Music, Stockholm with Jorma Panula, Paul Mägi and Alan Gilbert sponsored by The Swedish Academy.
Thomas has enjoyed an international career as a soloist, concertmaster, and chamber musician with many renowned orchestras and ensembles and has led many recording sessions for TV and film in London. The Strad recently commented: “He displays a remarkable variety of tone in playing that’s lyrical yet assertive, and there’s a real sense of sincerity to his glowing interpretations.”
