Rameau: Zoroastre 1749 Jodie Devos, Reinoud Van Mechelen, Chœur de Chambre de Namur, Les Ambassadeurs ~ La Grande Écurie & Alexis Kossenko

• Jean-Philippe Rameau (1683 - 1764): Zoroastre, RCT 62:
• 1 Rameau: Zoroastre, RCT 62: Ouverture 03:39
• Zoroastre, RCT 62, Act I:
• 2 Rameau: Zoroastre, RCT 62, Act I: Prélude et récit. À l’heureux Abramane 00:52
• 3 Rameau: Zoroastre, RCT 62, Act I: Air. Non, je ne puis assez punir 01:03
• 4 Rameau: Zoroastre, RCT 62, Act I: Récit. Et nos dieux, et le peuple 01:15
• 5 Rameau: Zoroastre, RCT 62, Act I: Récit accompagné. De vos enchantements 01:35
• 6 Rameau: Zoroastre, RCT 62, Act I: Récit. Princesse, avec Phæres 02:35
• 7 Rameau: Zoroastre, RCT 62, Act I: Duo. Unissons nos fureurs 01:32
• 8 Rameau: Zoroastre, RCT 62, Act I: Récit accompagné. Dieux terribles, dieux tout puissants 00:48
• 9 Rameau: Zoroastre, RCT 62, Act I: Annonce et récit. On approche 00:53
• 10 Rameau: Zoroastre, RCT 62, Act I: Chœur. Rassurez-vous, tendre Amélite (I) 01:28
• 11 Rameau: Zoroastre, RCT 62, Act I: Récit. Les plaisirs et les jeux 01:28
• 12 Rameau: Zoroastre, RCT 62, Act I: Air. Reviens, c’est l’amour qui t’appelle 01:40
• 13 Rameau: Zoroastre, RCT 62, Act I: Chœur. Rassurez-vous, tendre Amélite (II) 01:28
• 14 Rameau: Zoroastre, RCT 62, Act I: Air tendre en rondeau 01:38
• 15 Rameau: Zoroastre, RCT 62, Act I: Air. L’amour, pour un coeur qui l’implore 01:01
• 16 Rameau: Zoroastre, RCT 62, Act I: Première et deuxième gavottes 01:10
• 17 Rameau: Zoroastre, RCT 62, Act I: Duo, gavotte et chœur. Zéphirs, comblez notre attente 02:41
• 18 Rameau: Zoroastre, RCT 62, Act I: Air pour les jeunes Bactriens et Bactriennes 01:45
• 19 Rameau: Zoroastre, RCT 62, Act I: Bruit souterrain et ensemble. Les rayons du soleil palissent 00:30
• 20 Rameau: Zoroastre, RCT 62, Act I: Récit. C'est vous, chère Érinice 01:20
• 21 Rameau: Zoroastre, RCT 62, Act I: Récit accompagné. Venez, esprits cruels soumis à mon pouvoir 00:26
• 22 Rameau: Zoroastre, RCT 62, Act I: Récit. Dieux protecteurs de l’innocence 00:10
• 23 Rameau: Zoroastre, RCT 62, Act I: Chœur. Tremble ! Suis nos pas 00:35
• 24 Rameau: Zoroastre, RCT 62, Act I: Ouverture pour entracte (Vif - Gracieux sans lenteur - Vite) 02:58
• Zoroastre, RCT 62, Act II:
• 25 Rameau: Zoroastre, RCT 62, Act II: Ritournelle et air. Sommeil, fuis de ce séjour 01:20
• 26 Rameau: Zoroastre, RCT 62, Act II: Air. L’aurore vermeille 00:37
• 27 Rameau: Zoroastre, RCT 62, Act II: Duo. Pour la fête la plus belle 00:43
• 28 Rameau: Zoroastre, RCT 62, Act II: Récit. Le dieu de Zoroastre 02:05
• 29 Rameau: Zoroastre, RCT 62, Act II: Duo et chœur. Sommeil, fuis de ce séjour 00:57
• 30 Rameau: Zoroastre, RCT 62, Act II: Entrée des Indiens et des Indiennes 02:23
• 31 Rameau: Zoroastre, RCT 62, Act II: Récit accompagné. Ces retraites sont les asiles 00:54
• 32 Rameau: Zoroastre, RCT 62, Act II: Duo et chœur. Le bruit effrayant du tonnerre (I) 00:41
• 33 Rameau: Zoroastre, RCT 62, Act II: Récit accompagné. Un trône éclatant de lumière 00:34
• 34 Rameau: Zoroastre, RCT 62, Act II: Duo et chœur. Le bruit effrayant du tonnerre (II) 00:38
• 35 Rameau: Zoroastre, RCT 62, Act II: Récit accompagné. Il paraît, son éclat 00:22
• 36 Rameau: Zoroastre, RCT 62, Act II: Récit. Dieu bienfaisant, Zoroastre t’implore 00:19
• 37 Rameau: Zoroastre, RCT 62, Act II: Marche des mages et des peuples 00:43
• 38 Rameau: Zoroastre, RCT 62, Act II: Récit accompagné. Ministres de ce dieu 00:33
• 39 Rameau: Zoroastre, RCT 62, Act II: Entrée des mages 02:15
• 40 Rameau: Zoroastre, RCT 62, Act II: Récit et chœur. Aimez-vous, aimez-moi 02:26
• 41 Rameau: Zoroastre, RCT 62, Act II: Ariette. Aimez-vous sans cesse 02:56
• 42 Rameau: Zoroastre, RCT 62, Act II: Sarabande 01:36
• 43 Rameau: Zoroastre, RCT 62, Act II: Gigue 01:18
• 44 Rameau: Zoroastre, RCT 62, Act II: Rigaudon 00:56
• 45 Rameau: Zoroastre, RCT 62, Act II: Air. Dans nos bois 01:26
• 46 Rameau: Zoroastre, RCT 62, Act II: Premier et deuxième menuets 02:22
• 47 Rameau: Zoroastre, RCT 62, Act II: Air et chœur. À nos voeux l’amour se présente 02:13
• 48 Rameau: Zoroastre, RCT 62, Act II: Contredanse 00:39
• 49 Rameau: Zoroastre, RCT 62, Act II: Ensemble. Ciel, de feux ce mont étincelle ! 00:12
• 50 Rameau: Zoroastre, RCT 62, Act II: Concert d’instruments et ensemble. Quels sons éclatants 00:46
• 51 Rameau: Zoroastre, RCT 62, Act II: Récit accompagné. Zoroastre, un tyran accable 01:18
• 52 Rameau: Zoroastre, RCT 62, Act II: Récit accompagné. Qu’entends-je ? Quel transport 00:35
• 53 Rameau: Zoroastre, RCT 62, Act II: Chœur. Zoroastre, vole à la gloire 01:29
• Zoroastre, RCT 62, Act III:
• 54 Rameau: Zoroastre, RCT 62, Act III: Ensemble. Dieux ! Soyez touchés 01:09
• 55 Rameau: Zoroastre, RCT 62, Act III: Récit accompagné et chœur. Quelle effroyable nuit 01:20
• 56 Rameau: Zoroastre, RCT 62, Act III: Récit. Zélise, arrête 01:03
• 57 Rameau: Zoroastre, RCT 62, Act III: Récit accompagné. Dieu bienfaisant 00:30
• 58 Rameau: Zoroastre, RCT 62, Act III: Récit accompagné. Quel trait de lumière luit ? 01:07
• 59 Rameau: Zoroastre, RCT 62, Act III: Ensemble. Quelle voix secourable 00:19
• 60 Rameau: Zoroastre, RCT 62, Act III: Chœur et récit. Zoroastre, brisez nos fers 02:15
• 61 Rameau: Zoroastre, RCT 62, Act III: Récit et chœur. Frappe ! 00:20
• 62 Rameau: Zoroastre, RCT 62, Act III: Récit et duo. Sortez d’un indigne esclavage ! 01:35
• 63 Rameau: Zoroastre, RCT 62, Act III: Récit, air et duo. Je retrouve tout ce que j’aime 01:58
• 64 Rameau: Zoroastre, RCT 62, Act III: Duo et chœur. Tendres amants 01:47
• 65 Rameau: Zoroastre, RCT 62, Act III: Récit et chœur. L’ennemi de nos dieux 00:41
• 66 Rameau: Zoroastre, RCT 62, Act III: Récit, air et duo. Je tremble 01:49
• 67 Rameau: Zoroastre, RCT 62, Act III: Récit accompagné. Écoutez mes soupirs 01:01
• 68 Rameau: Zoroastre, RCT 62, Act III: Air et chœur. L’amour n’abandonne jamais une fée 00:53
• 69 Rameau: Zoroastre, RCT 62, Act III: Sarabande 01:57
• 70 Rameau: Zoroastre, RCT 62, Act III: Air 01:37
• 71 Rameau: Zoroastre, RCT 62, Act III: Récit accompagné et air. Conservez avec soin 01:01
• 72 Rameau: Zoroastre, RCT 62, Act III: Gavotte en rondeau 01:53
• 73 Rameau: Zoroastre, RCT 62, Act III: Gigue 01:14
• 74 Rameau: Zoroastre, RCT 62, Act III: Loure 01:43
• 75 Rameau: Zoroastre, RCT 62, Act III: Air. Mortels, vous cherchez le bonheur 00:39
• 76 Rameau: Zoroastre, RCT 62, Act III: Premier et deuxième passepieds 01:58
• 77 Rameau: Zoroastre, RCT 62, Act III: Duo. Volez dans la carrière 01:22
• 78 Rameau: Zoroastre, RCT 62, Act III: Récit. Ne croyez pas que j’abandonne 00:49
• 79 Rameau: Zoroastre, RCT 62, Act III: Récit. Eh ! Quoi ! 00:07
• 80 Rameau: Zoroastre, RCT 62, Act III: Duo et chœur. Il faut, quand la gloire l’ordonne 01:01
• Zoroastre, RCT 62, Act IV:
• 81 Rameau: Zoroastre, RCT 62, Act IV: Air. Cruels tyrans qui régnez dans mon cœur 02:46
• 82 Rameau: Zoroastre, RCT 62, Act IV: Récit. Votre ennemi triomphe 01:14
• 83 Rameau: Zoroastre, RCT 62, Act IV: Récit. C’en est donc fait, perfide 00:36
• 84 Rameau: Zoroastre, RCT 62, Act IV: Air. Rappelez votre courage 00:21
• 85 Rameau: Zoroastre, RCT 62, Act IV: Récit et duo. Eh ! Que puis-je espérer encore 01:33
• 86 Rameau: Zoroastre, RCT 62, Act IV: Air. La haine, qui sait agir 00:30
• 87 Rameau: Zoroastre, RCT 62, Act IV: Récit. Qu’une double porte d’airain 00:30
• 88 Rameau: Zoroastre, RCT 62, Act IV: Récit accompagné, air et chœur. Suprême auteur des maux 02:32
• 89 Rameau: Zoroastre, RCT 62, Act IV: Air. Épuisons le flanc des tristes victimes 00:22
• 90 Rameau: Zoroastre, RCT 62, Act IV: Air des prêtres 03:01
• 91 Rameau: Zoroastre, RCT 62, Act IV: Récit. Princesse, tout m’annonce 00:29
• 92 Rameau: Zoroastre, RCT 62, Act IV: Duo. Ministres redoutés 01:05
• 93 Rameau: Zoroastre, RCT 62, Act IV: Chœur. À ta voix, nous quittons sans peine 00:20
• 94 Rameau: Zoroastre, RCT 62, Act IV: Air. Les biens que notre main dispense 00:30
• 95 Rameau: Zoroastre, RCT 62, Act IV: Air grave 02:00
• 96 Rameau: Zoroastre, RCT 62, Act IV: Air. Vengez-vous, cessez de souffrir 00:37
• 97 Rameau: Zoroastre, RCT 62, Act IV: Air. Portons les coups les plus terribles 00:36
• 98 Rameau: Zoroastre, RCT 62, Act IV: Récit et air. Va, cours, j’arme tes mains 00:52
• 99 Rameau: Zoroastre, RCT 62, Act IV: Récit. Que la vengeance a de douceurs 00:37
• 100 Rameau: Zoroastre, RCT 62, Act IV: Air. Volez, secondez ma puissance 00:28
• 101 Rameau: Zoroastre, RCT 62, Act IV: Air. Des esprits infernaux (I) 01:28
• 102 Rameau: Zoroastre, RCT 62, Act IV: Récit. La flamme le consume 00:09
• 103 Rameau: Zoroastre, RCT 62, Act IV: Chœur. Quel bonheur, l’enfer nous seconde 01:11
• 104 Rameau: Zoroastre, RCT 62, Act IV: Air. Des esprits infernaux (II) 01:34
• 105 Rameau: Zoroastre, RCT 62, Act IV: Récit accompagné. De l’empire des morts 00:30
• 106 Rameau: Zoroastre, RCT 62, Act IV: Air. Accable de tes chaînes 01:37
• 107 Rameau: Zoroastre, RCT 62, Act IV: Quatuor et chœur. Courez aux armes 01:21
• Zoroastre, RCT 62, Act V:
• 108 Rameau: Zoroastre, RCT 62, Act V: Air. Soutien des malheureux 02:37
• 109 Rameau: Zoroastre, RCT 62, Act V: Récit. L’amour vous rend enfin 00:19
• 110 Rameau: Zoroastre, RCT 62, Act V: Air. Je n’ai que les moments 00:26
• 111 Rameau: Zoroastre, RCT 62, Act V: Air et récit. Est-il des moments 01:06
• 112 Rameau: Zoroastre, RCT 62, Act V: Chœur. Régnez sur cet empire 00:38
• 113 Rameau: Zoroastre, RCT 62, Act V: Récit. Vous voyez les transports 01:21
• 114 Rameau: Zoroastre, RCT 62, Act V: Ensemble et chœur. Nous jurons d’obéir 00:31
• 115 Rameau: Zoroastre, RCT 62, Act V: Récit accompagné et duo. Fléchissez en tremblant 01:22
• 116 Rameau: Zoroastre, RCT 62, Act V: Tonnerre, ensemble et chœur. Dieu tout-puissant 00:54
• 117 Rameau: Zoroastre, RCT 62, Act V: Récit. Le même coup qui les accable 01:27
• 118 Rameau: Zoroastre, RCT 62, Act V: Chœur. Douce paix, régnez dans le monde (I) 02:54
• 119 Rameau: Zoroastre, RCT 62, Act V: Air des peuples élémentaires 02:13
• 120 Rameau: Zoroastre, RCT 62, Act V: Récit. Daignez couronner ma tendresse 00:24
• 121 Rameau: Zoroastre, RCT 62, Act V: Duo. Présent des cieux 01:10
• 122 Rameau: Zoroastre, RCT 62, Act V: Rondeau 01:48
• 123 Rameau: Zoroastre, RCT 62, Act V: Récit. Autour de nous 00:41
• 124 Rameau: Zoroastre, RCT 62, Act V: Entrée des bergers et des pâtres 02:23
• 125 Rameau: Zoroastre, RCT 62, Act V: Premier et deuxième rigaudons 01:39
• 126 Rameau: Zoroastre, RCT 62, Act V: Ariette. Règne, amour 03:01
• 127 Rameau: Zoroastre, RCT 62, Act V: Air en rondeau 00:53
• 128 Rameau: Zoroastre, RCT 62, Act V: Première et deuxième gavottes 02:03
• 129 Rameau: Zoroastre, RCT 62, Act V: Chœur. Douce paix, régnez dans le monde (II) 02:57
• Total Runtime 02:44:30

Info for Rameau: Zoroastre 1749

Jean-Philippe Rameau (1683-1764) left two very different versions of his tragédie en musique Zoroastre: the first, in 1749, suffered from cabals and the work was withdrawn from the repertory. Rameau gave it a thoroughgoing revision in 1756. At this time, he was at the height of his powers. Melody, harmony, orchestration and choral writing no longer held any secrets for him. Zoroastre brought still further innovation. For the first time, he dispensed with a prologue, and turned the overture into a philosophical ‘programme’, the struggle between day and night, between good and evil. The 1749 version is entirely governed by avant-garde ideas; Zoroastre resembles Tamino in Die Zauberflöte , but two generations earlier. This disconcerted some of the audience: Zoroastre was a moral, social and philosophical opera. The 1749 version has never been revived in modern times. Alexis Kossenko takes up the challenge with zest, accompanied by an outstanding cast including Véronique Gens, Jodie Devos, Reinoud Van Mechelen, Mathias Vidal and Tassis Christoyannis.

Jodie Devos, soprano (Amélite)
Véronique Gens, soprano (Erinice)
Reinoud Van Mechelen, tenor (Zoroastre)
Tassis Christoyannis, baritone (Abramane)
Les Ambassadeurs
La Grande Écurie
Chœur de Chambre de Namur
Alexis Kossenko, direction

Jodie Devos
studied at the Institute of Music and Pedagogy in Namur, then obtained a Master of Arts at the Royal Academy of Music in London. Having won prizes at several competitions, in 2014 she was awarded the Second Prize and the Audience Prize at the prestigious Queen Elisabeth of Belgium Competition, and entered the Academy of the Opéra-Comique in Paris the same year. In 2015 she was voted Young Vocal Artist of the Year by the International Classical Music Awards (ICMA).

Jodie Devos now pursues an international career, performing under the baton of such conductors as Paolo Arrivabene, Laurent Campellone, Mikko Franck, Leonardo García Alarcón, Philippe Jordan, Dmitri Jurowski, Louis Langrée, Antonello Manacorda, Enrique Mazzola, Marc Minkowski, François-Xavier Roth, Christophe Rousset and Guy Van Waas. Among the renowned directors she has worked with are Romeo Castellucci, Denis Podalydès, Emilio Sagi and Bob Wilson.

Her luminous timbre and virtuosity enable her to sing the most emblematic roles of the coloratura soprano repertory, including Olympia (Les Contes d’Hoffmann), Eurydice (Orphée aux Enfers), Lakmé, Königin der Nacht (Die Zauberflöte), Blondchen (Die Entführung aus dem Serail), Adèle (Le Comte Ory), Marie (La Fille du régiment), Philine (Mignon), La Fée (Cendrillon), Le Feu, Le Rossignol and La Princesse (L'Enfant et les sortilèges), Adele (Die Fledermaus) and Tytania (A Midsummer Night’s Dream). Particularly acclaimed for her diction and acting skills, she is also a successful interpreter of the French operatic repertory comique, in such works as Le Timbre d’argent (Saint-Saëns), La Nonne sanglante (Gounod), Les Mousquetaires au couvent (Varney), Le Chalet (Adam) and Le Domino noir (Auber). Jodie Devos records exclusively for Outhere Music France.

Véronique Gens
After having dominated the Baroque scene for more than a decade, Véronique Gens went on to establish a solid international reputation and is now considered one of the finest interpreters of Mozart and the French repertory.

One of the flagship roles of her career, Donna Elvira in the production of Don Giovanni by Peter Brook and Claudio Abbado at the Festival d’Aix-en-Provence, brought her worldwide recognition. Her repertory comprises the leading Mozart roles (Countess, Vitellia, Fiordiligi etc.) and the great roles of tragédie lyrique (including Iphigénie en Tauride, Iphigénie en Aulide and Alceste) but also heroines of a later period such as Alice Ford (Falstaff), Eva (Die Meistersinger von Nürnberg), Madame Lidoine (Dialogues des Carmélites) and Missia (La Veuve joyeuse). Véronique Gens also gives numerous concerts and recitals in a wide-ranging repertory all over the world, notably in Paris, Dresden, Berlin, Beijing, Vienna, Prague, London, Tanglewood, Stockholm, Moscow, Geneva and Edinburgh.

She has performed on the world’s foremost operatic stages, among them the Opéra National de Paris, the Royal Opera House Covent Garden, the Vienna Staatsoper, the Bayerische Staatsoper in Munich, La Monnaie in Brussels, the Liceu in Barcelona, the Teatro Real in Madrid, De Nederlandse Opera in Amsterdam and the Aixen-Provence, Salzburg and Glyndebourne festivals.

In 1999, she was voted Vocal Artist of the Year at the Victoires de la Musique Classique. Her many recordings (more than eighty CDs and DVDs) have received several international prizes: most recently, her album of French mélodies, Néère won a Gramophone Award in 2016, while Visions obtained an International Classical Music Award and an International Opera Award in 2018. Also La Reyne de Chypre by Halévy obtained a Gramophone Award in 2019, in the Opera category.

Reinoud Van Mechelen
raduated from his vocal studies at the Conservatoire Royal in Brussels in the class of Dina Grossberger in 2012. In 2017 he was awarded the prestigious Caecilia Prize as Young Musician of the Year from the union of the Belgian music press. An acknowledgement from "home" for the artist who managed to establish himself at numerous international stages within his early years of career.

Already in 2007 Reinoud Van Mechelen caught attention at the European Baroque Academy in Ambronay (France) under the baton of Hervé Niquet. In 2011 he was a member of William Christie’s and Paul Agnew’s "Jardin des Voix" and became a regular soloist of Les Arts florissants subsequently. Guest appeareances with this ensemble made him perform at the Festival d'Aix-en-Provence, the Edinburgh Festival, the Château de Versailles, the Bolchoï Theatre in Moscow, the Royal Albert Hall and the Barbican Centre in London, the Palais des Beaux-Arts in Brussels, the Philharmony and the Opéra Comique in Paris as well as at the Brooklyn Academy of Music in New York.

Many renowned Baroque ensembles such as Collegium Vocale, Le Concert Spirituel, La Petite Bande, Les Talens Lyriques, Pygmalion, Le Poème Harmonique, Il Gardellino, Insula Orchestra, L’Arpeggiata, Ludus Modalis, B’Rock, Ricercar Consort, Capriccio Stravagante, Scherzi Musicali and the European Union Baroque Orchestra ensured his cooperation.

In 2014 Reinoud Van Mechelen sang the part of the Evangelist in J. S. Bach's St. John Passionfor the first time in his career with the Royal Liverpool Philharmonic, a part he will be singing again with the Royal Concertgebouw Orchestra in Amsterdam, among others. The last few seasons have, however, been highlighted by his performances of Rameau’s title-role in Dardanus (Opéra national de Bordeaux) and Zoroastre (on concert-tour to the Festival de Montpellier et Radio-France, the Festival d’Aix-en-Provence, the Festival de Beaune, the Théâtre Royal in Versailles and the Theater an der Wien), both productions with Raphaël Pichon conducting. 2016/17 saw his Zurich Opera debut as Jason in Charpentier's Médée conducted by William Christie. Apart from numerous other commitments, he added further new roles in concert version to his repertory: Belmonte (The Abduction from the Seraglio) with the Orchestre de Chambre de Paris and Gérald (Lakmé) with the Munich Radio Orchestra.

Besides numerous performances with his own ensemble, a nocte temporis, his last two seasons have been highlighted by the jubilee-production celebrating the 30th anniversary of the Concert Spirituel („L'Opéra des Opéras", recorded and released by Alpha Classics) as well as in two international concert-tours with Les Arts florissants. He also performed the title-role in Rameau’s Pygmalion at the Dijon Opera and made his debuts at the Théâtre royal de la Monnaie (Tamino in Die Zauberflöte) and at the Staatsoper Berlin (Hippolyte in Hippolyte et Aricie under the baton of Sir Simon Rattle).

His 2019/20 season promises to be busy with his role debut as Nadir (Les Pêcheurs de perles) at the Toulon Opera, Purcell's King Arthur at the Staatsoper Berlin, Rameau's Pygmalion at the Grand Théâtre in Luxembourg,L'incoronazione di Poppea (Arnalta) at the Théâtre des Champs-Elysées and both the St John Passionas St Matthew Passionwith Collegium Vocale Gent.

Reinoud Van Mechelen already joined numerous recordings. His first solo album with the title "Erbame Dich" (arias by J. S. Bach) was released by Alpha Classics in 2016 finding unanimous acclaim by the press and receiving both a "Choc" from the monthly magazine Classica („A Bach-recording blessed by the gods“) as well as one of 10 Caecilia-Awards for the best recordings of the year 2016. Meanwhile three further albums with a nocte temporis have been released by Alpha Classics: "Clérambault, cantates françaises" (2018, "Diapason d'or"), "The Dubhlinn Gardens" (2019) and ‘Dumesny, haute-contre de Lully’ (2019).

Tassis Christoyannis
Regarded as one of the finest baritones of his generation, admired for his acting skills and his musicality, Athens born Tassis Christoyannis studied piano, singing, conduct in gand composition at the Athens Conservatory, before going on to specialise in the Italian repertoire with the baritone Aldo Protti.

After several years as a member of the Greek National Opera in Athens, he joined the Deutsche Oper am Rhein in Düsseldorf, where he took major roles in works by Monteverdi, Mozart, Rossini, Verdi, Puccini and others. Now freelance, he sings the principal baritone roles in Italian, French and Russian works at opera houses and festivals all over Europe, including Paris, Vienna, Berlin, Geneva, Glyndebourne, Brussels, Amsterdam, Strasbourg, Bordeaux, Frankfurt, etc. Tassis Christoyannis is also much in demand for his skills as a song recitalist.

Booklet for Rameau: Zoroastre 1749