Grand Tour (Live) Freiburger Barockorchester & Gottfried von der Goltz

• Johann Caspar Ferdinand Fischer (1656 - 1746): Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps":
• 1 Fischer: Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps": I. Ouverture (Live) 03:45
• 2 Fischer: Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps": II. Entrée (Live) 01:28
• 3 Fischer: Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps": III. Rondeau (Live) 01:51
• 4 Fischer: Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps": IV. Gavotte (Live) 00:37
• 5 Fischer: Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps": V. Menuet (Live) 00:32
• 6 Fischer: Suite in D Minor, Op. 1, No. 4 "Le journal du Printemps": VI. Passacaille (Live) 03:28
• Johann Christoph Pez (1664 - 1716): Concerto Pastorale:
• 7 Pez: Concerto Pastorale: I. Pastorale. Adagio (Live) 02:29
• 8 Pez: Concerto Pastorale: II. Aria. Presto (Live) 01:19
• 9 Pez: Concerto Pastorale: III. Aria. Grave (Live) 02:04
• 10 Pez: Concerto Pastorale: IV. Aria. Pastorale. Presto (Live) 02:02
• 11 Pez: Concerto Pastorale: V. Minuet – Trio (Live) 01:57
• 12 Pez: Concerto Pastorale: VI. Passacaglia (Live) 06:10
• 13 Pez: Concerto Pastorale: VII. Aria. Presto (Live) 01:28
• Johann Sigismund Kusser (1660 - 1727): Ouverture in G Minor "Apollon enjoué":
• 14 Kusser: Ouverture in G Minor "Apollon enjoué": I. Ouverture (Live) 03:48
• 15 Kusser: Ouverture in G Minor "Apollon enjoué": II. Les Chimères (Live) 01:38
• 16 Kusser: Ouverture in G Minor "Apollon enjoué": III. Les Vents (Live) 01:16
• 17 Kusser: Ouverture in G Minor "Apollon enjoué": IV. Gavotte (Live) 00:47
• 18 Kusser: Ouverture in G Minor "Apollon enjoué": V. Menuets (Live) 02:56
• 19 Kusser: Ouverture in G Minor "Apollon enjoué": VI. Gigue (Live) 01:12
• 20 Kusser: Ouverture in G Minor "Apollon enjoué": VII. Échos (Live) 01:03
• 21 Kusser: Ouverture in G Minor "Apollon enjoué": VIII. Branle de village (Live) 01:08
• 22 Kusser: Ouverture in G Minor "Apollon enjoué": IX. Air (Live) 01:50
• 23 Kusser: Ouverture in G Minor "Apollon enjoué": X. Pavane (Live) 00:59
• 24 Kusser: Ouverture in G Minor "Apollon enjoué": XI. Passepied (Live) 01:53
• Johann Ludwig Bach (1677 - 1731): Ouverture in G Major:
• 25 Bach: Ouverture in G Major: I. Ouverture (Live) 05:03
• 26 Bach: Ouverture in G Major: II. Air (Live) 01:40
• 27 Bach: Ouverture in G Major: III. Menuet (Live) 01:38
• 28 Bach: Ouverture in G Major: IV. Gavotte (Live) 01:07
• 29 Bach: Ouverture in G Major: V. Air (Live) 02:05
• 30 Bach: Ouverture in G Major: VI. Bourrée (Live) 01:08
• Georg Philipp Telemann (1681 - 1767): Concerto for Flute and Violin in E Minor, TWV 52:e3:
• 31 Telemann: Concerto for Flute and Violin in E Minor, TWV 52:e3: I. (Allegro) (Live) 02:46
• 32 Telemann: Concerto for Flute and Violin in E Minor, TWV 52:e3: II. Adagio (Live) 02:07
• 33 Telemann: Concerto for Flute and Violin in E Minor, TWV 52:e3: III. Presto (Live) 01:28
• 34 Telemann: Concerto for Flute and Violin in E Minor, TWV 52:e3: IV. Adagio (Live) 00:48
• 35 Telemann: Concerto for Flute and Violin in E Minor, TWV 52:e3: V. Allegro (Live) 02:38
• Johann Sebastian Bach (1685 - 1750): Brandenburg Concerto No. 2 in F Major, BWV 1047:
• 36 Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro) (Live) 04:49
• 37 Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante (Live) 03:44
• 38 Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai (Live) 02:49
• Total Runtime 01:21:30

Info for Grand Tour (Live)

For more than fifteen years, the Freiburger Barockorchester has been travelling across Germany, from Freiburg to Berlin.

While the journey takes only a few hours today, it was quite another story in the eighteenth century: what music might have accompanied travellers along these roads?

In this new live recorded album, the FBO recreates that musical journey, stopping in Rastatt, Stuttgart and Eisenach.

Alongside the great names of Telemann and Johann Sebastian Bach - with a double concerto for flute and violin and the Second Brandenburg Concerto - listeners will discover splendid works by lesser-known composers: Fischer and Kusser, bridging towards the French style; Pez and his Concerto pastorale, looking towards Italy; and the Ouverture by Johann Ludwig Bach, the elder cousin admired by the illustrious Johann Sebastian.

Freiburger Barockorchester
Gottfried von der Goltz, conductor

Das Freiburger Barockorchester
According to legend, it all began on New Year’s Eve in 1985, when several students at the College of Music in Freiburg – excited about the upcoming new year and in full flush thanks to a few glasses of sparkling wine – decided to form an ensemble and play Baroque music on historical instruments.

After two years of rehearsals, with intensive research into sources and animated discussions on how on earth to play this or that phrase in Baroque style, they were ready: the musicians appeared for the first time under the name ‘Freiburg Baroque Orchestra’ in the Burgheim Church in Lahr on 8 November 1987. The program consisted of Baroque music from England (Purcell), France (Lully), Italy (Corelli), Austria (Muffat) and the Netherlands (Wassenaer).

Even after more than twenty years, the musicians of the Freiburg Baroque Orchestra still approach every single work or concert programme from this perspective. Though in the meantime its repertoire has enlarged impressively, ranging from the Baroque 17th century, through the Classic and Romantic periods, to current works. Yes, the ‘Freiburgers’ (as they are often referred to in the music scene) have also inspired experimental musical interest amongst contemporary composers to create works for their Baroque instruments. Indeed, very often with an explicit Baroque reference, for example during the Bach Week in Ansbach where the musicians baptised an ‘Ansbachian Concert’ by Manfred Trojahn in August 2009, whose instrumentation and operatic concert form referred to Johann Sebastian Bach’s Fourth Brandenburg Concerto.

Another property inseparably connected with the FBO is that they mostly play without a conductor. As was usual in the 18th century, the Freiburg Baroque Orchestra is also led from the concertmaster’s platform. Less historically, actually in an extremely modern manner, the Freiburgers fill this position with two Artistic Managers of equal status (a form of dual command), who alternately manage individual projects: Gottfried von der Goltz and Petra Müllejans. Conductors are, of course, invited for works involving a larger number of players. The most prominent guest, and particularly popular amongst the musicians, is René Jacobs, under whose leadership the FBO won the German Record Critics’ Award in 2009 for their recording of Mozart’s opera Idomeneo. Often, and this too is a special quality of the FBO, the ensemble’s own musicians appear as soloists in concerts and on CD. And this brings us to the trade mark of the Freiburg Baroque Orchestra: major aspirations, enormous playing pleasure and a lively musical inquisitiveness. Whereby rediscovering unknown music is just as important as getting familiar music to speak in a new dialect. The Freiburg Baroque Orchestra has conquered the most famous concert halls on the international music scene with this artistic credo, where they can be heard with about 100 appearances per year. Often with some of the most famous interpreters of our time, such as Christian Gerhaher, Isabelle Faust, Philippe Jaroussky and René Jacobs. The orchestra’s discography has meanwhile grown to over 60 CDs, of which many recordings have won prizes. That the Freiburg Baroque Orchestra has also played itself to the top of the traditional classical scene is demonstrated by the fact that it was the very first Baroque orchestra to be invited to open the Salzburg Festival, in 2009.

In addition to its own series of concerts in the Freiburg Concert Hall, the FBO has also found a musical home in Stuttgart’s Liederhalle and Berlin’s Philharmonie for over 15 years with a series of concerts that it organises itself.

Booklet for Grand Tour (Live)