Take Me To Tomorrow John Denver

• 1 Take Me to Tomorrow 02:55
• 2 Isabel 03:22
• 3 Follow Me 02:26
• 4 Forest Lawn 02:36
• 5 Aspenglow 02:09
• 6 Amsterdam 03:31
• 7 Anthem - Revelation 02:00
• 8 Sticky Summer Weather 03:30
• 9 Carolina in My Mind 02:40
• 10 Jimmy Newman 02:17
• 11 Molly 03:46
• Total Runtime 31:12

Info for Take Me To Tomorrow

„Take Me to Tomorrow will come as a surprise to anyone expecting the pretty folk music and 'listen to the wisdom of the children' lyrics usually associated with John Denver. The album, with its comparatively heavy folk-rock sound married to lyrics that mention belching and latrines, strives for the realism and capital 'I' importance of Paul Simon, or even Phil Ochs, without the blatant politics. Denver tackles two Tom Paxton songs, including 'Forest Lawn,' a wry swipe at the cemetery business that echoes Evelyn Waugh's classic novel The Loved One. Pretty folk isn't entirely absent -- 'Aspenglow' is the cut that is usually included on anthologies. According to the liner notes, Take Me to Tomorrow and Denver's solo debut, Rhymes & Reasons, combine to replicate his concert performance circa 1969, with Rhymes & Reasons comprising the lighter first-half of the show, and Take Me to Tomorrow the more rousing and cerebral second-half. Viewed from that perspective, the album accomplishes its goal, but it is not a typical John Denver album and will not be to every fan's liking.“ (Greg Adams, AMG)

John Denver, guitar, vocals
Stan Free, keyboards
Paul Prestopino, guitar, autoharp
Paul Griffin, keyboards
George Marge, horn
Marvin Stamm, trumpet
Denny Seiwell, drums
Herb Lovelle, drums
Joe Macho, bass
Russ Savakus, bass

Recorded in RCA's Studio C, New York City
Engineered by Jim Crotty
Produced by Milton Okun

Digitally remastered

John Denver
One of the world’s best-known and best-loved performers, John Denver earned international acclaim as a songwriter, performer, actor, environmentalist and humanitarian. Denver’s career spanned four decades and his music has outlasted countless musical trends and garnered numerous awards and honors.

The son of a U.S. Air Force officer, Denver’s artistic journey began at age eleven when he was given his grandmother’s guitar. Denver eventually took guitar lessons and joined a boys’ choir, which led him at age twenty to pursue his dream of a career in music.

In 1963 he struck out on his own, moving to Los Angeles to be in the heart of the burgeoning music scene. It was during this time that Henry John Deutschendorf, Jr. was urged by friends to change his name if a recording career was to be in his future. He took his stage name from the beautiful capital city of his favorite state, Colorado. Later in life, Denver and his family settled in Aspen, Colorado and his love for the Rocky Mountains inspired many of his songs.

John Denver experienced his first major break in the music industry when he was chosen from 250 other hopefuls as lead singer for the popular Mitchell Trio. Two years and three albums later, Denver had honed his considerable vocal talent and developed his own songwriting style. He gained recognition when his song “Leaving On A Jet Plane” was recorded by Peter, Paul and Mary, becoming their first and only number one hit. As the Mitchell Trio disbanded, Denver was climbing up the pop charts as a solo act with songs like “Take Me Home, Country Roads,” “Rocky Mountain High,” “Sunshine On My Shoulders,” “Annie’s Song,” “Back Home Again,” “Thank God I’m A Country Boy,” and “Calypso,” solidifying his position as one of the top stars of the 1970s.

By his third album in 1970, Denver’s social and political leanings were defined more clearly. Denver was one of the first artists to share an environmental message through his music, beginning with the song “Whose Garden Was This?” This was the first in a long line of songs that he wrote about the environment.

Denver contributed his talents to the benefit of many charitable and environmental causes and received numerous civic and humanitarian awards over the years. Fans responded to his heartfelt urgings about ecology, peace, and compassion that were consistently delivered in a gentle manner on his records and at live performances.

His passion to help create a global community paved the way for ventures into new musical and geographic territories. In 1985 he was invited by the Soviet Union of Composers to perform in the USSR, inspiring the internationally acclaimed song “Let Us Begin (What Are We Making Weapons For?).” The powerful video for “Let Us Begin” moved viewers around the world.

This album contains no booklet.