Soul Steps The Everettes

• 1Into the Night02:47
• 2So Many Ways02:58
• 3Number Nine03:07
• 4Good Life03:12
• 5Heads up High03:33
• 6A Thousand Lessons03:24
• 7Soul Thing03:08
• 8Calling out Today04:06
• 9Red Flags03:07
• 10Second Chance02:05
• 11Make It Right03:13
• 12Forever True03:29
• Total Runtime38:09

Info for Soul Steps

„Soul Steps“ is the second album by Berlin and San Diego based band The Everettes, who have been an insider tip in the soul landscape for a few years now. On the one hand, the title alludes to the musical footprints they follow, as their danceable music is rooted in Northern Soul, Stax and Motown and with their three female singers they carry the magic of the 60s girl groups into the present. On the other hand, the songs are also about personal development steps and the paths and decisions one has to take in life with oneself and others.

With a lot of charm, likeable performances and their self-titled debut album released in 2020, The Everettes have won themselves an international audience and have been a permanent fixture at the renowned Baltic Soul Weekender since 2019, among other things. Their trademark is their melodies and the special blend of the three characters of their lead singers. There is Jess Roberts, originally from the north of England and now at home in San Diego, California, who has already released singles on Acid Jazz and brings a lot of power to the trio with her bluesy timbre. Whereas Katharina Dommisch captivates with a soft, clear voice reminiscent of Carole King or Karen Carpenter, while Laura Niemeyer's singing carries a lot of warmth and classic soul vibes. Behind them is a solid band with a driving rhythm section and pointedly placed horns, supplemented here and there by shimmering strings.

The songs on „Soul Steps“ are even more mature than on the previous album and convince with their catchiness and compactness – almost all of them are shorter than three and a half minutes. Alexander Dommisch (guitar, bass) and Maximilian Schubert (drums) were mainly responsible for the compositions and arrangements in collaboration with the singers, which due to the distance sometimes even took place in Zoom sessions. The musical influences go beyond the classic soul & R’n’B of the 60s to Beatlesque pop, 70s West Coast sounds and funk. One of the album's strengths is that each track has something that makes it stand out, and all of them together present the band's very own overall sound. Producer Dennis Rux (Angels of Libra) from Hamburg, who recorded the rhythm tracks and vocals in his Yeah Yeah Yeah studio with analogue equipment and also mixed the record, played a major role in this. Guests included disco soft rocker Joel Sarakula on keys and Jean-Luc Jossa (The Ruffcats) on percussion.

The opener 'Into The Night' is an orchestral Northern Soul track about setting off into the unknown. 'So Many Ways' ponders somewhere between Philly and Laurel Canyon about the inner overload of making the supposedly right decisions for oneself in life. With classic Motown pop and driving horns, 'Number Nine' helps you come to terms with yourself for the time being and decides that first and foremost you should do right by yourself. '[Just give me the] Good Life', Jess then demands self-confidently along to swinging Brit pop references. In 'Heads Up High', Laura reflects on the ups and downs of a relationship and how you emerge from them stronger together. The song also mirrors this in its musical form, starting as a ballad with haunting brass accents and a grooving middle section. Closing the first side, Katharina questions in a cinematic 60s shuffle what too much well-intentioned advice does to you, 'who I am in a thousand lessons?'

The B side begins with the album’s first single. 'Soul Thing' is a driving R’n’B anthem about what matters in life: being a good person. 'Calling Out Today' defies inner demons with a haunting early 70s groove, while the uptempo blues 'Red Flags' recommends freeing oneself from external, toxic influences as well. Finally, the last three songs are about interpersonal relationships and how to make the best of them: 'Second Chance' is a Motown girl group shuffle with unison vocals, 'Make It Right' combines sugary sweet melodies with funky rhythms and 'Forever True' ends the record stylishly and smoothly with big strings.

„Soul Steps“ is an album that seeks answers to the questions of our time firstly in oneself. How can you make your life happier for yourself and those around you? How do you grow from your decisions, even if they may not always be the right ones? It is about emancipation and mental health. About the small and big steps. And they may also lead to the dance floor.

The Everettes:
Jess Roberts, vocals (lead on tracks 1, 4, 7, 10, 12)
Katharina Dommisch, vocals (lead on tracks 2, 6, 8, 10, 11), claps
Laura Niemeyer, vocals (lead on tracks 3, 5, 9, 10), claps
Alexander Dommisch, guitars, bass (except tracks 4, 7), keyboards (tracks 4, 6, 10), backing vocals (track 7), claps
Mathieu Tascher, bass (tracks 4, 7)
Maximilian Schubert, drums
Olaf Müller, baritone saxophone
Markus Schönen, tenor saxophone
Timo J. Hennig, trumpet
Guests:
Jean-Luc Jossa, percussion
Joel Sarakula, keyboards (tracks 1, 2, 6, 8, 9, 10)
Chris Haertel, organ (track 5)
Alice Dixon, violoncello (tracks 1, 2, 3, 8, 10, 12)
Julia Ungureanu, violin (tracks 1, 2, 3, 8, 10, 12)
Kundri Lu Emma Schäfer, violin (tracks 1, 2, 3, 8, 10, 12)

The Everettes:
With a lot of charm, likeable performances and their self-titled debut album released in 2020, The Everettes have won themselves an international audience and have been a permanent fixture at the renowned Baltic Soul Weekender since 2019, among other things. Their trademark is their melodies and the special blend of the three characters of their lead singers. There is Jess Roberts, originally from the north of England and now at home in San Diego, California, who has already released singles on Acid Jazz and brings a lot of power to the trio with her bluesy timbre. Whereas Katharina Dommisch captivates with a soft, clear voice reminiscent of Carole King or Karen Carpenter, while Laura Niemeyer's singing carries a lot of warmth and classic soul vibes. Behind them is a solid band with a driving rhythm section and pointedly placed horns, supplemented here and there by shimmering strings.

This album contains no booklet.