Weill: Suite from the Threepenny Opera - Klemperer: Merry Waltz (Remastered) Philharmonia Orchestra & Otto Klemperer

• Weill Kurt (1900 - 1950): Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik":
• 1 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": I. Overture 02:19
• 2 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": II. The Ballad of Mack the Knife 02:19
• 3 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": IV. The Ballad of Pleasant Living 03:17
• 4 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": V. Polly's Song 02:35
• 5 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": VI. Tango-Ballade 02:47
• 6 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": VII. Cannon Song 02:48
• 7 Weill: Woodwind Suite from The Threepenny Opera "Kleine Dreigroschenmusik": VIII. The Three Penny Finale 04:24
• Otto Klemperer (1885 - 1973):
• 8 Klemperer: Das Ziel: Merry Waltz 07:31
• Total Runtime 28:00

Info for Weill: Suite from the Threepenny Opera - Klemperer: Merry Waltz (Remastered)

This release in EMI's The Klemperer legacy series is notable as a reminder of the breadth of Otto Klemperer's repertoire in earlier years. It is also humbling to be reminded that Klemperer, as also many conductors, was a prolific composer. Although he had to his name 6 symphonies, 9 string quartets and a hundred songs, he did not exploit his great fame in later years by programming his own compositions. This excerpt from a 1915 opera, revised in the '70s, is however not all that merry; slightly soured Strauss, I thought it.

Hindemith, to my surprise, is described in the notes as now 'little more than a name' to younger music-lovers, having been in the 'top half-dozen' of contemporary composers for a long time previously. Perhaps this is but an example of the gulf between concert programming and radio/recording output. I hadn't noticed his disappearance - he has always been part of my musical life; I used to enjoy playing his piano and organ sonatas and I have piano transcriptions of music from Nobilissima Visione, his ballet score about St Francis of Assisi. It includes a beautiful prelude and pastorale, and culminates with a lengthy, ultimately rather grandiose, passacaglia. It is the earliest of these remastered recordings which date from 1954-62.

He recorded the Stravinsky in 1965 and it comes up well, firm and severe, completely unfussy, a bold, intense account of a much-recorded masterpiece, with some 15 versions now in the catalogue. But the best reason for buying this recording is, I think, the inclusion of Klemperer's historic account of the suite from the Weill Threepenny Opera. Otto Klemperer himself commissioned this suite for winds & percussion, based on the original score, and he premiered it in Berlin in 1929. It comes up vivid and pungent in this 1961 recording, excellently transferred by Allan Ramsay, holding its own easily against later versions." (Peter Grahame Woolf)

Philharmonia Orchestra
Otto Klemperer, conductor

Digitally remastered

Otto Klemperer
The German conductor Otto Klemperer (1885-1973) was born in Breslau (now Wroclaw, Poland). He studied at the Frankfurt Conservatory, then at Berlin's Klindworth-Scharwenka Conservatory, where he took lessons in composition and conducting from Pfitzner, making his debut in Berlin in 1906 with Offenbach's Orphée aux enfers. On Mahler's recommendation he became chorus master then conductor at Prague's German Theatre (1907-10); between 1910 and 1917 he worked at the opera houses of Hamburg, Bremen and Strasbourg; he was musical director at Cologne (1917-24), Wiesbaden (1924-27) and Berlin's Kroll Opera (1927–31), but left Nazi Germany in 1933, eventually settling in the USA, where he became conductor of the Los Angeles Philharmonic (1933-39).

After a brain tumour operation in 1939 his career faltered until he became director of the Hungarian State Opera (1947-50). In the 1950s and 60s he achieved great success, largely through his association with the Philharmonia Orchestra in London and his recordings for EMI. In 1959 he was appointed the Philharmonia's 'conductor for life'. His last concert was in September 1971. Many of Klemperer's fine EMI recordings are available in the Great Recordings of the Century series.

This album contains no booklet.