First Class Life Mike Zito & The Wheel

Cover First Class Life

Album info



Label: Ruf Records

Genre: Blues

Subgenre: Bluesy Rock

Artist: Mike Zito & The Wheel

Album including Album cover Booklet (PDF)


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FLAC 44.1 $ 13.40
  • 1Mississippi Nights 04:20
  • 2First Class Life 04:04
  • 3I Wouldn't Treat A Dog 03:59
  • 4The World We Live In 04:21
  • 5Mama Don't Like No Wah Wah 03:57
  • 6Old Black Graveyard 05:32
  • 7Dying Day 02:57
  • 8Back Problems 04:27
  • 9Time For A Change 03:14
  • 10Damn Shame 05:33
  • 11Trying To Make A Living 02:30
  • Total Runtime44:54

Info for First Class Life

Blues-rock is a tightrope – and Mike Zito has never lost his footing. At times in his storied two-decade career, the Texas bandleader has rolled up the amps and rocked as hard as anyone. Yet his lifelong fascination with the blues has always reeled him back in. And now, having shaken the rafters with 2016’s acclaimed Make Blues Not War, First Class Life finds Mike diving deep into the only genre that can do justice to his hard-won true stories of hardship and redemption. “Make Blues was pretty extreme and rocking,” he reflects. “This time, I was definitely thinking more blues.”

Released in 2018 on Ruf Records, First Class Life is a fitting album title from a man who remembers the hard times. “The title track is a nod to where I’ve come from and where I’m at,” explains the songwriter whose promising early career was almost destroyed by addiction. “It’s a rags-to-riches story, and it’s certainly true. I grew up poor in St. Louis, and now I'm travelling the world to sing my songs. In the world of excess America, I may not look ‘rich’, but in my world, I most certainly am. I have a beautiful family, I’m clean and sober, and I get to play music.”

And what music. Since Mike’s debut album, Blue Room (1997), there have been countless creative peaks, from 2011’s confessional Greyhound, through his world-conquering contributions to US supergroup the Royal Southern Brotherhood, right up to recent solo triumphs like Gone To Texas (2013), Keep Coming Back (2015) and Make Blues Not War (2016).

Last November, as the band tracked live at Mike’s new backyard recording facility – dubbed Marz Studios – there was an unspoken mission to raise the bar. “We planned three days for the session,” he reflects, “but had all the tracks finished the first day. The band was really on fire and it just had this really fun vibe that we were in my backyard making a first class record.”

On his 14th album release, Mike’s socially charged observations and candid soul-searching have never been sharper. There’s the punchy call-to-arms of Time For A Change and the exquisite ‘one-note’ slow-blues, The World We Live In. The electrified blues bounce of Dying Day swears lifelong allegiance to his wife, while the sinister Old Black Graveyard growls with Hendrix-esque flourishes as it salutes the fallen. “That’s about a forgotten cemetery of poor black Americans that has not been kept up near my home in Beaumont, Texas,” he says. “Blind Willie Johnson is buried there. It’s a sure sign of racism in America and how the poor aren’t treated with dignity. That song is a ghost story that those buried there wreak havoc in the night.”

Yet the record’s darker moments are offset by cuts like Mama Don't Like No Wah Wah, the crash-bang-wallop gem written with Bernard Allison. “Bernard told me about his first gig as guitarist for Koko Taylor,” laughs Mike. “Koko didn’t like any effects on the guitar, she wanted it to sound natural. She also didn't know what effects were, she just called them ‘wah wah’. So when Bernard made an attempt to use an effect on his guitar after playing with her for months, he got caught. ‘Mama don't like no wah wah’ is what he was told. That’s a song to me!”

Of course, the most captivating story of all is the dazzling upward curve of Mike Zito’s unfolding career. In 2018, First Class Life doesn’t just capture the past glories and setbacks – it points a signpost at the peaks to come. “With this album,” he concludes, “I had this idea of ‘stepping up’. I want the world to know I can play this music with conviction and style. I think it’s really the next step…”

Mike Zito, vocals, guitars
Lewis Stephens, piano, Hammond B3 Organ, Fender Rhodes, Wurlitzer
Matthew Johnson, drums
Terry Dry, bass
Bernard Allison, guitars (on "Mama Don't Like No Wah Wah")

Mike Zito
Singer, guitarist and songwriter Mike Zito grew up in St. Louis, immersed in the gritty and soulful sounds of the city’s south side that would provide the groundwork for his future in music. He began singing and performing at the age of five, received his first guitar not long afterward, and music has been his guiding force ever since. Working at a local guitar shop after high school, he encountered many of the legends of the local music scene. “Everyone from Chuck Berry to [bluesman] Bennie Smith came in that store,” Zito says of his experience. “I soaked up the sounds of that store, and began building my own style.”

Zito’s journey took off in earnest at the age of 19, when he began making a name for himself as a unique new voice on the highly competitive St. Louis music scene. His incessant touring schedule found him crisscrossing the country playing everywhere from funky roadhouses to major festival stages to an international tour for the USO, and performing in front of enthusiastic crowds six nights a week around St. Louis when not on the road. During this period of intense music making Zito began to hone and polish his art, developing a breathtaking level of virtuosity and a unique expressive voice with both his singing and guitar playing, while at the same time stripping away the non-essential elements and cutting to the core of what moved a live audience.

But throwing himself headfirst into the pursuit of his art had a toll, and Zito paid it. The non-stop lifestyle led to a dark and dangerous period during which Zito came close to drinking and drugging away all that he’d worked so hard to establish. It took time, but thankfully, with the help and intervention of friends and supporters in the music business, loved ones, and the woman who would become his wife, Zito regained his faith in himself and his music, cleaned up his act, and settled down in Southeast Texas to begin anew.

With a clean slate, a fresh outlook, and a new dedication to his music, Zito now also had a message of positivity and redemption that has informed his new music with a deeper meaning and taken it to an entirely new level. Zito is that rare new artist who completely in synch with the contemporary music scene, while at the same time having a lifetime’s worth of experience to draw from that informs his music with soul, depth, and lasting appeal that grows with repeated listening.

Booklet for First Class Life

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