Neujahrskonzert 2025 - New Years Concert 2025 - Concert du Nouvel An 2025 Wiener Philharmoniker & Riccardo Muti

• Johann Strauss, Sr. (1804 - 1849): Freiheits-Marsch, Op. 226:
• 1 Strauss, Sr.: Freiheits-Marsch, Op. 226 02:40
• Josef Strauss (1827 - 1870): Dorfschwalben aus Österreich, Walzer, Op. 164:
• 2 Strauss: Dorfschwalben aus Österreich, Walzer, Op. 164 08:58
• Johann Strauss, Jr. (1825 - 1899): Demolirer-Polka , Op. 269:
• 3 Strauss, Jr.: Demolirer-Polka , Op. 269 03:35
• Lagunen-Walzer, Op. 411:
• 4 Strauss, Jr.: Lagunen-Walzer, Op. 411 08:22
• Eduard Strauss (1835 - 1916): Luftig und duftig. Polka schnell, op. 206:
• 5 Strauss: Luftig und duftig. Polka schnell, op. 206 01:59
• Johann Strauss, Jr.: Der Zigeunerbaron: Ouvertüre:
• 6 Strauss, Jr.: Der Zigeunerbaron: Ouvertüre 08:06
• Accelerationen, Walzer, Op. 234:
• 7 Strauss, Jr.: Accelerationen, Walzer, Op. 234 08:50
• Joseph Hellmesberger Jr. (1855 - 1907): Das Veilchenmädel:
• 8 Hellmesberger, Jr.: Das Veilchenmädel: Fidele Brüder 02:54
• Constanze Geiger (1836 - 1890): Ferdinandus-Walzer (Arr. for Orchestra by Wolfgang Dörner):
• 9 Geiger: Ferdinandus-Walzer (Arr. for Orchestra by Wolfgang Dörner) 05:54
• Johann Strauss, Jr.: Entweder - oder!, Polka schnell, Op. 403:
• 10 Strauss, Jr.: Entweder - oder!, Polka schnell, Op. 403 02:40
• Josef Strauss: Transactionen, Walzer, Op. 184:
• 11 Strauss: Transactionen, Walzer, Op. 184 10:10
• Johann Strauss, Jr.: Annen-Polka, Op. 117:
• 12 Strauss, Jr.: Annen-Polka, Op. 117 03:58
• Tritsch-Tratsch Polka, Op. 214:
• 13 Strauss, Jr.: Tritsch-Tratsch Polka, Op. 214 02:31
• Wein, Weib und Gesang, Walzer, Op. 333:
• 14 Strauss, Jr.: Wein, Weib und Gesang, Walzer, Op. 333 09:50
• Die Bajadere, Polka schnell, Op. 351:
• 15 Strauss, Jr.: Die Bajadere, Polka schnell, Op. 351 02:02
• Neujahrsgruß / New Year's Address / Allocution du Nouvel An:
• 16 Neujahrsgruß / New Year's Address / Allocution du Nouvel An 00:51
• Johann Strauss, Jr.: An der schönen blauen Donau, Walzer, Op. 314:
• 17 Strauss, Jr.: An der schönen blauen Donau, Walzer, Op. 314 10:21
• Johann Strauss, Sr.: Radetzky-Marsch, Op. 228:
• 18 Strauss, Sr.: Radetzky-Marsch, Op. 228 03:13
• Total Runtime 01:36:54

Info for Neujahrskonzert 2025 - New Years Concert 2025 - Concert du Nouvel An 2025

On January 1, 2025, Maestro Riccardo Muti took the stage to conduct the New Year’s Concert for the seventh time in the world-renowned Golden Hall of the Vienna Musikverein.

There are few concerts in the world that are awaited with as much excitement as the New Year’s Concert from Vienna. This year, it will be broadcast to over 90 countries around the world, reaching an audience of millions of people. The program will feature a repertoire from the Strauß family and their contemporaries, with a unique addition: for the first time, a work by a female composer, and a friend of Johann Strauß II, will be performed. The Ferdinandus-Walzer, composed by the twelve-year-old Constanze Geiger in 1848, will be part of this year’s program.

The artistic collaboration with Maestro Muti that began in 1971 has given rise to more than 500 mutual concerts, including six New Year’s Concerts, Philharmonic subscription concerts, memorial concerts, guest performances and tours, as well as numerous opera productions. A special highlight of the 2024 season was the concert celebrating the 200th anniversary of Ludwig van Beethoven’s Ninth Symphony under Muti’s baton.

Daniel Froschauer, Chairman of the Vienna Philharmonic, emphasizes the conductor’s special significance for the orchestra: “Riccardo Muti has held an exceptional position in the history of the Vienna Philharmonic for over fifty years. An honorary member of the orchestra since 2011, Muti has helped shape the repertoire and specific sound of the ensemble in a unique manner.”

Riccardo Muti first came to public attention in 1967, when he won the Guido Cantelli Conducting Competition in Milan. From 1968 to 1980, he served as Principal Conductor of the Maggio Musicale Fiorentino. In 1971, Herbert von Karajan invited him to conduct at the Salzburg Festival, which in 2020 marked fifty years of collaboration with the Austrian festival. During the 1970s, he was Chief Conductor of London’s Philharmonia Orchestra (1972–1982), and later served as Music Director of the Philadelphia Orchestra (1980–1992). From 1986 to 2005, he was Music Director of the Teatro alla Scala in Milan. Muti also became Music Director of the Chicago Symphony Orchestra in 2010, a position he held until 2023, whereupon he was named Music Director Emeritus for Life.

Throughout his career, Riccardo Muti has conducted the most important orchestras in the world, including the Berlin Philharmonic, Bavarian Radio Symphony Orchestra, New York Philharmonic, Orchestre National de France, and Vienna Philharmonic – an orchestra to which he has particularly close ties.

When Muti was invited to conduct the Vienna Philharmonic’s 150th anniversary concert in 1992, he was presented by the orchestra with the Golden Ring, awarded only to a few chosen conductors. After presiding over New Year’s Concerts in 1993, 1997, 2000, 2004 and 2018, Riccardo Muti conducted the Vienna Philharmonic in this annual celebration for the sixth time in 2021.

The story of the Vienna Philharmonic can be traced back to 1842, when Otto Nicolai conducted a “grand concert” with “all the members of the Orchestra of the Imperial and Royal Court Opera Theatre”. This event is generally regarded as marking the birth of the orchestra. Ever since it was founded, the orchestra has been run by a democratically elected committee and is artistically, organisationally and financially independent. In the twentieth century its artistic profile has been shaped by such leading musicians as Richard Strauss, Arturo Toscanini, Wilhelm Furtwängler and, after 1945, by three emeritus conductors, Karl Böhm, Herbert von Karajan and Leonard Bernstein. Since it was formed, the orchestra has given around 9,000 concerts in every part of the world. Since 1989 it has presented a Vienna Philharmonic Week in New York. A similar series of concerts has been held in Tokyo since 1993.

The tradition of presenting New Year’s Concerts began in 1941. The first concert marking the New Year was given in 1939, albeit on 31 December. The first conductor was Clemens Krauss. Willi Boskovsky took over in 1955 and conducted no fewer than twenty-five New Year’s Concerts between then and 1979. The list of musicians who have conducted New Year’s Concerts reads like a who’s who of leading maestros. The New Year’s Concert was first broadcast live on television in 1959. The Vienna Philharmonic regards this now traditional event as a way of wishing the world a Happy New Year through the medium of music in a spirit of hope, friendship and peace.

Wiener Philharmoniker
Riccardo Muti, musical direction

Riccardo Muti
Born in Naples, Riccardo Muti studied piano under Vincenzo Vitale at the Conservatory of San Pietro a Majella, graduating with distinction. He subsequently received a diploma in composition and conducting from the Giuseppe Verdi Conservatory in Milan, where he studied under the guidance of Bruno Bettinelli and Antonino Votto.

He first came to the attention of critics and the public in 1967, when he won the Guido Cantelli Conducting Competition – by unanimous vote of the jury – in Milan. In 1968, he became principal conductor of the “Maggio Musicale Fiorentino,” a position he held until 1980. In 1971 Muti was invited by Herbert von Karajan to conduct at the Salzburg Festival, the first of many occasions, which led in 2010 to a celebration of forty years of artistic collaboration with the Austrian festival. During the 1970s, he was chief conductor of the London’s Philharmonia Orchestra (1972 to 1982) succeeding Otto Klemperer. From 1980 to 1992, he inherited the position of Music Director of the Philadelphia Orchestra from Eugene Ormandy.

From 1986 to 2005, he was Music Director of the Teatro alla Scala and during his tenure he directed major projects such as the Mozart-Da Ponte Trilogy and the Wagner Ring Cycle. Alongside the classics of the repertoire, he brought many rarely performed and neglected works to light, including pieces from the eighteenth century Neapolitan school as well as operas by Gluck, Cherubini, and Spontini. Poulenc’s “Les dialogues des Carmélites” earned Muti the prestigious Abbiati Prize from the critics.

The long period spent as Music Director of Teatro alla Scala culminated on December 7, 2004, in the triumphant re-opening of the restored opera house with Antonio Salieri’s “Europa riconosciuta”.

Incredible his contribution to Verdi’s repertoire, he conducted Ernani, Nabucco, I Vespri Siciliani, La Traviata, Attila, Don Carlos, Falstaff, Rigoletto, Macbeth, La Forza del Destino, Il Trovatore, Otello, Aida, Un ballo in Maschera, i Due Foscari, I Masnadieri. His tenure as music director was the longest of any in La Scala history.

Over the course of his extraordinary career, Riccardo Muti has conducted the most important orchestras in the world: from the Berlin Philharmonic to the Bavarian Radio Symphony Orchestra, from the New York Philharmonic to the Orchestre National de France, as well as, the Vienna Philharmonic, an orchestra to which he is linked by particularly close and important ties, and with which he has appeared at the Salzburg Festival since 1971.

When Muti was invited to conduct the Vienna Philharmonic’s 150th anniversary concert, he was presented with the Golden Ring by the orchestra , a special sign of esteem and affection, awarded only to a few select conductors. He conducted the prestigious and extremely famous New Year’s Concert in Vienna four times, in 1993, 1997, 2000, 2004.

In April 2003, the French national radio channel, France Musique, broadcasted a “Journée Riccardo Muti” consisting of 14 hours of his operatic and symphonic recordings made with all the orchestras he has conducted throughout his career. On December 14 of the same year, he conducted the long-awaited opening concert of the newly renovated “La Fenice” Opera House in Venice.

In 2004, Muti founded the Luigi Cherubini Youth Orchestra, which is composed of young musicians selected by an international committee from more than 600 instrumentalists from all over Italy.

Muti’s recording activities, already significant in the Seventies, range from symphonic music and opera to contemporary compositions , his recordings have won many prizes. The recording label dealing with his recordings is RMMusic (www.riccardomutimusic.com).

Riccardo Muti’s social and civic conscience as an artist is demonstrated by his concerts performed in places symbolising our troubled past and contemporary history, which he has conducted as part of “Le vie dell’Amicizia” (The Paths of Friendship) project, produced by the Ravenna Festival. Concerts were given in Sarajevo (1997), Beirut (1998), Jerusalem (1999), Moscow (2000), Yerevan and Istanbul (2001), New York (2002), Cairo (2003), Damascus (2004), El Diem, Tunisia (2005), Meknes (2006),Concert for Lebanon (2007), Mazara del Vallo (2008), Sarajevo (2009), Trieste (2010) Nairobi (2011), Ravenna (2012), Mirandola (2013) Redipuglia (2104), Otranto (2015), Tokyo (2016) and Tehran (2017) with La Scala Philharmonic Orchestra and Chorus, the Orchestra and Chorus of the Maggio Musicale Fiorentino, the “Musicians of Europe United” a group made up of the top players of Europe’s major orchestras and most recently with the Cherubini Youth Orchestra.

Muti has received Innumerable international honors over the course of his career. He is Cavaliere di Gran Croce of the Italian Republic and a recipient of the German Verdienstkreuz , he received the decoration of Officer of the Legion of Honor from French President Nicolas Sarkozy in a private ceremony held at Élysée Palace. He was made an honorary Knight Commander of the British Empire by Queen Elizabeth II in Britain. The Salzburg Mozarteum awarded him its silver medal for his contribution to Mozart’s music, and in Vienna was elected an honorary member of the Gesellschaft der Musikfreunde, the Vienna Hofmusikkapelle and the Vienna State Opera.

Russian President Putin awarded him the Order of Friendship, and the State of Israel has honored him with the Wolf Prize for the arts. He has received honorary degrees from many universities in Italy and abroad. The most recent was in 2014 when he received an honorary degree from Northwestern University in Chicago.

He conducted the Vienna Philharmonic in the opening concert for the celebrations of the 250th anniversary of Mozart’s birth in Salzburg at the Grosses Festspielhaus. In 2017 the continuous collaboration between Riccardo Muti and the Vienna Philharmonic will reach 47 years.

During the 2007 Whitsun Festival in Salzburg, Muti began a five-year project with the Cherubini Orchestra dedicated to the rediscovery and valorization of the operatic and sacred musical heritage of the Neapolitan School of the 18th Century.

In September 2010, Riccardo Muti became Music Director of the Chicago Symphony Orchestra and he was named 2010 Musician of the Year by Musical America. In February 2011, he was awarded two Grammy Awards at the 53rd annual awards ceremony for his live recording of Verdi’s Messa da Requiem with the Chicago Symphony Orchestra and Chorus. His recording won the Best Classical Album and Best Choral Performance awards. In March 2011, Riccardo Muti was selected as the recipient of the coveted Birgit Nilsson Prize, presented in a ceremony on October 13 at the Royal Opera in Stockholm in the presence of H.M. King Carl XVI Gustaf and H.M. Queen Silvia. In April 2011, he received the Opera News Award in New York and in May 2011 he was awarded Spain’s prestigious Prince of Asturias Prize for the Arts. The award was presented the following autumn in Oviedo at a grand ceremony chaired by H.R.H. the Prince of Asturias. In July 2011 he was named an honorary member of the Vienna Philharmonic and in August 2011 an honorary director for life at the Rome Opera.

In May 2012, he was awarded the highest Papal honor: the Knight of the Grand Cross First Class of the Order of St. Gregory the Great by Pope Benedict XVI. In 2016 he was honored by Japanese Government with the Order of the Rising Sun, Gold and Silver Star.

In July 2015, Riccardo Muti’s desire to devote even more to the training of young musicians was realized: the first edition of the Riccardo Muti Italian Opera Academy for young conductors, répétiteurs and singers took place at Teatro Alighieri in Ravenna.

Talented young musicians and an audience of music-lovers coming from all over the world took part in it. The Academy has the purpose to pass on to young musicians Riccardo Muti’s experience and teachings and to make the audience understand in all its complexity the path that leads to the realization of an opera.

The first edition focused on Falstaff was followed in 2016 by two editions, in South Korea and in Ravenna dedicated to La Traviata, and by the edition on Aida in 2017.

Booklet for Neujahrskonzert 2025 - New Years Concert 2025 - Concert du Nouvel An 2025