Un Giorno Nuovo Soary Quartet

• 1 Respira 05:36
• 2 Emigrante 06:38
• 3 Tiempo Presente 04:40
• 4 Tercer Orbital 05:23
• 5 Al Sol 05:12
• 6 Un giorno nuovo 05:09
• 7 Lacrime di mare 04:05
• 8 Autoreferenza 04:41
• 9 Ironia de la sorte 05:53
• 10 En la Oscuridad 06:31
• 11 Tsara 04:52
• 12 Encima 05:03
• Total Runtime 01:03:43

Info for Un Giorno Nuovo

The Soary Quartet is a jazzy world of Latin-tinged songs that draw their energy from the rhythms of Africa, an imaginary musical bridge stretching between the shores of the Mediterranean and Brazil. The group takes the audience on a nuanced journey, a sunny bubble, a suspended moment. Their new show, 'Amaneciendo', is the promise of a luminous concert full of beautiful energy, a gentle musical and vocal shockwave, that of the Soary Quartet...

Soary Quartet:
Antonela Lucía, vocals, author
Cyril Salvagnac, guitar, composition
Fabrice Camboulive,electric bass, double bass
Laurent Meyer, percussion

Soary Quartet
it's the meeting of singer Antonela Lucía and guitarist Cyril Salvagnac. She writes the lyrics, he composes the music. Together, they created a jazzy universe, songs with Latin colors that draw their energy from rhythms of Africa. With the support of Fabrice Camboulive on double bass or electric bass and Laurent Meyer on percussion, they stretch an imaginary musical bridge between the shores of the Mediterranean and Brazil.

Antonela, originally from Argentina, reveals her texts in Spanish, in Italian. She sings about what touches her, the relationship we have to the Earth in its space and time dimensions, the Earth that hosts us and that we respect, but also the everyday challenges that we face when we are away from our country and family. Her poetic texts are one with her expressive, percussive voice.

She also sings in French when inviting the music of authors like Claude Nougaro or Georges Brassens, revisited for the occasion. Her improvisations respond to that of the guitar with chiselled rhythms and shimmering melodies. In his compositions, Cyril expresses his Latin influences, between jazz and world music. The musical writing is precise and melodic, adorned with spaces of freedom. It is supported by posed bass lines and the twirling rhythms of the Tipijâze, this original percussion with such a particular sound. All this brings the listener into a sunny, lively and wandering bubble, that of the Soary Quartet...

This album contains no booklet.