XXV (Deluxe Edition) Robbie Williams

• 1 Let Me Entertain You (XXV) 03:38
• 2 Come Undone (XXV) 04:18
• 3 Love My Life (XXV) 03:25
• 4 Millennium (XXV) 03:49
• 5 The Road to Mandalay (XXV) 04:41
• 6 Tripping (XXV) 03:54
• 7 Bodies (XXV) 03:54
• 8 Candy (XXV) 03:13
• 9 Supreme (XXV) 04:25
• 10 Strong (XXV) 04:14
• 11 Eternity (XXV) 05:27
• 12 No Regrets (XXV) 05:03
• 13 She's the One (XXV) 04:30
• 14 Feel (XXV) 04:24
• 15 Rock DJ (XXV) 04:53
• 16 Kids (XXV) 03:30
• 17 Angels (XXV) 04:25
• 18 Lost (XXV) 04:16
• 19 Nobody Someday (XXV) 03:35
• 20 Lazy Days (XXV) 04:30
• 21 Hot Fudge (XXV) 03:41
• 22 Sexed Up (XXV) 03:45
• 23 More Than This (XXV) 04:08
• 24 Disco Symphony (XXV) 03:49
• 25 Better Man (XXV) 04:13
• 26 Home Thoughts from Abroad (XXV) 03:20
• 27 The World and Her Mother (XXV) 04:10
• 28 Into the Silence (XXV) 04:50
• 29 Angels (Beethoven AI) (XXV) 04:52
• Total Runtime 02:00:52

Info for XXV (Deluxe Edition)

Celebrating 25 years of Robbie as a solo artist and featuring countless Number 1 smash hit singles and fan favourites, the tracks have been newly orchestrated by Jules Buckley, Guy Chambers and Steve Sidwell, and re-recorded with the acclaimed Metropole Orkest in The Netherlands.

The deluxe album features the brand new track ‘Lost’ – a moving song in classic Robbie style with poignant lyrics, piano elements and soaring strings. The deluxe album will feature three more original tracks – ‘Disco Symphony’, ‘More Than This’, and ‘The World And Her Mother’.

After huge success with Take That, Robbie kicked off his solo career 25 years ago in 1997 with the release of his debut album, ‘Life Thru A Lens’, and quickly became renowned for a combination of great songs, enthralling live shows, and a charming and fun personality that won him more fans around the world. The record was Robbie’s first UK Number 1 album of his solo career and the smash hit singles included on ‘XXV’ are ‘Let Me Entertain You’, originally released with its iconic black and white music video with Robbie wearing a bejewelled jumpsuit and monochrome make-up, and the legendary ‘Angels’, which catapulted Robbie to international fame as a solo artist and remains his biggest-selling single to date.

The new album also includes ‘Millennium’ – Robbie’s first solo UK Number 1 single, the Top 10 hits ‘Strong’ and ‘No Regrets’, and his second solo UK Number 1 hit, ‘She’s The One’ – all released on his 1998 album, ‘I’ve Been Expecting You’. From the 2000 album ‘Sing When You’re Winning’, ‘Supreme’, ‘Kids’, the anthemic duet with Kylie Minogue, ‘Rock DJ’, released with an innovative video, and ‘The Road To Mandalay’ all feature on ‘XXV’. Other hit songs included on the new record are ‘Feel’ and ‘Come Undone’, both released in 2002 on Robbie’s fifth consecutive UK Number 1 album ‘Escapology’, as well as ‘Candy’, which hit the UK Number 1 spot in 2012.

Robbie says: “I’m so excited to announce my new album ‘XXV’ which celebrates many of my favourite songs from the past 25 years. Each track has a special place in my heart so it was a real thrill to record them again with the Metropole Orkest. Can’t wait for you all to hear it.”

‘XXV’ is another huge milestone in the glittering career of one of the world’s most decorated artists. Robbie has six of the Top 100 best-selling albums in British history, has sold a huge 80 million albums worldwide, achieved 14 Number 1 singles and a record 18 BRIT Awards – more than any other artist in music history. Other UK Number 1 albums include his swing covers special ‘Swing When You’re Winning’, 2016’s ‘The Heavy Entertainment Show’, and most recently ‘The Christmas Present’, released in 2019 which secured Robbie his 13th UK Number 1 album – equalling Elvis Presley’s chart record as the solo artists with the most UK Number 1 albums. Robbie’s total chart-topping albums across his solo work and with Take That is 17, placing him in the top three acts of all time with the most Number 1s across their catalogue.

Robbie Williams

Robbie Williams
Out of all the members of Take That, Robbie Williams never really seemed to fit in. Roguishly handsome where his bandmates were merely cute, Williams was tougher and sexier than the rest, which made him more distinctive. He also fought regularly with the other members and their management, primarily because he was occasionally adverse to being so heavily packaged. So it didn't come as a surprise that he was the first to leave the band, departing early in the summer of 1995 to pursue a solo career (by some accounts, he was fired from the group). Although he was the first out of the gate, it took Williams awhile to get started. For most of 1995, he attempted to boost his credibility by tagging along with Oasis, hoping that Noel Gallagher would give him a couple of songs. He never did, but all of his time with Oasis launched Williams into a world of heavy partying, drinking, and drugging. Over the course of 1996, he was only heard from in gossip columns, and every published picture indicated he had put on considerable weight. Occasionally, he was quoted as saying his new music would abandon lightweight dance-pop for traditional Brit-pop, but his first single was a cover of George Michael's Freedom '90. Released late in 1996, the single was a disaster, but his second single, 1997's Old Before I Die, was more in the vein of his early pronouncements, featuring a distinct Oasis influence.

Williams finally released his first solo album, Life Thru a Lens, in 1997. The album became a big hit in Britain, prompting his second, I've Been Expecting You, in 1998. (The Ego Has Landed, a U.S.-only compilation designed for breaking Williams to American audiences, was released stateside in the spring of 1999.) Sing When You're Winning followed in late 2000, gaining success with the video hit Rock DJ, while a big-band album of standards (Swing When You're Winning) appeared a year later. During 2002, Williams celebrated an enormous new contract with EMI (rumored to be upwards of $80 million dollars), but suffered the loss of his longtime production partner, Guy Chambers. Escapology, the fifth Robbie Williams album (and the last including Chambers' input), sold millions of copies in Europe, though it failed to persuade American audiences. As a result, the 2003 concert record Live at Knebworth wasn't released in the States. He introduced a new musical partner, Stephen Duffy, with a pair of songs from his compilation Greatest Hits, then reappeared in 2005 with Intensive Care. Although the album topped charts in Europe and Williams set an impressive concert record -- his 2006 world tour sold over 1.5 million tickets in one day -- a certain creative atrophy was setting in, despite the new input of Duffy. Within a year, he had recorded and released Rudebox, a dance album recorded with half a dozen outside producers, some featured guests, and several covers instead of self-penned material. Rudebox hit number one across Europe soon after release. (Stephen Thomas Erlewine, AMG)

This album contains no booklet.