Gesualdo: Madrigals La Compagnia del Madrigale
Album info
Album-Release:
2022
HRA-Release:
18.03.2022
Label: Glossa
Genre: Classical
Subgenre: Vocal
Artist: La Compagnia del Madrigale
Composer: Carlo Gesualdo von Venosa (1566-1613)
Album including Album cover Booklet (PDF)
- Carlo Gesualdo (1566 - 1613): Madrigals, Libro 1:
- 1 Gesualdo: Madrigals, Libro 1: No. 1, Baci soavi e cari, W. 1/13 05:20
- 2 Gesualdo: Madrigals, Libro 1: No. 2, Madonna, io ben vorrei, W. 1/20 02:48
- 3 Gesualdo: Madrigals, Libro 1: No. 3, Come esser può ch’io viva, W. 1/24 02:50
- 4 Gesualdo: Madrigals, Libro 1: No. 4, Gehlo ha Madonna il seno, W. 1/28 02:17
- 5 Gesualdo: Madrigals, Libro 1: No. 5, Mentre Madonna il lasso fianco posa, W. 1/31 04:20
- 6 Gesualdo: Madrigals, Libro 1: No. 6, Se da sì nobil mano, W. 1/37 03:18
- 7 Gesualdo: Madrigals, Libro 1: No. 7, Sì gioioso mi fanno i dolor miei, W. 1/42 03:06
- 8 Gesualdo: Madrigals, Libro 1: No. 8, O dolce mio martire, W. 1/46 02:24
- 9 Gesualdo: Madrigals, Libro 1: No. 9, Tirsi morir volea, W. 1/50 05:11
- 10 Gesualdo: Madrigals, Libro 1: No. 10, Mentre, mia stella miri, W. 1/57 02:01
- 11 Gesualdo: Madrigals, Libro 1: No. 11, Non mirar, non mirare, W. 1/61 02:46
- 12 Gesualdo: Madrigals, Libro 1: No. 12, Questi leggiadri odorosetti fiori, W. 1/64 03:05
- 13 Gesualdo: Madrigals, Libro 1: No. 13, Felice primavera, W. 1/68 02:53
- 14 Gesualdo: Madrigals, Libro 1: No. 14, Son sì belle le rose, W. 1/73 02:26
- 15 Gesualdo: Madrigals, Libro 1: No. 15, Bella Angioletta, W. 1/76 02:05
- Gagliarda del principe di Venosa, W. 10.22:
- 16 Gesualdo: Gagliarda del principe di Venosa, W. 10.22 02:16
- Madrigals, Libro 8 (Excerpts):
- 17 Gesualdo: Madrigals, Libro 8 (Excerpts): No. 19, Come vivi cor mio, W. 10/34 05:20
- Madrigals, Libro 8 (Excerpts):
- 18 Gesualdo: Madrigals, Libro 8 (Excerpts): No. 18, All’ombra degl’allori, W. 10/32 03:55
Info for Gesualdo: Madrigals
The only surviving version of Carlo Gesualdo’s First Book of Madrigals was printed in Spring 1594 by the typographer Vincenzo Baldini. At the time, the composer was twenty-eight years old and had just left behind the murder of his wife, in 1590. In this first publication Gesualdo probably collected pieces composed earlier than 1591. The music is written by a young author, far away from the better-known experimental composer of later years, yet is clear and faultless, and often very effective.
With this album, the members of La Compagnia del Madrigale complete the project which was initiated more than 20 years ago, by then under the name of La Venexiana: the recording of all six books of madrigals of Gesualdo, Prince of Venosa, for Glossa. Thanks to their deep knowledge of the music and the poetry of the time, their beautiful voices and precise tuning, and their exquisite mastery in expressing the affetti contained in these pieces, they have definitely set a reference for this demanding repertoire.
Rossana Bertini, soprano
Francesca Cassinari, soprano
Elena Carzaniga, alto
Giuseppe Maletto, tenor
Raffaele Giordani, tenor
Matteo Bellotto, bass
Daniele Carnovich, bass (tracks 1, 2, 3, 17)
Ensemble La Chimera (track 16)
La Compagnia del Madrigale
Founded only recently, La Compagnia del Madrigale can already be considered as the pre-eminent madrigal ensemble on today’s international early music scene. The choice of the group’s name was inspired by the long-standing friendship and shared experiences of its singers from across two decades of performing together throughout the world. The founding members of the ensemble, Rossana Bertini, Giuseppe Maletto and Daniele Carnovich, while cultivating prestigious individual careers, have worked side by side for over 20 years, and their collective understanding as madrigalists has played a fundamental role in bringing an undisputed high level of artistry to groups such as Concerto Italiano and La Venexiana.
Cantica Symphonia
For over a decade Cantica Symphonia has dedicated itself to the recovery and performance of medieval and renaissance polyphony. Founded in 1995 by Giuseppe Maletto and Svetlana Fomina, the group is now one of the most highly regarded interpreters in its field. Cantica Symphonia’s unique style, fruit of intensive analysis of original sources, is characterized by an ability to bring out the structural and expressive richness of its repertoire. The group’s approach is one of particular care and attention to the interaction between voices and instruments, consolidating the collective experience of its members who individually collaborate with the most highly affirmed groups of today’s international Early Music scene. The fulcrum of the group’s activity has always been the music of Guillaume Dufay, the first great musician of the “modern” era whose works enlightened his times and guided western music through the travailed passage from medieval to renaissance.
Since 2005 Cantica Symphonia has been recording exclusively for Glossa and has released a series of three CDs dedicated to the music of Dufay: two volumes of motets (Quadrivium and Supremum est mortalibus bonum) and a companion disc of chansons (Tempio dell’Onore e delle Vertù). All have received strong critical acclaim.
The ensemble’s concert performances have been met with the same warm consensus as its recording projects. Cantica Symphonia has concertized throughout Italy, France, Belgium, Holland, Switzerland, Estonia, and Slovenia and appears regularly in prestigious festivals: Rencontres de Musique Médiévale du Thoronet, the Festival van Vlaanderen in Brugge and Antwerp, the Tage Alter Musik in Regensburg, Concerts de St. Germain in Geneva, Settembre Musica and Unione Musicale in Torino.
Composers Filippo Del Corno, Carlo Galante and Yakov Gubanov have written music expressly for Cantica Symphonia. Prior to preparing a new large-scale project Cantica Symphonia have recorded an intimate, voices-only selection of motets and laude inspired by the Virgin Mary entitled Stella del nostro mar.
Giuseppe Maletto
engages in an intense activity as a professional singer, dedicating himself principally to medieval and renaissance polyphony and to the music of Claudio Monteverdi. La Venexiana, La Petite Bande, Hespèrion XXI, Ensemble Gilles Binchois, Concerto Italiano, and Mala Punica are only a few of the prestigious groups with which he collaborates, participating in numerous concert tours in Europe, the United States, Israel, Japan, and Argentina. He has recorded over 40 CDs, several of which have received important awards, such as the Deutscher Schallplattenpreis, Prix Cecilia, Diapason d’Or de l’Année, the Premio Cini and the Gramophone Award.
In addition to Cantica Symphonia’s specialization in medieval and renaissance repertoire Maletto has also led performances of Monteverdi’s 1610 Vespers and the Missa In illo tempore, Carissimi’s Jephté, Odes and Anthems by Purcell, and several of Bach’s Cantatas. He has taught courses at the Scuola di Alto Perfezionamento Musicale in Saluzzo (Italy), at the Corso Internazionale di Musica Antica in Polizzi Generosa (Italy), and has held a seminar on the interpretation of the music of Monteverdi at the Novosibirsk Conservatory (Russia).
Booklet for Gesualdo: Madrigals