Nume ine i di gueti Stube Mettiwetti

• 1 2 Bier und 2 Ohre 03:47
• 2 Hüchler 03:32
• 3 Vrenelis Hintermezzo 00:45
• 4 Freigeist 03:44
• 5 Sälber Besser 03:24
• 6 Dini Party 04:13
• 7 Couchpotato 03:53
• 8 Ziit 04:22
• Total Runtime 27:40

Info for Nume ine i di gueti Stube

Still a lot of things are quite open.
In search oft he truth we have asked, googled and trusted in many. We did our best and clocked ourselves (???)
Some people may have guessed, some might have seen it coming and most probably always knew. But what now?

„Nume ine i di gueti Stube*“ is an escape into the unspectacular. Not everything may be true but everything is genuine. It’s not necessarily a reason to celebrate but certainly doesn’t keep us (and you) from it. In the end, a lot remains open, primarily the door. And now it’s time for your own version of this story.

Sara Mettler, vocals
Lukas Mettler, vocals & trumpet
Simon Mettler, vocals & guitar

Recorded by Patrik Schwitter at Sunhill Project Studios, Bremgarten, Switzerland

* gute Stube: is an old (and today jokingly used) form for a living room, a rarely used, better and more sophisticatedly furnished room for representative use

DYNAMIC RANGE: DR 10

Dynamic range describes the ratio of the softest sound to the loudest sound in a musical instrument or piece of electronic equipment. This ratio is measured in decibels (abbreviated as dB) units.
DR (or Dynamic Range) is a term for the degree of dynamic variation within a piece of music or album. Low values (e.g. DR3) reflect a high abuse of compression. Tracks that are DR3 have a range of three decibels between the average and peak program signal. A natural recording, with a low amount of dynamic processing, would have a much higher DR value (e.g. DR12+). The DR system is intended to avoid black and white judgment of dynamic quality. While DR7 is low for rock music or very low for Jazz, it is quite acceptable for electronic club music which has nowadays often values below DR4. All values above DR12 have generally a high dynamic quality.

1982 Simon is born
1984 Sara is born, she meets Simon
1987 Lukas is born, he meets Simon and Sara
1987-2005 The usual ups and downs in the relationship between the three siblings
2005 The festival „Vorstadt Sounds“ prompts Simon, Sara and Lukas to form the Swissgerman coverband „Mettiwetti“
2005-08 They enjoy playing together, sometimes the three of them, sometimes with friends( Beat Wenger, percussion, Didier Bärtschinger , bass) and secretly start adding their own songs tot the cover repertoire
2009 They stop covering and celebrate their first EP christening in December, „mir gäg d’wält“ is born. Samuel Neurohr (dr) and Markus Pupato (b) make a temporary quintet out oft he band
2010-11 Restructuring, two concerts with string quartets, creative break then resurrection of the original formation. Qualification fort he finals of the „Acoustic Songcontest Uster“, preparations for second EP production
2012 Recording of „nume ine i di guet stube“ in the Sunhill Studio of Patrik Schwitter, pre-band of the „Kummerbuben“ in the Garedelion in Will, christening oft he second EP and it will go on....

This album contains no booklet.